Fiction Commons^™

Fourth Time’S A Charm, Ardennes Vickery

Calvert Undergraduate Research Awards

The sources I used to create my short story, Fourth Time’s A Charm, were essential for all aspects of its development. My story concerns the awkward first meeting of King Henry VIII and his fourth wife, Anne of Cleves. As with all historical fiction stories, striving for period appropriate details and accurate representations of historical events was crucial. The resources that I was able to access through the UNLV University Libraries not only assisted me throughout my project by streamlining the research process, but proved indispensable for obtaining various primary sources that I may not have been unable to access …

Immigrant And Irish Identities In Hand In The Fire And Hamilton's Writing Between 2003 And 2014, Dervila Cooke

CLCWeb: Comparative Literature and Culture

In her article "Immigrant and Irish Identities in Hand in the Fire and Hamilton's Writing between 2003 and 2014" Dervila Cooke discusses the intertwining of Irish and immigrant identities. Cooke examines the connection between openness to memory and embracing migrant identities in Hamilton's writing both in the 2010 novel and as a whole. The empathetic and inclusive character of Helen in Hand in the Fire is analyzed in contrast to characters who have repressed memory including the Serbian Vid. Helen's ties to elsewhere, her openness to new influence, and her willingness to engage with traumatic elements of the past (Irish …

Thematic Bibliography To New Work On Immigration And Identity In Contemporary France, Québec, And Ireland, Dervila Cooke

CLCWeb: Comparative Literature and Culture

No abstract provided.

'The Letter Killeth': The Obscurity Of Language And Communication In Thomas Hardy's Jude The Obscure 2016, Victoria T. Corning

Master's Theses

While the epistolary novel is a genre closely associated with 18th century England, 19th century Victorian literature also incorporates letter writing as a significant form of communication. Written messages convey what can often not be said out loud, as it is easier to hide behind a pen and paper, write in solitude, and be absent when the letter is read by the recipient. Impulsive and emotional thoughts and feelings can be written down immediately and then later edited, which makes writing an unstable form of communication. Is the author conveying true feelings or concealing true feelings? Layering multiple modes of …

"In The Land Of Tomorrow": Representations Of The New Woman In The Pre-Suffrage Era, Natalie B. O'Neal

Department of English: Dissertations, Theses, and Student Research

This digital anthology explores feminism in selected short fiction by women writers from the 1911 run of the popular women’s magazines Woman’s Home Companion, Ladies’ Home Journal, and The Farmer’s Wife. This fiction furthered the women’s rights movement by allowing women to imagine a world similar to their own with a heroine who voiced their desires and enacted change. Rather than the more experimental, inaccessible literature of avant garde high modernist writers consumed by the upper class, popular fiction reached a wider, middle class audience and was more effective at producing a progressive zeitgeist following the stilted Victorian …

Daughters Of The Sun: "The Birth" (An Excerpt), Megan Lynn

Scholarly and Creative Works Conference (2015 - 2021)

“You have never heard of me before. You have never heard of me, but my name has come out of your mouth thousands of times.”

So begins my novel, Daughters of the Sun, the story of Jesus’s twin sister, Alleluia. Using the narrative framework seen in Salman Rushdie’s Midnight’s Children, Alleluia tells her story over one night—Saturday into Sunday morning—in an appropriated apartment facing a church. She weaves into her story another tale of women who have lived in shadows cast by the men around them, women whom history chose to vilify—Lilith, Adam’s first wife who was written out of …

She Spoke For Those Without A Voice, John M. Rudy

Civil War Era Studies Faculty Publications

Statistically, about 50% of Adams County’s history has been women’s history since the dawn of time. But it can sometimes be painfully difficult to find out about the women of our county and their experiences. And as with most history, it is the troublemakers who stand out in the records. Luckily one of Adams County’s greatest troublemakers, Elsie Singmaster Lewars, is easy to find in the files of the Adams County Historical Society. Mrs. Lewars had the courage to speak for those without a voice. [excerpt]

Mbiti And Achebe On The Forward Movement Through The Past, Chima Anyadike

The Journal of Traditions & Beliefs

No abstract provided.

I Am Adele Bloch-Bauer, I Am Hester Prynne, Laurie Lico Albanese Mfa

All Student Scholarship

I AM ADELE BLOCH-BAUER, I AM HESTER PRYNNE is a compilation of fiction and nonfiction. This cross-genre thesis includes two excerpts from historical novels with female protagonists, and an essay on women’s historical fiction. For the study and creation of female-centered historical fiction I researched and wrote in a wide range of areas, both intellectual and temporal. First, I read and traced the emergence of female-focused American historical fiction that began with Nathaniel Hawthorne’s The Scarlet Letter, and continues today with historical fiction based in fact such as Lily King’s Euphoria and Paula McClain’s The Paris Wife and Circling the …

The International Community's Response To The Hypothetical Emergence Of Superheroes, Brittany Nicole Woods

CMC Senior Theses

In a golden era for comic based media, this paper uses the hypothetical emergence of superheroes to analyze the assumptions and predictions of three international relations theories: realism, liberalism, and constructivism. Comics consistently reflect the real world, paralleling events and concepts discussed in foreign affairs dialogues. The thought experiment, and the comic genre itself, provides a vehicle for thinking broadly about the political and social ramifications of successful or failed problem solving, state interaction, and scientific advances.

