Creative Writing Commons^™

Jesus Christ Took My Baby Away, David Lovett

Exile

No abstract provided.

Little Pieces Of A Mind I Once Owned, Reyan Ali

Exile

No abstract provided.

The Death Of Phaethon, Sarah Bishop

Exile

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Fall, Jess Haberman

Exile

No abstract provided.

Sonnets For The Musician That I Loved, Sarah Bishop

Exile

No abstract provided.

Tainted Memories Of June, Melissa Holm

Exile

No abstract provided.

Amjambo Africa! (November 2021), Kathreen Harrison

Amjambo Africa!

In this Issue

Afghanistan................................2

Anti-racism. ...............................3

Wabanaki Alliance. ...................5

Allan Monga. .............................6

Translations .......9-13, 30/31, 33

French • Kinyarwanda

Portuguese • Somali

Spanish • Swahili

Africa/COVID.........................13

Banyamulenge....................13/14

Burundi/UN. ...........................14

Tigray........................................14

Rebels........................................14

Market Basket..........................15

Azerbaijani women.................18

Health & Wellness. ............20-29

Diabetes | COVID In English & translation

Columns .......................19, 32/33

Maine Equal Justice

ILAP – IntWork

Let’s Talk • Beautiful Blackbird

New Voices ..................34/35/37

Dr. Abdullahi Ahmed

Rupal Ramesh Shah

Nsiona Nguizani

Coco McCracken

Gashi

Kifah Abdulla

Financial Literacy. ...................36

Tips & Info ...39

Poem No. 126, November 2021, Huntsville Literary Association (Huntsvile, Ala.)

POEM

The Huntsville Literary Association was founded in 1967 to provide a community for writers, readers, and artists through workshops, readings, and educational programs. One of their key contributions is the literary magazine titled POEM which showcases original writings from both established and emerging writers. This issue features poems from various writers.

"Read It Again!": Storytelling To Imitate The Great Teacher, Kate Whatley

Senior Honors Theses

The student’s mind is bent on stories, asking mothers around the world to ‘read it again’. These stories preserve information and emotions for centuries. In the classroom, stories enliven motivation and empathy in ways that result in higher academic achievement and social awareness. Learning to use stories as a key instructional strategy will allow for more equitable opportunities in classrooms, encourage mental health and truth telling for the teacher and the student collectively, and allow the academic community to imitate Christ by contributing to the bigger story taking place across time. In application of using stories as teachers, this thesis …

Crossings Of Heritage, Memory And Archives: A History Of Moroccan Cinema In The Bouanani Archives, Sarah Dornhof

Regards

This article interrogates archival forms and practices in relation to remembering the “lost archives” of Moroccan cinematographic history.
It presents the Bouanani Archives — a private, fragmented, and still largely uncatalogued collection located in the Bouanani family apartment in Rabat, comprising a variety of texts, visuals, and objects connected to Morocco’s cinematographic and cultural memory.
The archive is the personal legacy of filmmaker, writer, and artist Ahmed Bouanani (1938–2011), his wife Naïma Saoudi (1947–2012), and their daughter Batoul Bouanani (1969-2003), all of whom worked for Moroccan cinema.
Today, it is preserved and cared for by his daughter Touda Bouanani and …

Towards A Decentered History Of Palestinian Revolutionary Cinema? Case Study Of The Film “Tall El Zaatar” In The Audiovisual Archives Of The Italian Communist Party, Hugo Darroman

Regards

The film Tall El Zaatar (1977, Abu Ali, Pino, Chamoun, Palestine/Italy), a co-production between the Palestinian Cinema Institute and the Italian Communist Party’s (PCI) audiovisual company, was considered lost for three decades and finally rediscovered in 2011.
Beyond the dramatic stories surrounding this film, Tall El Zaatar reveals the importance of considering the transnational dimension of Palestinian militant cinema.
In this article about Tall El Zaatar, I approach the history of Palestinian revolutionary cinema through the traces left within the archives of an institution with which the Palestinian filmmakers collaborated.
On the basis of a set of interviews and …

