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Articles 691 - 720 of 1926
Full-Text Articles in Creative Writing
Feminine Rage, Caitlin Scheresky
I Do Not Understand Time., Jaden Rose
I Do Not Understand Time., Jaden Rose
Floodwall Magazine
Runner-up for the 2023 Gladys Boen Scholarship
The Birds, Jaden Rose
The Birds, Jaden Rose
Floodwall Magazine
Runner-up for the 2023 Gladys Boen Scholarship
Stars, Jaden Rose
Song(S) Of Myself, Aubrey Roemmich
Global Warming, Lucy Paschke
A Love Letter To Chatgpt, Mark Patterson
Aubade With Three Persons, Linnea Nelson
Aubade With Three Persons, Linnea Nelson
Floodwall Magazine
Runner-up for the 2023 Thomas McGrath Award for Poetry
Mirrored Demise, Danika Ogawa
Returning To North Dakota, Linnea Nelson
Returning To North Dakota, Linnea Nelson
Floodwall Magazine
Runner-up for the 2023 Thomas McGrath Award for Poetry
Planting Greek Tomatoes, Linnea Nelson
Planting Greek Tomatoes, Linnea Nelson
Floodwall Magazine
Runner-up for the 2023 Thomas McGrath Award for Poetry
Maria, Maiken Møller-Andersen
Gail And His Snails, Brenden Kimpe
Mug Of Adoration, Savana Middleton
The Last Breath, Nyah Kauders
Marie In The Fall, Nyah Kauders
Dear Already Amused Reader, Lala Guse
Dear Already Amused Reader, Lala Guse
Floodwall Magazine
Winner of the 2023 John Little Fiction Scholarship
Abstraction, Casey Fuller
The Prairie, Casey Fuller
The Prairie, Casey Fuller
Floodwall Magazine
Winner of the 2023 Thomas McGrath Award for Poetry
Heisenberg Uncertainty Principle Blues, Chad Erickstad
Heisenberg Uncertainty Principle Blues, Chad Erickstad
Floodwall Magazine
No abstract provided.
Meeting, Casey Fuller
The Saga Of James Wolfe, Ian Ellenson
I Linger, Valkyrie Bradford
Bees, Amanda Babcock
Bees, Amanda Babcock
Floodwall Magazine
Runner-up for the 2023 John Little Fiction Scholarship
What Is Love? (Baby Don’T Hurt Me), Clara Anderson-Cameron
What Is Love? (Baby Don’T Hurt Me), Clara Anderson-Cameron
Floodwall Magazine
No abstract provided.
Tattoos And Chopsticks: My Mother And I, Claire Arneson
Tattoos And Chopsticks: My Mother And I, Claire Arneson
Floodwall Magazine
No abstract provided.
I Hope You Read This And Feel Awful, Clara Anderson-Cameron
I Hope You Read This And Feel Awful, Clara Anderson-Cameron
Floodwall Magazine
No abstract provided.
The Sounds Of The Shore: An Afrofuturistic Double Record Performed Through Vernacular Technology, Collin Bright
The Sounds Of The Shore: An Afrofuturistic Double Record Performed Through Vernacular Technology, Collin Bright
Masters Theses, 2020-current
Predominately white institutions are socially exclusive hostile environments that uphold white heteronormative patriarchal systems (Harper, 2013; Holliday & Squires, 2021; Razzante, 2018). The everyday task of existing on campus is a struggle for students of color as they are asked to enter spaces/places that are not diverse, inclusive, equitable, or accepting. To address the oppressive and dismissive forces of campus, my thesis uses Afrofuturism to reimagine what it means to exist as a student of color at a PWI. Afrofuturism is a “counter-imaginative cultur[al]” aesthetic-based practice that uses creative postcolonial critiques to reimagine future possibilities (Asante & Pindi, 2020; Pirker …
The Exile's War, Stephen Edwards Arnold
The Exile's War, Stephen Edwards Arnold
Master of Arts in Professional Writing Capstones
In Gaelwyn, the village of a thousand stories, Katchan receives a powerful ruby and an ancient technique called writing hidden by his grandmother, Maggaline. Jealous of the power Katchan has, the village Elder seeks to destroy him. After escaping the Elder, Katchan must leave his home and traverse a dangerous and mysterious wasteland that will lead him directly into an ancient conflict that lost a powerful empire to the sands of time.
The Dark House And Its Inhabitants, Emily Bielski
The Dark House And Its Inhabitants, Emily Bielski
MFA in Illustration & Visual Culture
From the inception of the genre, Gothic horror has been fixated on the domestic space in distress. This essay explores domestic archetypes and roles of the Gothic novel, serving as a “tour of the house”, analyzing the iconography of the dark castle, and how it externalizes and exacerbates the fears and behaviors of its inhabitants. The power dynamic of the household is starkly divided by the expectations and authority of masculine and feminine figures. In turn the “house” becomes a vehicle for the anxieties of the inhabitants—both experienced and inflicted—regarding gender, sexuality, isolation, and abuse. Exploration of the visual and …