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Articles 2431 - 2460 of 3175
Full-Text Articles in Creative Writing
Poem For The Places I Am In The Closet, Gillian Ebersole
Poem For The Places I Am In The Closet, Gillian Ebersole
The Lindenwood Review: a journal of literary prose
No abstract provided.
Becoming, Charlotte Covey
Becoming, Charlotte Covey
The Lindenwood Review: a journal of literary prose
No abstract provided.
Dead Man At Siesta Key, Eve Jones
Dead Man At Siesta Key, Eve Jones
The Lindenwood Review: a journal of literary prose
No abstract provided.
Magic, Meagan Perry
Magic, Meagan Perry
The Lindenwood Review: a journal of literary prose
No abstract provided.
In The Timeline Where She’S An Easy Choice, Gabrielle Tribou
In The Timeline Where She’S An Easy Choice, Gabrielle Tribou
The Lindenwood Review: a journal of literary prose
No abstract provided.
The Lindenwood Review, Issue 12 (2022), Full Issue
The Lindenwood Review, Issue 12 (2022), Full Issue
The Lindenwood Review: a journal of literary prose
No abstract provided.
Compass Basics, Angie Macri
Compass Basics, Angie Macri
The Lindenwood Review: a journal of literary prose
No abstract provided.
A Place For Nothing, Tegan Bradley
A Place For Nothing, Tegan Bradley
The Lindenwood Review: a journal of literary prose
No abstract provided.
It’S Okay If They Don’T, Daniele Skor
It’S Okay If They Don’T, Daniele Skor
The Lindenwood Review: a journal of literary prose
No abstract provided.
Scars And Time, James Palmer
Scars And Time, James Palmer
The Lindenwood Review: a journal of literary prose
No abstract provided.
Spells, Beth Mattson
Spells, Beth Mattson
The Lindenwood Review: a journal of literary prose
No abstract provided.
I Remember Now The Ecstasy Of Being Saved, Sarah Baldwin
I Remember Now The Ecstasy Of Being Saved, Sarah Baldwin
The Lindenwood Review: a journal of literary prose
No abstract provided.
Why I Can’T Love You Right, Piper Gourley
Why I Can’T Love You Right, Piper Gourley
The Lindenwood Review: a journal of literary prose
No abstract provided.
The Art Park, Kathryn Bratt-Pfotenhauer
The Art Park, Kathryn Bratt-Pfotenhauer
The Lindenwood Review: a journal of literary prose
No abstract provided.
Removing The Body, Matt Whelihan
Removing The Body, Matt Whelihan
The Lindenwood Review: a journal of literary prose
No abstract provided.
At The Rapids, Richard Jacobs
At The Rapids, Richard Jacobs
The Lindenwood Review: a journal of literary prose
No abstract provided.
Neighbors, William Cass
Neighbors, William Cass
The Lindenwood Review: a journal of literary prose
No abstract provided.
Japanese-English Translation: Katayama Hiroko—Jesus And Simon Peter (June 1953), Christopher Southward
Japanese-English Translation: Katayama Hiroko—Jesus And Simon Peter (June 1953), Christopher Southward
Comparative Literature Faculty and Student Scholarship
Translation of 「イエスとペトロ」、片山廣子著、昭和28年6月
Source: Aozora Bunko (a digital archive of public-domain Japanese-language works)
General website: https://www.aozora.gr.jp
Current text: https://www.aozora.gr.jp/cards/001346/files/50159_41222.html
A Bird’S Eye View: Large-Scale Tonal Structures In Robert Schumann’S Four Song Cycles (Op. 42, 24, 39, And 48), Peter Kramer
A Bird’S Eye View: Large-Scale Tonal Structures In Robert Schumann’S Four Song Cycles (Op. 42, 24, 39, And 48), Peter Kramer
Dissertations, Theses, and Capstone Projects
Some of Robert Schumann’s most notable works are his Lieder for solo voice and piano accompaniment. Schumann's Lieder are considered some of the best compositions in this genre, engendering various interpretations by performers and exciting vigorous debate among musicologists and theorists. Robert Schumann’s early music was almost entirely composed for the piano alone; it wasn’t until 1840 that he started to compose almost exclusively Lieder and song cycles inspired by his predecessors Beethoven and Schubert. This was a prolific year for Schumann compositionally, in part due to his marriage to Clara Schumann who was one of Europe’s most preeminent piano …
Inheritance: A Memoir, Jennifer Skoog
Inheritance: A Memoir, Jennifer Skoog
Dissertations, Theses, and Capstone Projects
I was born and raised on a small farm in central Minnesota, the youngest of nine. Our lives centered around a dogmatic faith that banned sex education and birth control in any form. The consequences of these teachings put my life on a tragic course, and I paid dearly for my ignorance. With the help of a therapist and a deep commitment to myself, I left the faith. After I earned a college degree in my early 40s, I began to critically examine my upbringing. Through my educational journey in Black studies, I saw deeply troubling ways in which my …
Who Taught You To Hate Yourself: Disentangling My Black Identity From White Christian Doctrine, Patrice Lorna Lebron
Who Taught You To Hate Yourself: Disentangling My Black Identity From White Christian Doctrine, Patrice Lorna Lebron
Dissertations, Theses, and Capstone Projects
How does white Christian doctrine fragment Black existence? When African slaves bound in chains landed on the shores of the Americas, they brought their religious and cultural traditions into that oppressive environment. They were dehumanized and compelled to embrace white Christian doctrine enforced on them by white theologians and white enslavers. Slaves were branded as inhuman and inferior beings. Biblical scriptures became a vessel for their prayers, dreams and sacred ceremonies. They transformed their deities into biblical prophets. Their African identity, religious and cultural beliefs were demolished and shrouded with biblical mis-interpretations to promote white supremacy.
