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Articles 1321 - 1350 of 1438
Full-Text Articles in Creative Writing
Gold-Painted Tassel, Emily Blevins
Coming Home, Nicole Bredeson
Eyes Open, Hayley Mojica-Morales
Diagnosing Kyle Grenshaw, Chris Boss
Old Book Smell, Ashley Colón
The Contest, Carter Staub
Surgeon, Grace Dawson
The Bar, Betty Holloway
Wishing Children, Nicole Bredeson
Evolving White, Astoria Aviles
Killed By Crossbow, Carter Staub
To Jenni, On Christmas Eve, Sam Crusemire
Embarrass Me, Please, Sabrina Islam
Petite, Ashley Colón
500 Things I Love About You, Richard Jennis
When I Was A Careless Child, Cheyenne Varner
The Bird, Carter Staub
Caring Is Creepy, Chris York
Lines For The Spider Who Has Probably Bitten The Back Of My Leg, Jenni Swegen
Lines For The Spider Who Has Probably Bitten The Back Of My Leg, Jenni Swegen
The Messenger
No abstract provided.
Finders Keepers, Nicole Bredeson
Boots, Rachel Bevels
What To Offer, What To Take, Cheyenne Varner
Dead Men, Walking: Actors, Networks, And Actualized Metaphors In Mrs. Dalloway And Raymond, Elizabeth Outka
Dead Men, Walking: Actors, Networks, And Actualized Metaphors In Mrs. Dalloway And Raymond, Elizabeth Outka
English Faculty Publications
This article takes up Rita Felski’s recent call to modernists to explore how Bruno Latour’s latest work on actor-network theory might be adapted for literary studies. It examines two accounts of World War I soldiers who (allegedly) return from the dead in material form: Virginia Woolf’s fictional account of Septimus Smith, who is convinced his friend Evans has come back from the dead, and Oliver Lodge’s best-selling memoir, Raymond, or Life and Death, which recounts in detail how Lodge believed his dead son sent messages to the family to assure them of his continued material existence. That these moments …
Foreword: Dead Wood And Rushing Water: Essays On Mormon Faith, Family And Culture, Terryl Givens
Foreword: Dead Wood And Rushing Water: Essays On Mormon Faith, Family And Culture, Terryl Givens
English Faculty Publications
The essay is a form particularly well suited for Mormon writers, for it blends a number of their cultural and religious imperatives. We are a confessional people, in both senses of the word. In keeping with Augustine’s principal employment of the term, we are committed to the public profession of our faith. Not merely as an act of evangelizing, but among the more reflective Saints, as an articulated meditation on our yearning for the divine, and a psalmic celebration of God’s gifts. We are also confessional in the more conventional sense: journal keeping, the informality of Mormon worship, public testimony …
Cemetery Gates, Edward Hirsch
Clearcut, Claudia Emerson
Church, John Poch
Autumn In Paradise, Tory Adkisson
A Commonplace Twilight, Brett Foster
Sycamore Envies The Cottonwoods Behind Your Place, Kathy Fagan
Sycamore Envies The Cottonwoods Behind Your Place, Kathy Fagan
Birmingham Poetry Review
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