Creative Writing Commons^™

Gandal Syllabus English 320, Advanced Fiction Writing, Keith Gandal

Open Educational Resources

Students in this course will learn the art of writing and rewriting short stories.

Self-Listening & Envisioning Audience Exercise & Assignment, Jacob Kose

Open Educational Resources

This assignment and exercise encourages students to pick a formative story, artifact, individual, or moment in their acquisition of language and/or literacy. Students record themselves telling this story, then type that recording, and make choices about how to edit that text.Instructors may invite students to read these aloud, and/or peer edit. Students may also submit reflections and comment on each others' reflection.

Word Into Idea Online -- User Guide For Group Activity, Stephen Fried, Sam Tamburri

Open Educational Resources

In response to feedback from classroom users, access is provided to a video guide for hosting the group version of Word into Idea Online, an activity currently available on CUNY Academic Works.

General Review Of Elements Quiz For "Write Or Left" Textbook, Kylee C. Pastore

Open Educational Resources

General Review of Elements Quiz for Write or Left: An OER Textbook for Creative Writing Courses. This quiz assesses students' knowledge of the key terms employed in the textbook and is intended for the opening weeks of the semester. Includes quiz questions and answer key.

Writing Workshop In Prose, Brenna E. Crowe

Open Educational Resources

A prose workshop where students write a lyrical essay, a satirical essay, a personal essay, an informational interview, and a portfolio.

Satirical Essay Assignment Prompt & Calendar, Brenna E. Crowe

Open Educational Resources

Assignment description with calendar and hyperlinked model & craft essays

Engl 211w: Intro To Nonfiction (Points Of Entry And/Or Exit Wounds), Heather Simon

Open Educational Resources

We will explore the notion of creativity as it pertains to new ways of engaging familiar topics and carving out frameworks for exploring uncharted territory. We will actively read and respond to works of creative nonfiction to enrich our understanding of structure, style, and language. Assigned readings will demonstrate how creative nonfiction can encompass a variety of forms (think: reportage, braided essay, erasure, visual essay) and draw from both research and experience to offer a unique perspective and elicit an emotional response. We will develop our own creative nonfiction toolbox through a series of reflections, creative exercise, and projects. We …

Creative Writing Introduction, Keith Gandal

Open Educational Resources

No abstract provided.

Qcq Discussion Protocol, Michael Maslankowski

Open Educational Resources

This is a protocol designed to help students led and run discussions with a text that has been assigned to them. This protocol helps student prepare for in-class discussion by giving them a protocol to follow that allows everyone to fully participate in the discussion.

Word Into Idea Online, Stephen Fried, Sam Tamburri

Open Educational Resources

This creative writing game, an online version of the pen-and paper activity "Word into Idea" -- https://academicworks.cuny.edu/si_oers/24/ -- can be played solo or in a group. Proceeding through a series of screens with word-association prompts, players compose a downloadable poem within the game and obtain a player-generated constellation of their words for additional creative work.

Creative Non-Fiction Prose Workshop, Laura Yan

Open Educational Resources

No abstract provided.

Introduction To Creative Writing, Shamecca A. Harris

Open Educational Resources

This introductory creative writing course asks students to explore their literary interests and proclivities through regular reading and writing activities designed to promote an in-depth understanding and appreciation for the craft of writing. Students will intellectually engage with both contemporary and classic authors within the main genres of creative writing and use the craft elements discussed in class to compose their own original poetry, fiction, and creative nonfiction work. While studying various forms of creative writing, emphasis will be placed on the creative process of writing while encouraging students to find their writing voice. Student responsibilities include workshop participation, several …

Engl 110 (College Writing I): Controversy In Literature, Language, And Literacy, D. Salazar Monarrez

Open Educational Resources

No abstract provided.

Bio 013: Writing In The Sciences - Evolutionary Themes, Syllabus, Esther Muehlbauer

Open Educational Resources

The Syllabus for Bio. 013, Writing in the Sciences - Evolutionary Themes, is a College Writing 2 course that develops student skill in science writing for different audiences: Scientists writing for themselves (the Field journal); Scientists writing for other scientists (the Review article); and Scientists writing for students/ society ( an Essay for a periodical that utilizes analogy/metaphor). To inform this writing, students read and discuss Darwin's original works and the writings of more contemporary evolutionary theorists, including E. Mayr and S.J. Gould. This course is appropriate for incoming students as well as more advanced biology students.

Word Into Idea: A Creative Writing Exercise, Stephen Fried

Open Educational Resources

This activity begins from an aleatory technique that creates a list of 104 associatively generated words to provide each participant with a field from which they improvise, first a free-form poem using twenty of the words and then an experimental prose piece that uses all 104 words. The poem is written as a workshop activity and optionally shared in a “poetry slam” segment, following which the prose piece is done as a home assignment. The activity takes 90-120 minutes. A version for synchronous online application is in development.