The Color Of Memory: Reimagining The Antebellum South In Works By James Mcbride Through The Use Of Free Indirect Discourse, Janel L. Holmes

Theses and Dissertations

This thesis examines the use of interior narrative techniques such as free indirect discourse and internal monologue in two of James McBride’s neo-slave narratives, Song Yet Sung (2008) and The Good Lord Bird (2013). Very limited critical attention has been given to these neo-slave narratives that illustrate McBrides attention to characterization and focalized narration. In these narratives McBride builds upon the revelations he explores in his bestselling memoir, The Color of Water (1996, 2006), where he learns to disassociate race and character. What he discovers about not only his mother, but also himself, inspires his re-imagination of the people who …

Du Témoin Et De L’Humain Chez Gilbert Gatore : Le Passé Devant Soi, Jean-Pierre Karegeye

Présence Francophone: Revue internationale de langue et de littérature

This article revisits Gatore’s novel, The past ahead, in analyzing the idea of witnessing. Some critics estimate that the novel does not make a clear distinction between the perpetrator and the victim. While recognizing the danger, the article extends the debate on the notion of the human beyond the categories of “perpetrator” and “victim”. Without excusing acts of the former, the author of this article affirms that the perpetrator and the victim belong to the same humanity. While they remain extreme and inexcusable, crime against humanity and genocides are not a contingent acts, which opens a meditation on the fragility …

Le Devoir De Mémoire Ou Une Identité Ravalée Dans Cicatrices D’Alain Kamal Martial, Katharine Hargrave

Présence Francophone: Revue internationale de langue et de littérature

This article examines the construction of identity in Alain Kamal Martial’s novel, Cicatrices. Conceived during a rape committed by a group of militiamen, the narrator struggles against a sense of obligation to avenge his mother’s assault, as well as a need to liberate himself from this event. However, under the onus of being a proxy witness, he realizes that he cannot forget his duty of memory because he embodies the inherited trauma of past generations. The crude and powerful immediacy of this text forces the reader to reflect upon his or her own role in the remembrance of past injustices.

"Casting Aside That Ficticious Self.": Deciphering Female Identity In The Awakening 2015, Anne L. Dicosimo

Master's Theses

Kate Chopin’s female protagonists have long since fascinated literary critics, raising serious questions concerning the influence of nineteenth-century female gender roles in her writing. Published in 1899, The Awakening demonstrates the changeability of the various representations of woman. In the nineteenth century, the subject of women may be divided into two categories: the True Woman and the New Woman. The former were expected to “cherish and maintain the four cardinal virtues of piety, purity, submissiveness and domesticity” (Khoshnood et al.), while the latter sought to move away from hearth and home in order to focus on education, professions, and political …

L’Animal : Agent Du Biopouvoir Dans L’Imaginaire Postcolonial Alain Cyr Pangop Kameni Et Hervé Tchumkam, Alain Cyr Pangop Kameni, Hervé Tchumkam

Présence Francophone: Revue internationale de langue et de littérature

This article seeks to understand the status of the animal and its relation to biopolitics in postcolonial fiction. Going beyond and against Graham Huggan’s notion of “postcolonial exotic”, the analysis of the relation between human and animal is twofold: first, describe and interpret the mechanisms of power, and second, show how the figure of the beast which is at the center of political struggle and social conflict makes more complex the understanding of the “discipline and punish” in postcolonial contexts. Ultimately, drawing on the study of selected novels and drama, the aim of this paper is to show that the …

Judging Laura, Rebecca E. Richardson

Senior Honors Projects, 2010-2019

Laura Audax is a sixteen-year-old girl who has an interesting set of characteristics. She is a dynamic mixture of compassion, stubbornness, brilliance, recklessness, imagination, and arrogance. The way the world understands these personality traits has transformed and evolved over time. If a girl like Laura lived in four different time periods, society would react differently to her in each era, but the overall question is how different these reactions really are. Does the definition of what makes certain personality traits “good” or “bad” change over time?

The following four stories take place in 1850, 1920, 2015, and 2100 respectively, and …

“The Bedroom And The Barnyard: Zoomorphic Lust Through Territory, Procedure, And Shelter In ‘The Miller’S Tale’” & Haunchebones, Danielle N. Byington

Undergraduate Honors Theses

“The Bedroom and the Barnyard: Zoomorphic Lust Through Territory, Procedure, and Shelter in ‘The Miller’s Tale’” is an academic endeavor that takes Chaucer’s zoomorphic metaphors and similes and analyzes them in a sense that reveals the chaos of what is human and what is animal tendency. The academic work is expressed in the adjunct creative project, Haunchebones, a 10-minute drama that echoes the tale and its zoomorphic influences, while presenting the content in a stylized play influenced by Theatre of the Absurd and artwork from the medieval and early renaissance period.

