Fiction Commons^™

Volume 66 Full Issue, Toyon Literary Magazine

Toyon: Multilingual Literary Magazine

No abstract provided.

The Promethean, Volume 28, The Last Torch, 2020, English Department, Concordia University-Portland

The Promethean

In September, we did not know that this edition of The Promethean would truly be the last. Riding the wave of Blue Apocalypse, our editors sat in front of each other composing a pool of possible themes. We wanted a title that captured the loss of the College of Arts & Sciences at Concordia University – Portland.

We were still present, learning, and generating beautiful work, despite mourning a gaping wound. We wanted to remind those around us—and even ourselves—that the literary heart of this university still burned with passion, talent, and perseverance.

When I suggested The Last Torch …

Educated, Isabella Leõn

Intertext

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The Roasting Company, Isabella Leõn

Intertext

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Hip-Hop Sneaker Collaborations, Wallace Burgess

Intertext

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Section Intro: Puzzles, Sydney Guyton, Stephanie Baquero, Tyler Gilfus

Intertext

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The Wrath Of Motherhood, Taylor Parks

Intertext

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Eyes Of His, Eyes Of Mine, Lily Mullan

Intertext

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Contributors

Intertext

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Jamaican Cowboy, Euzebiusz Wasowicz

Intertext

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Introduction, Crisanta Wadhams, Brittney Tavares

Intertext

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Open My Mouth, Annie Shi

Intertext

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Everything You Don’T See, Lauren Dowling

Intertext

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Front Cover

Intertext

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Scar, Tanushri Majumdar

Intertext

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Meet The Editors

Intertext

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Intertext 2020 — Complete Issue

Intertext

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Meet The Artists

Intertext

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Camouflage, Fred Pond

The Lindenwood Review: a journal of literary prose

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A Blended Displacement; Stories From The Periphery, Katherine Belliel

All NMU Master's Theses

A Blended Displacement; Stories from the Periphery, explores various forms and definitions of displacement through relationships, travel, and the sense of home. The thesis explores such subject matter as a creative work of mixed creative non-fiction and fiction. By engaging with controversial terms like expatriate, immigrant, refugee, and third-culture-kid, the work interrogates the political with the personal. The non-fiction part of the thesis centers on the narrative of a woman from Michigan living abroad, contrasting with the historical fiction portrayal of a Slovenian immigrant in Michigan. Both with ties to Michigan, both displaced, both illustrating the different labels, and …

Table Of Contents (V. 28, 2020)

Intertext

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Section Intro: Facade, Aaqilah Wright, Brandon Belton, Andrew Wallman

Intertext

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Autism Pain, Johanna Chojnicki

Intertext

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Pride, Annie Shi

Intertext

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Being A Minority At Syracuse University, Pamela Flores

Intertext

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Section Intro: (Un)Common Ground, Jung Won Nam, Berri Wilmore

Intertext

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Blend It Like Beckett: Samuel Beckett And Experimental Contemporary Creative Writing, Sam Nicole Campbell

Electronic Theses and Dissertations

Samuel Beckett penned novels, short stories, poetry, stage plays, radio plays, and scripts—and he did each in a way that blended genre, challenged the norms of creative writing, and surprised audiences around the globe. His experimental approach to creative writing included the use of absurdism, genre-hybridization, and ergodicism, which led to Beckett fundamentally changing the approach to creative writing. His aesthetics have trickled down through the years and can be seen in contemporary works, including Aimee Bender’s short story collection The Girl in the Flammable Skirt and Mark Z. Danielewski’s novel House of Leaves[1]. By examining these works …

Skin: Stories, Poems, And Essays, Amanda G. Hadlock

Graduate Theses/Dissertations

This thesis begins with a critical introduction which analyzes the use of objective correlative and varying points of view in creative writing in order to generate dialogue on cultural issues. I relate theories from Edward T. Hall, T.S. Eliot, Mikhail Bakhtin, and Lubomír Doležel to my own writing. Additionally, I situate my own multi-genre writing with work of contemporaries such as Maggie Nelson and Claudia Rankine. My hypothesis is that writers can use an objective correlative (Eliot) from the top of the cultural iceberg (Hall) as an entry point to representing deeper, more fraught cultural issues. Additionally, by experimenting with …

Emileigh Chassell

Barrio Writers

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The Lantern, 2019-2020, Colleen Murphy, Jeremy Moyer, Adam Mlodzinski, Samuel Ernst, Lauren Toscano, Gabriel Tenaglia, Griffin Banks, Madison Mccolgan, Ria Malones, Rachel Thornton, Gabby Demelfi, Liam Worcheck, Ryan Savage, Vanessa Worley, Aviva Schuh, Emily Bradigan, Kiley Addis, Shayna Kushner, Kevin Leon, Tommy Armstrong, Matthew Schmitz, Millie Drury, Jenna Lozzi, Sarah Buck, Cyn Ercole, Morgan Mason, Janice Partee, Madison Rodak, Daniel Walker, Jordan Gagan, Brooke Yanaga, Kate I. Foley, Matthew Li, Zach Brink, Jessica White, Anastasia Dziekan, Jadidsa Perez, Ian Abrahams, Lindsey Reilly, Kalina Witkowska, Kristen Cooney, Julia Paiano, Kylie Halko, Tiffini Eckenrod, Kelsey Gavin

The Lantern Literary Magazines, 1933 to Present

Cochlea, Greek for Snail • That Light in the Sky • Overview Effect • The Running Man • Sunset • Rabbits • What Happened While You Were Drunk Last Saturday Night • 21st Century Frankenstein • Passing • I Saw the Veil • Star Crossed • Subtle Hints • Hungry • Basement High • The Night Who Lost Its Stars • Remnants • Nostalgia • I Want to Go to Bed • Wooden Car Blues • Silver Honey • The Breakup • Here's to Losing You • Marfa • Cold Wind Blows • Last Week • 6/12/2019 • These Feather …