Animal-Human Vocabulary Builder, Domenick Acocella, Rene Cordero

Open Educational Resources

The assignment helps students individually build a usable, expanding vocabulary of terms and concepts, enabling each to further contribute to the ongoing, evolving written, oral, and visual conversations centered on the use of and thought about animals for food, clothing, work, entertainment, experimentation, imagery, and companionship.

Creative Non-Fiction, Nayanda M. Moore

Open Educational Resources

Syllabus for Fall 2020 Creative Non-Fiction.

21st Century Ecopoetics (Selected Topics In Literature And Science), Robert Balun

Open Educational Resources

Ecopoetics is the study of literature that is concerned with ecology and nature. However, beyond just literature about nature, this course will examine how ecology and nature have become complicated in the 21st century, the age of the Anthropocene, the age of the climate crisis and the 6th mass extinction (don’t worry, we will define these and other key terms).

In the 21st century, humans are now confronted with a growing awareness of their destructive impact on the earth, its environments, and its human and non-human inhabitants. In this class we will examine how ecology and nature have become complicated …

Low Textbook Cost Syllabus For Eng 2150 (Writing Ii), Maxine Krenzel

Open Educational Resources

Welcome to English 2150, a writing and reading intensive course that will introduce you to the practice and process of conducting original research. This class will walk you through the research process step-by-step, from drafting an initial research question, to reading and analyzing archival and secondary sources, and eventually mapping out your findings in a final research portfolio. You will learn over the course of the semester that the research process begins with simply asking a question that addresses a topic or issue that impacts you in some way; it is my hope that by the end of the semester, …

Introductory Workshops In Creative Writing: Writing Prompt Phase 2 - Relearning The Craft, Noelle M. Nagales

Open Educational Resources

For this assignment, you will be required to do two things. One: visit a specific place of your choice. It can be anywhere, on own your free time (either on the train, at a museum, a restaurant, at the movies with your friends, or even at your local cafe). There, you will jot down on a sheet of paper (NOT on your phone) a bullet point list of all the things you hear or see (conversations and observations). The point is to not have your phone in hand and to be completely observant of your surroundings. Two: then …

Introductory Workshops In Creative Writing: Writing Prompt Phase 1 - Understanding The Self, Noelle Marie Nagales

Open Educational Resources

What is this idea of “self?” How do we define it or more specifically how do we represent ourselves (as the writer) on page and to what extent can we make our own voice visible? Anyone can write a story, but where do you as the author exist within your own work?

For this assignment, you will be required to write a memoir (a personal narrative) or a short piece of fiction that depicts some aspect of yourself or an attribute of it, present within your own life. You can either focus on a specific moment of time, place, person, …

Short Stories Of Latin America From Antilles To Southern Cone, Mariana Romo-Carmona

Open Educational Resources

The study of the short story genre in Latin American literature. Literary currents in 20th century, from the Vanguards to The Boom, fiction of post dictatorships, exile, and entry into the 21st century.

Writing For The Humanities And Arts, Yolande E. Brener, Julia Brown

Open Educational Resources

This Writing for the Humanities website includes the syllabus, schedule, assignments, and OER reading materials for the course. The syllabus covers a number of genres, and examines what it means to write for the humanities. This stretches beyond Art and Literature to cover History, Philosophy, Theater, Music, and Media Communications. The assignments are designed to help students in their future careers, especially if they aim to work in the Humanities, which include teaching, curating, counseling, technical writing and journalism. The assignments will teach students how to compose an effective resume and cover letter, how to create a focused report based …

Writing For The Humanities And Arts, Shamecca A. Harris

Open Educational Resources

This dynamic English Composition course asks students to both create and engage with texts, in a variety of forms, that demonstrate how culture and personal experience inform a writer’s work. In this class, students will read and write voraciously about social, political, economic and cultural issues that influence their lived experiences and use the conventions of multiple genres to both reflect and respond to the times in which they live. Moreover, they will also consciously consider what it means to write academically at the college level through regular self-reflection and revision. In doing so, students will strengthen their rhetorical knowledge …

Enw 210 Introduction To Creative Writing, Dhipinder Walia

Open Educational Resources

This course will explore the various elements of craft employed in the genres of poetry, fiction, and dramatic writing. Through lectures, discussion of readings, as well as in-class exercises and written responses, students will begin to learn how to incorporate elements of craft in their own creative writing. Students will also understand the specific differences between each genre of creative writing. By the end of this course, students will have a soundcloud account with five podcast episodes that will critique literature and present original pieces. Students will also gain understanding of what development of a draft and revision entails.