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Articles 481 - 510 of 3907
Full-Text Articles in Fiction
Night Life On The River, Jane Colsher
What Happened To Nell, Mary Louise Colvin
Excerpts From Freshman Themes, Maxine Peters, Betty Davenport, Nelson Collins, Jane Colsher
Excerpts From Freshman Themes, Maxine Peters, Betty Davenport, Nelson Collins, Jane Colsher
Manuscripts
Themes Include: "Night Scene" by, Maxine Peters; "Beware of the Bovines!" by, Maxine Peters; "On Being Nineteen" by, Betty Davenport; "Smart Fish" by, Nelson Collins; and "Artistic Indianapolis" by, Jane Colsher.
Front Matter, Manuscripts Staff
Volume 1, Issue 1: Full Issue, Manuscripts Staff
The Puritans, Mary Stierwalt
Sketches In Retrospect, Robert Putt
Reminiscenses, Francis Funk
Firelight Flashes, Mary Ellen Ewbank
In Favor Of The Ogopogo, Grace Ferguson
Rhythm Is Prose Literature, Betty Davenport
On College Aptitude Tests, Arleen Wilson
What Is Fear?, Mildred Engle
What About Man?, Joseph Calderon
Adult Freshmen, Dorothy Reasoner
Death In The Evening, John Thompson
Mr. Pomroy Goes Out, Louise Dauner
Life Begins At Forty, Rebecca Blackley
Manthy, Mary Elizabeth Search
Tea, Martha Rose Scott
Choice, Richard Lowher
Front Matter, Manuscripts Staff
Master Buddha & The Jolly Golly Fun Time Gang., Todd Edward Evans
Master Buddha & The Jolly Golly Fun Time Gang., Todd Edward Evans
Electronic Theses and Dissertations
This thesis is the first two chapters of a novel. The novel parodies the capitalist and consumerist United States of the 21st Century in the tradition of Thomas Pynchon, Kurt Vonnegut, and Donald Barthelme.
Volume 81, Issue 1: Full Issue, Manuscripts Staff
Contributors, Manuscripts Staff
The Wild Cats Of Aoshima Island, Camille Millier
The Wild Cats Of Aoshima Island, Camille Millier
Manuscripts
Poetry by Camille Millier.
Cats!, Alexandrea Sanders
The Asparagus Of Wheatly Cemetery, Cole Hardman
Interview With Lev Grossman, Cassandra Christopher
Interview With Lev Grossman, Cassandra Christopher
Manuscripts
I’m not an especially emotional being. But when I first read The Magicians, I was furious. I spent thirty minutes trying to explain my anger to my family and to my best friend. I felt that Lev Grossman had soiled Narnia, the most precious world I’d ever known, with a protagonist, Quentin, who was a self-absorbed ass. My advisor, who had recommended the series to me, suggested that perhaps it was an homage rather than a deconstruction, that Lev Grossman loved this world as much as I did and wanted to work with it in a wholly new way. At …
Dry, Claire Christoff