Creative Writing Commons^™

The Mind That Binds, Kenneth O'Keefe

Westview

No abstract provided.

Wingspan, Taylor Graham

Westview

No abstract provided.

Today We Cut Down An Apple Tree, Ashley Martin

Westview

No abstract provided.

One More Lullaby, Christine Kravetz

Westview

No abstract provided.

Monday's Child, Barbara Eknoian

Westview

No abstract provided.

The Smithfield Boys, Dennis Ross

Westview

No abstract provided.

Roofing The Barn, Sandy Longhorn

Westview

No abstract provided.

Black Dirt Girls, Sandy Longhorn

Westview

No abstract provided.

The Widow Burden's Suspicions About John Sprockett, Robert Cooperman

Westview

No abstract provided.

The Widow Burden, After Her Second Interview With John Sprockett, Robert Cooperman

Westview

No abstract provided.

Shattered Wholeness, Kassie D. Heisserer

Honors Capstones

Capstone submitted as a graduation requirement for the BSU Honors Program.

¡Escriba! ¡Write! Volume 4, June 2006, Hostos Community College Library

¡Escriba!

No abstract provided.

Hannah Arendt, Boris Diop Et Le Rwanda : Correspondances Et Commencements, Isabelle Favre

Présence Francophone: Revue internationale de langue et de littérature

While the social and political sciences account for a relatively large number of books on the 1994 Rwandan genocide, there are still very few literary texts on the subject. Taking Hannah Arendt’s concept of beginning as its point of departure, this article begins with an analysis of the “act of writing” before going on to examine the dynamic interplay between philosophy and literature via Boris Boubacar Diop’s novel Murambi, le livre des ossements (2000).

Doublures, Restes Et Rapports : Les Corps Entre Méconnaissances Et Mises, Jean-Godefroy Bidima

Présence Francophone: Revue internationale de langue et de littérature

If the body finds a place in our discourse, it is only to justify what we abhor and to provide us with alibis. However, some postcolonial discourses generate misunderstanding via two major omissions: on the one hand, they steer away from a critique of the political economy of the scholar’s own body and its relationship to economic power; on the other hand, they fail to explore what can be said about the body conceived as remains and as residue. One cannot properly conceive of the body as a substance but, rather, as a relation —a relation to what it is …

Ua32/4/1 Women & Kids Learning Together Summer Camp, Wku Gender & Women's Studies

WKU Administration Documents

Booklet reviewing events at Women & Kids Learning Together Summer Camp.

Sony Labou Tansi : La Question Du Bas Matériel Et Corporel, Boniface Mongo-Mboussa

Présence Francophone: Revue internationale de langue et de littérature

According to Mikhail Bakhtin, the material and corporeal “lower stratum” includes the symbols that refer to the nether regions of the human body. By adopting this approach to writing in a dictatorship, Labou Tansi most likely wanted to protect his work and himself from possible reprisals by his country’s political authorities. More importantly, however, this move constitutes a strategy of subversion of Marxist ideology: the focus on the material and corporal “lower stratum” (indistinguishable from the carnivalesque) is a form of resistance to what Bakhtin calls official discourse, and becomes a way of reclaiming the writer’s literary autonomy.

Femme Nue, Femme Noire : Tribulations D’Une Vénus, Lydie Moudileno

Présence Francophone: Revue internationale de langue et de littérature

This article examines the return, in two contemporary novels, of the figure of the “naked black woman” as an emblematic site of difference. Two women of African origin take back this twice-appropriated figure and use it to question the ways in which the materiality of the body is again being written into contemporary postcolonial society. The aim of the essay is to underline the means and meaning deployed in these new appropriations of African icons, while pointing to some possible limits to the symbolic passage from the colonial imagination to a postcolonial one.