This capstone project WHO …
Space And Identity In J.M. Coetzee's Life & Times Of Michael K, Joshua Baker
Space And Identity In J.M. Coetzee's Life & Times Of Michael K, Joshua Baker
University Honors Theses
Occupying colonial governments establish and maintain power through the demarcation and control of space, a process Sara Upstone terms "overwriting". In Life & Times of Michael K, Coetzee imagines the complication of establishing and maintaining a self-identity amid the strict control of space in post-apartheid, wartime South Africa, and it is this conflict of identity which comprises the novel’s subplot. The reader follows Michael K's odyssey over hundreds of miles in his quest to find the farm on which his mother was born and raised. His journey is repeatedly thwarted by state actors who enforce a strict control of movement …
So Long My Friend, Bryan Mcnair
So Long My Friend, Bryan Mcnair
Journal of Humanistic Mathematics
No abstract provided.
Wrong Way, Joseph Chaney
Woman, In Parts, Noelle Leslie Dela Cruz
Woman, In Parts, Noelle Leslie Dela Cruz
Akda: The Asian Journal of Literature, Culture, Performance
In this essay, the text of a craft lecture presented for the Bienvenido Santos Creative Writing Center, I discuss the interrelationship between gender and poetry. I present a close-reading of “Dreamweavers” by Marjorie Evasco, followed by a recital and critical description of five of my own poems. These are organized around specific body parts, by way of critical engagement with the association between femininity and the body.
Womanunulat: Popular Critical Writing As Performance, Katrina Stuart Santiago
Womanunulat: Popular Critical Writing As Performance, Katrina Stuart Santiago
Akda: The Asian Journal of Literature, Culture, Performance
This essay discusses the exclusionary principles of the literary establishment in the Philippines using the lens of labor, given critical writing as practice, and gender as performance. It maps out a personal and professional history of writing that is intricately tied to the various voices of other women writing, across different forms, and throughout Philippine history, where women have shown that at the heart of this practice, and at the core of this performance, is freedom.
The Writing Of State Of Happiness: Writing The Archipelago, Clarissa V. Militante
The Writing Of State Of Happiness: Writing The Archipelago, Clarissa V. Militante
Akda: The Asian Journal of Literature, Culture, Performance
A novelist’s main task is to re-imagine and re-present worlds, re-construct time and space, create new novel forms. But there are three things that a novelist resists as much as they can. A novelist would rather not talk about their own work, as it should not be upon them to interpret what they wrote. For this writer, it should be intentions, not meanings, that should matter. Second, to tell the story of how one began and wrote their novel is also something to be avoided if one can, unless as Umberto Eco said it could help enlighten others in terms …
Lesbian-Essaying Through Textual In(Ter)Ventions In Memoir, Jhoanna Lynn B. Cruz
Lesbian-Essaying Through Textual In(Ter)Ventions In Memoir, Jhoanna Lynn B. Cruz
Akda: The Asian Journal of Literature, Culture, Performance
In this exegetical essay, I show how I have deployed linguistic and non-linguistic strategies in the writing of my memoir in order to make my lesbian identity as a writer visible on the page without explicitly stating it. Using the theoretical ideas of Teresa de Lauretis and Nicole Brossard, I assert that a non-conventional approach to the writing of memoir is how a lesbian writer can challenge heteronormative writing standards, particularly in the Philippine literary system, within which I had allowed myself to be molded in my past writing practice. Some of these textual in(ter)ventions—both inventions and interventions—are narrative structure, …
Fallen Behind A Head, Richard Croft