A House With No Walls is an investigation of the idea of chosen family, as it exists apart from the influence of any institution. It alludes to the home as a place that exists within space shared with the people we choose as family and within our own free bodies. This project investigates the collaborative potential of photography, and uses it as a tool in creating a feminist representation of family. All the photographs were made with close friends, in an unplanned and spontaneous manner, to document intimate moments of our everyday lives.

Where Persimmons Grow In The Garden is …

Go to article

Prayer And Gunpowder, Muhammad Saqif Maqsud May 2025

Prayer And Gunpowder, Muhammad Saqif Maqsud

Dissertations and Theses

Prayer and Gunpowder is the opening movement of a larger novel that reimagines piracy in the Mughal Empire through a lyrical, historically inflected narrative. Set in a fictional coastal city haunted by imperial fragility and foreign encroachment, the story follows a young boy, Adam, whose life is ruptured by colonial violence. What begins in the rhythms of everyday life--scarves in the market, whispered prayers, the jovial defiance of youth--erupts into loss, enlistment, and conscription into a crumbling navy that can no longer protect its shores.

The novel explores themes of grief, rupture, inheritance, and spiritual reckoning, filtered through the consciousness …

Go to article

Personas Issue 3, 2025, Jonathan Maiullo May 2025

Personas Issue 3, 2025, Jonathan Maiullo

Personas: Multilingual Creative Writing Journal

No abstract provided.

Go to article

Scared Straight: Investigating The Psychological And Moral Dimensions Of Horror, Angelica Martinez May 2025

Scared Straight: Investigating The Psychological And Moral Dimensions Of Horror, Angelica Martinez

Masters Theses

This research examines the psychological and moral dimensions of the horror genre through qualitative analysis, with particular emphasis on its potential to convey ethical and spiritual meaning. While often dismissed as mere entertainment, horror frequently engages with profound questions of morality, fear, and the human condition. This study argues that horror, especially in its psychological, apocalyptic, and religious forms, serves as a vehicle for moral instruction and reflection. By tracing thematic developments from the 1970s to contemporary expressions of the genre, the research identifies a resurgence of interest in spiritually charged narratives. The findings suggest that horror can play a …

Go to article

First Prev Next Last