Iraqi Cinema Beyond The Screen And The Archives Of Leisure, Pelle Valentin Olsen

Regards

The emergence of new forms of leisure in Iraqi urban landscapes, such as cinemas, nightclubs, and theaters, unleashed debates about the dangers and potentials of leisure.
The result of this process is a vast, albeit scattered, archive of texts that deal with practices and institutions of leisure.
The archive of leisure, as it pertains to cinema, can be located across a variety of texts including memoirs, short stories, student essays, police records, official discourse, medical texts, and works by Iraqi historians.
Given the limited access to Iraqi film and cinema archives, the archive of leisure can offer an important addendum …

Ciné-Archivistes And The Metaleptic Archive Of Lebanese Cinema, Claire Launchbury, Marilyn Matar, Max Silverman

Regards

The article considers three Lebanese films – Il était une fois, Beyrouth (1995) by Jocelyne Saab, the short Le Liban à travers le cinéma (2003) and the documentary Cinéma de guerre au Liban (2003), both by Hady Zaccak – to explore the archival impulse in their composition.
We suggest that this impulse takes two major forms: the use of a montage of sequences from Lebanese films, or films about Lebanon, and crossovers between narrative thresholds and between fact and fiction.
We draw on Gérard Genette’s version of metalepsis to analyze the nature of these crossovers, and on the notion of …

سيميولوجيا جمالية الفضاء في فيلم: "السنونو لا يموت في القدس" لرضا الباهي, Abdel Salam Shaaban

Regards

In this study, we aim to conduct a perceptual experiment and a semiological reading of the aesthetics of space in the film El Sounounou La Yamoutou Fil Kods by Tunisian director Ridha Behi.
This film, produced in 1994, came as a response to the accusation that Tunisian cinema ignored the Palestinian cause. It also combines three genres of cinematic practice: fiction, documentary, and political.
The film tells the story of the search for a mother who has been lost since 1948. A daily newspaper publishes a recent photo of this mother. The director takes her story as a starting point …

Le Cinéma Maghrébin Entre Traçabilité Coloniale Et Déterminations Nationales, Malika Gueddim

Regards

This article focuses on the beginnings of cinema in the Maghreb countries (Algeria, Morocco, and Tunisia), which suffered the same process of enculturation in favor of the culture of the French occupier.
From the end of the Second World War, the colonial authorities understood the importance of cinema, through fiction or newsreels, and the urgency of creating cinematographic centers: in Morocco in 1944, and in Tunisia in 1946.
Algeria, considered a French department rather than a protectorate, was provided with a cinematographic service by the Algerian governorate in 1947.
Then comes the period of independence, in which directors from these …

Exile Vol. Lxii, Megan Van Horn, Sam Rice, Elsie Humes, Isabel Randolph, Stephanie Gorsek, Julia Mcdaniel, Laura Lussier, Olivia Geho, Mattie Shepard, Alexandra Parthun, Manvi Jalan, Antrim Ross, Kirsten Elmer, Ryan Erickson, Alex Curran-Cardarelli, Jillian Koval, Emily Carnevale, Allie Vugrincic, Maggie Jones, Dominic Pfister, Elsie Humes

Exile

No abstract provided.

Front Matter, Editors

Exile

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John From Patrick, Sydney & John (Artwork), Anna Owens

Exile

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Dream Song Iii, Or Dreams Of Softness, Imani Congdon

Exile

No abstract provided.

Blanket, Aidan Vansuetendael

Exile

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The Vagrant, Justine Morelli

Exile

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The Poetry Of Gerald Thatch, Jason Wesseling

Exile

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Untouch (Artwork), Yuliya Klishch

Exile

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Three Dots, Three Dashes, Sophia Menconi

Exile

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Stonewall Lake, Cassandra Fleming

Exile

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Animikiig (Photograph), Amber Wardzala

Exile

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Australia From The Ground, Micah Frenkiel

Exile

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Milk (Artwork), Yuliya Klishch

Exile

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The Weight Of Grief, Britanny Atkinson

Exile

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On Mania, Ignored, Allison Koneczny

Exile

No abstract provided.