L’Inscription Du Corps Dans Quatre Romans Postcoloniaux D’Afrique, Augustine H. Asaah

Présence Francophone: Revue internationale de langue et de littérature

More and more, contemporary African literature dwells on the body —as the subject and object of desire, as a refuge and as a commodified and objectified victim. Using as reference points four novels —Calixthe Beyala’s C’est le soleil qui m’a brûlée and Femme nue, femme noire, Williams Sassine’s Mémoire d’une peau and Nimrod’s Les jambes d’Alice— all of which inscribe the body onto and into the text, this article seeks to analyse diverse manifestations of the textualized body. Works of alienation and dispossession, these four texts also focus on corporeal quests for equilibrium. The presence of the body in the …

Le Système Des Personnages Dans Corruption De Pramoedya Ananta Toer Et L’Homme Rompu De Tahar Ben Jelloun, Magda Ibrahim

Présence Francophone: Revue internationale de langue et de littérature

A comparison of the character systems of Tahar Ben Jelloun’s The Broken Man and Pramoedya Ananta Toer’s Corruption (transmitter text) has made it possible to identify the same type of protagonist at the core of each novel. He is, in short, a mere functionary overburdened with social responsibilities, leading a cramped life and trying to live and breathe. But the portrayal of him in The Broken Man is more precise, and has greater depth. Moreover, the character systems as a whole is richer, more complex and subtle in this last novel, compared with that

Vol. Xliii, No. 3: The Virtually Unknown Poetry Of Harcourt Mountain, Henry Taylor

The Hollins Critic

No abstract provided.

Faire Taire Les Silences Du Corps Noir, Cilas Kemedjio

Présence Francophone: Revue internationale de langue et de littérature

From the middle passage to modern day red light districts, from human zoos to the “compassionate” forum of the TV screen, the display of the black body has long formed the narrative thread of a monologue uttered by a West pleased with the sound of its own voice. The staging of the black body can be said to have rendered black voices silent, and this study sets out to break this silence.

Poetry, Don Johnson

Bridgewater Review

No abstract provided.

Westview: Vol. 25, Iss. 1 (Spring/Summer 2006)

Westview

No abstract provided.

Logos, Eros Y Poiésis: Una Interpretación Sobre El Poema Quejas De Menón Por Diótima De Friedrich Hölderlin, Adriana Renero

Publications and Research

Resumen

La poesía designa fundamentalmente inspiración e inventiva artística. Como el mismo nombre indica, poesía es creación y producción: poiésis en sentido estricto. Si toda poesía es Poiésis da por presupuesto el lenguaje o Logos que se manifiesta en el poema. Y dado que el poema, para los románticos, es en sí mismo devenir, trasformación permanente y nunca acabada, en el poema se puede advertir la presencia de Eros si se concibe como tendencia, aspiración continua y movimiento anhelante.

Partiendo de una interpretación propia, la poesía del romántico alemán Friedrich Hölderlin (1770-1843) muestra la reunión y convivencia de Logos, Eros …

Reviving The Subject: A Feminist Argument For Mimesis In Literature., Messina Lyle

Electronic Theses and Dissertations

For centuries we have taken for granted Aristotle's assertion that fiction must encourage emotional identification by representing life realistically. With the development of a more pluralistic society, Postmodernist writiers have come to question that assumption. Having repudiated our ancestor's notions of identity, these writers create stories whose sole purpose is to comment on other stories. However, as some feminist critics have shown us, we must each have an identity in order to have the collaborative society that is the Postmodernist's goal. Therefore, the notion that a story must make a sensory impression on us and stand on its own as …

Metaphor Manifested: An Examination Of Metaphor In Katherine Mansfield, Kathleen E. Kotaska

Seton Hall University Dissertations and Theses (ETDs)

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The Meaning Of Life, Lauren Rothenberg

Hieroglyphics: the NSU University School Literary Magazine

No abstract provided.

The Day They Finally Came, Eduardo Hariton

Hieroglyphics: the NSU University School Literary Magazine

No abstract provided.

Regret, Brittnie Baker

Hieroglyphics: the NSU University School Literary Magazine

No abstract provided.

Symmetry, Andrew Perez

Hieroglyphics: the NSU University School Literary Magazine

No abstract provided.