A Narrative Of The Torments And Unlikely Freedom Of A Child Slave, Hanna Taylor

Slave Narrative - Short Stories

This short story was written as part of the Slave Narrative project, created for an African American Literature class taught by Allison Harris in fall 2015. Students created stories based on the perspectives of real individuals documented in the UM Libraries Special Collections’ Slave Documents Collection.

Betsey Simons: Freedom At What Cost?, Anthony Maristany

Slave Narrative - Short Stories

This short story was written as part of the Slave Narrative project, created for an African American Literature class taught by Allison Harris in fall 2015. Students created stories based on the perspectives of real individuals documented in the UM Libraries Special Collections’ Slave Documents Collection.

Earth And Ashes, Michele Mobley

Slave Narrative - Short Stories

This short story was written as part of the Slave Narrative project, created for an African American Literature class taught by Allison Harris in fall 2015. Students created stories based on the perspectives of real individuals documented in the UM Libraries Special Collections’ Slave Documents Collection.

Her Taste Of Freedom, Orlandra Dickens

Slave Narrative - Short Stories

This short story was written as part of the Slave Narrative project, created for an African American Literature class taught by Allison Harris in fall 2015. Students created stories based on the perspectives of real individuals documented in the UM Libraries Special Collections’ Slave Documents Collection.

Nameless People, Keep Trekking, Brandi Webster

Slave Narrative - Short Stories

This short story was written as part of the Slave Narrative project, created for an African American Literature class taught by Allison Harris in fall 2015. Students created stories based on the perspectives of real individuals documented in the UM Libraries Special Collections’ Slave Documents Collection.

The Hill, Named After Some White Man, O’Shane Elliott

Slave Narrative - Short Stories

This short story was written as part of the Slave Narrative project, created for an African American Literature class taught by Allison Harris in fall 2015. Students created stories based on the perspectives of real individuals documented in the UM Libraries Special Collections’ Slave Documents Collection.

The Example, Nate Bradley

Slave Narrative - Short Stories

This short story was written as part of the Slave Narrative project, created for an African American Literature class taught by Allison Harris in fall 2015. Students created stories based on the perspectives of real individuals documented in the UM Libraries Special Collections’ Slave Documents Collection.

The Match, Marcus Hines

Slave Narrative - Short Stories

This short story was written as part of the Slave Narrative project, created for an African American Literature class taught by Allison Harris in fall 2015. Students created stories based on the perspectives of real individuals documented in the UM Libraries Special Collections’ Slave Documents Collection.

The Queer And The Bodily: Explorations Of Power In Women's Visionary Writing In The Book Of Margery Kempe 2014, Jayne Emerson Stacconi

Master's Theses

The provocative Book of Margery Kempe is a seminal text in the history of female authorship. Claiming to be the first written autobiography, The Book serves as a literary representation of womanhood during the late fourteenth to the fifteenth centuries when Margery was writing, and also speaks to circulating medieval discourses of religion, pilgrimage, and sexuality. Participating in medieval women’s visionary writing as a genre, Margery’s visionary power is a tool by which she is able to emancipate herself from the limiting roles of wife and mother. Additionally, by working within the conventions of visionary writing, Margery is able to …

La Fiction Du Génocide Ou Le Partage Des Émotions, Josias Semujanga

Présence Francophone: Revue internationale de langue et de littérature

The goal of this study is to show that the fiction of genocide aims to share emotions between the narrator and the reader. It is possible to consider the narrator as representing the real reader and not only as the simple recipient written into the text. This is to say that the narrator is a part of the story but is also the reader’s counterpart as the real recipient, because both-- narrator and real reader-- are integrated in the imaginary world of the story. The role of the author is to construct intermediate mechanisms between the reader and the author. …

How To Protect A Literary Character Through Copyright And Trademark, Annie Provenzano

Journalism

This paper is about finding the best practices in which to protect a literary character as an individual and help authors keep the rights to their characters when the characters are taken out of the original work. It focuses on the basic copyright and trademark laws, how they apply to a literary character, what is afforded to the character for protection, and the lack of protection by the courts. The research helps facilitate ideas and advice on how to better protect a literary character before and after the process of copyrighting or trademarking the work.

Last Known Tomorrow, Larry J. Wormington

LSU New Orleans Theses and Dissertations

N/A

« Banlieue Noire » : La Question Noire Dans La Littérature Urbaine Contemporaine, Stève Puig

Présence Francophone: Revue internationale de langue et de littérature

Just as the “beur” movement started to flourish in France in the 80’s and the 90’s, a new question has emerged in French society in the last decade: the “black question”, which deals with the place of Africans and Antilleans in French society today. At the same time, a new literary genre has emerged: urban literature, which largely tackles themes related to the presence of Afro-caribbean people in metropolitan France. This article seeks to analyze three urban novels which take place in France, and more specifically how characters situate themselves regarding their Frenchness as the French government attempted to redefine …