Creative Writing Commons^™

Reviews, Katie Kane, Sheryl Mylan, Jerome Bump

The Journal of the Assembly for Expanded Perspectives on Learning

Reviews

Katie Kane. Women Writing Culture. (Gary A. Olson and Elizabeth Hirsh, Eds., 1995). Women/ Writing/ Teaching. (Jan Zlotnik Schmidt, Ed., 1998).

Sheryl Mylan. ARTiculating: Teaching Writing in a Visual World. (Pamela B. Childers, Eric Hobson, and Joan A. Mullin, 1998).

Jerome Bump. Emotional Intelligence. (Daniel Goleman, 1995).

When A Student Ends A Wounded Silence, Dave Waddell

The Journal of the Assembly for Expanded Perspectives on Learning

Students who disclose psychological trauma may derive therapeutic benefits, and writing teachers should carefully consider their roles.

Home Movies, Vicki L. Reitenauer

Women, Gender, and Sexuality Studies Faculty Publications and Presentations

This is a piece of creative nonfiction

At The Funeral Of The Ether, Claire Bateman

Ninety-Six Press

No abstract provided.

Plums: A Geography (Poem), Frank Pommersheim

Faculty Publications

No abstract provided.

Unknown Father, Joe Musso P. 33

Birmingham Poetry Review

p. 33

Betty's Birthday Rocket, D C. Berry P. 7

Birmingham Poetry Review

p. 7

Saying The Unsaid, Elisabeth Murakowski P. 32

Birmingham Poetry Review

p. 32

Uncle Will's Second Wife, Karen Zabrowski

Birmingham Poetry Review

p. 33

Teaching An Inmate To Read, Joseph Bathanti P. 5

Birmingham Poetry Review

p. 5

The Well, Paul Mcray P. 30

Birmingham Poetry Review

p. 30

Trespasser, Robert Collins

Birmingham Poetry Review

pp. 38-39

I Should Have Guessed, Theodore Haddin P. 19

Birmingham Poetry Review

p. 19

The Luck Child, Maureen Tolman Flannery

Birmingham Poetry Review

pp. 10-11

Learning Chinese Path, Kathryn H. Gessner

Birmingham Poetry Review

p. 13

Three Days Later, In Preparation I Disobey, Dale M. Kushner

Birmingham Poetry Review

p. 23

I Ching #15 Modesty, Karen Zealand

Birmingham Poetry Review

p. 36

Birmingham Poetry Review 19 (End Matter), Birmingham Poetry Review Staff

Birmingham Poetry Review

pp. 40-42

Now & Then (Volume 15, Issue 02, 1998), Center Of Excellence For Appalachian Studies And Services, East Tennessee State University

Now & Then: The Appalachian Magazine

Now & Then: The Appalachian Magazine, Volume 15, Issue 02, published in 1998. The theme of this issue is Appalachian Poetry. The issue examines Appalachian poetry through individual voices and community-based initiatives, highlighting literary traditions, small presses, workshops, and programs that use poetry to foster self-discovery and a shared sense of place across the region.

Jaepl, Vol. 4, Winter 1998-1999

The Journal of the Assembly for Expanded Perspectives on Learning

Essays

Laurence E. Musgrove. Attitudes Toward Writing. This essay describes one teacher's approach to helping students understand the role attitude plays in contributing to or interfering with success in the writing class.

Mark McBeth. Body Oddities: Hypothetical (Com)positions from the Physically Extreme. Relying on the anomalous physicalities of the bearded woman, the hermaphrodite, and conjoined twins, this essay explores the links between the body and its constituent performances of composing.

Hildy Miller. Goddess Spirituality and Academic Knowledge-Making. Goddess-centered spirituality, an alternative way of making meaning, complements rationalism, the traditional notion of academic knowledge making.

Keith Rhodes. Plato, …

Calliope, Armstrong Atlantic State University

Calliope Magazine

Volume 15

Graduate Bulletin, 1998-2000 (1998), Moorhead State University

Graduate Bulletins (Catalogs)

No abstract provided.

A Note To The Frozen Chosen, Thomas Knestrict Ed. D.

Electronic Journal for Inclusive Education

A poem written by Tom Knestrict (Turtlesongs 1997).

Creation Acts, Paul Brian Mccoy

Theses, Dissertations and Capstones

Her breath leaves her mouth in a cloud and clings to the mirror, fogging it, hiding her face. Her dark eyes are slowly revealed as the glass clears, then her nose, strong and pronounced, and finally her mouth, the full lips pulling into a frown. She might as well be outside, it's so cold. Glancing toward the window, at the huge flakes of snow making their way to the ground below, she sighs. She pulls her jacket tighter around her and reaches for the phone, pausing briefly before picking it up. With gloved fingers she punches the buttons, then drops …

Grain Of Sand, Tony Volpe

The Angle

No abstract provided.

Knocks, Cassandara Dings

The Angle

No abstract provided.

The River, Erin A. Hopkins

The Angle

In lieu of an abstract, below is the essay's first paragraph.

"Ho Ho Ho, Christmas is over. She was standing by the river looking at the stepping stones and remembering each one. The first, a cool, dark rock, was always a test of fate as a small child. She wished her legs were longer, feet were bigger so that in one giant leap she could make it over the last fish-belly stone and safe on shore."

Dc, Jennifer Robinson

The Angle

No abstract provided.

The Fatal Ingredient, Suzanne M. Wood

The Angle

In lieu of an abstract, below is the essay's first paragraph.

"Slowly, I push around the thick bowl of stew. Its delicious smell is wafting toward my nose, but my anticipation is dampened by the cruel fact that, hidden underneath the scrumptious brown liquid, lurks about fifteen green olives. Worse, they have pits and these remnants of consumption are to be placed ceremoniously on a small dish for this purpose. I can't even pretend to eat them, unless I say I swallow olive pits. It's a sticky situation."

An Elevator Ride, Jennifer Jonaitis

The Angle

In lieu of an abstract, below is the essay's first paragraph.

"Clarissa watched from her wheelchair in the corner of the lobby at the spectacle in the center of the room between the red faced spunky girl and Fred. Fred was one of the day doormen at 1600 Beechwood Terrace, the elderly care facility that Clarissa lived in. The southern gentleman was currently responsible for the rise in the girl's voice level, as she hostily directed her question to him once more, 'So you mean to tell me that ALL the stairways are being painted and I HAVE to take …