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Articles 2131 - 2160 of 3529
Full-Text Articles in Creative Writing
In My Head, Ellie Bentz
Decay, Diptiman Das
Apocalyptic Skies, Luca Espana
Mallam And Magajiyya Chronicles, Diptiman Das
Reimagine Tradition, Julián Sánchez-Melchor
Anthropoid, Diptiman Das
Rouge's Miniworld, Julián Sánchez-Melchor
Serenity, Diptiman Das
You Will Be Ok, Ellie Bentz
Door In The Trees, Greer E H Garver
The Questioning, Beatrice Slevin-Trigo
Echo, Andrew B. Casher
Who Has Stolen The Kids Away?, Julián Sánchez-Melchor
Who Has Stolen The Kids Away?, Julián Sánchez-Melchor
The Mercury
No abstract provided.
On How I Hope You Experience The World And Forgetting, Cyndy Basil
On How I Hope You Experience The World And Forgetting, Cyndy Basil
The Mercury
No abstract provided.
Familiar Flesh, Bethany N. Shifflett
Mother, Cassidy Haines
Memento Mori, Erin Scanga
Celiac Disease: The Tale Of The “Chip Dilemma” And Cross Contamination, Laken J. Franchetti
Celiac Disease: The Tale Of The “Chip Dilemma” And Cross Contamination, Laken J. Franchetti
The Mercury
No abstract provided.
Deliverance, Archer A. Castle
Verses, Andrew B. Casher
Sunday, Aly Leia Wein
Fishing, Antonio D. Giordano
2019, Emily O'Hara
The Lowest Point, Archer A. Castle
Moth, Noelle G. Muni
Memorial, Ainsley C. Green
Growing, Hannah Crowley
Twoothree: Uta Journal Of The Arts, Da-Shiva Francois, Sydney Gillentine
Twoothree: Uta Journal Of The Arts, Da-Shiva Francois, Sydney Gillentine
twoOthree
twoOthree UTA Journal of the Arts: Volume 1 Spring 2024
Coachella Ya Habibi, Yasmine Daas
Coachella Ya Habibi, Yasmine Daas
Capstones
This piece examines Palestinian singer Elyanna’s historic Coachella performance as a cultural moment shaped by visibility, constraint, and the politics of existence. Through firsthand observation and contextual analysis, it traces how Palestinian art—particularly music, fashion, and embodied performance—functions under conditions where identity itself is politicized. Elyanna’s presence on a global festival stage is framed not as a singular breakthrough, but as part of a broader continuum of Palestinian cultural assertion before and after October 7, when artistic expression increasingly carried material risk. By situating her performance alongside shifting industry responses, audience reception, and the evolving role of Palestinian artists in …