Open Access. Powered by Scholars. Published by Universities.®
- Discipline
-
- Art and Design (412)
- Poetry (220)
- Fiction (143)
- Nonfiction (134)
- English Language and Literature (87)
-
- Social and Behavioral Sciences (13)
- Photography (9)
- Art Practice (7)
- German Language and Literature (7)
- Music (6)
- Education (5)
- History (5)
- Illustration (5)
- Race, Ethnicity and Post-Colonial Studies (5)
- Religion (5)
- Feminist, Gender, and Sexuality Studies (4)
- Literature in English, British Isles (4)
- Music Education (4)
- Psychology (4)
- Classics (3)
- Physical Sciences and Mathematics (3)
- Theatre and Performance Studies (3)
- Animal Sciences (2)
- Biblical Studies (2)
- Child Psychology (2)
- Chinese Studies (2)
- East Asian Languages and Societies (2)
- Environmental Sciences (2)
- Keyword
-
- Creative writing (264)
- Poetry (148)
- Fiction (94)
- Non-fiction (69)
- Nonfiction (11)
-
- Artwork (7)
- Creative Writing (7)
- Photography (7)
- Poem (6)
- Short story (6)
- Childhood (5)
- Memoir (5)
- Family (4)
- German (4)
- Loss (4)
- Nature (4)
- Death (3)
- Grief (3)
- Music (3)
- Music Education (3)
- Rachowski (3)
- Short Story (3)
- Teaching (3)
- Travel (3)
- Abuse (2)
- Art (2)
- COVID-19 (2)
- Children (2)
- Diversity (2)
- Education (2)
- Publication Year
- Publication
- Publication Type
Articles 571 - 600 of 889
Full-Text Articles in Creative Writing
Storm Clouds, Taylor L. Andrews
On Language, Emily A. Francisco
For Bonbon, Rachel L. Martinelli
Daniel's Song, Mauricio E. Novoa
Dissonance, Taylor L. Andrews
Constellation-Maker, Victoria A. Blaisdell
Driving Past Dead Sunflowers In October, Emily A. Francisco
Driving Past Dead Sunflowers In October, Emily A. Francisco
The Mercury
No abstract provided.
Italy, Taylor L. Andrews
If There Is A Word For The Moments Between Asleep & Awake, That Is The Title Of This Poem Or: Twilight Of The Mind, Merissa M. Cope
If There Is A Word For The Moments Between Asleep & Awake, That Is The Title Of This Poem Or: Twilight Of The Mind, Merissa M. Cope
The Mercury
No abstract provided.
Compagno Di Viaggio, Sophia K. Reid
The Lost World Of The Past, Sophia K. Reid
Atticus, Peter W. Rosenberger
On Loss, Abigail E. Ferguson
Newburgh, Rachel E. Barber
The First Run, Darcie E. Connors
Black & Blue, Anthony Mccomiskey
Timeline, Robin K. Miller
A Story Of A Young Man In An Office With A View, Corey T. Katzelnick
A Story Of A Young Man In An Office With A View, Corey T. Katzelnick
The Mercury
No abstract provided.
Bottled, Stephen Lin
In The Presence Of Death, Kevin P. Lavery
Efemera, Mollie R. Sherman
Indifference, Paul A. Eppler
Doe Dose, Sharon L. Stephenson
Doe Dose, Sharon L. Stephenson
Physics and Astronomy Faculty Publications
A plastic fawn, palm-sized, lives on my office desk. He gazes at my open office door. His right front hoof is raised, poised for haste.
The deer of my Mississippi childhood were the Virginia whitetail, Odocoileus virginianus virginianus. As a child ten years or so, fresh from reading Felix Salten’s Bambi, I rested my forehead against backseat car windows and took in miles and miles of Mississippi forest. Commutes between school and our isolated house were long. I imagined myself a whitetailed doe, keeping up with the car through those woods, a blur of velvet hide and muscle. …
New Topics, New Powers, And New Spirit: Walt Whitman And Allen Ginsberg And The Power Of The Poet, Peter W. Rosenberger
New Topics, New Powers, And New Spirit: Walt Whitman And Allen Ginsberg And The Power Of The Poet, Peter W. Rosenberger
Student Publications
Walt Whitman was an enormous influence on Allen Ginsberg, which Lawrence Ferlinghetti recognized at the first public reading of “Howl” in 1955. Leaves of Grass, first published in 1855, featured untitled twelve poems without rhyme, meter, or traditional line breaks. However, acknowledging a single influential figure for a countercultural writer is a somewhat uncommon phenomenon. Countercultural movements and countercultural artists tend to define themselves by standing against the dominant culture, an understandable instinct that yields important insights. Still the link between Ginsberg and Whitman is unmistakable. By analyzing the complex ties between an example of Whitman’s and Ginsberg’s major work …
Do I Dare Disturb The Universe?, Ryan A. Bonner
Do I Dare Disturb The Universe?, Ryan A. Bonner
Student Publications
This memoir investigates the roots of my core anxiety, the incessant but impossible ability to achieve perfection. It is framed by my experience getting a second tattoo, which is a line from T.S. Eliot's modernist poem, "The Love Song of J. Alfred Prufrock," and ties together both my internal struggle and my affinity for physical pain. This memoir draws a line between the past and the present, seeking to find a connection between struggling with anxiety and engaging in self-mutilation as a source of relief.
The Ballerina, Natasha M. Dones
The Ballerina, Natasha M. Dones
Student Publications
Little in the world can be as delicate and poised as the small
ballerina you bought me. She dances motionless upon my
bookshelf, as she did for many years before...
A Wavering Prayer, Sarah E. Gorski
A Wavering Prayer, Sarah E. Gorski
Student Publications
Elizabeth Bishop's "Sestina" Imitation; Sarah Gorski's "A Wavering Prayer."
Artemisia In The Metro, Emily A. Francisco
Artemisia In The Metro, Emily A. Francisco
Student Publications
The “art poem” is an intriguing form of poetry. In writing about something that is inherently visual, a poet must remold a work of art into new material, drawing upon the work’s elements of form such as color, line, use of light, contrast, and composition to make his or her own reflective statement, beyond simply describing the artwork’s own content. In my poetry I aim to take this model of the “art poem,” and, through extended experimentation with this idea of ekphrasis (writing about art in a poetic context), intend to suggest a more intimate connection between art and language. …
Eduard, Sasha, And I Go To The Black Sea, Sharon L. Stephenson
Eduard, Sasha, And I Go To The Black Sea, Sharon L. Stephenson
Physics and Astronomy Faculty Publications
During the coffee break I tell Eduard that one of the bigwigs from his lab creeps me out. To him this is no surprise. He asks if I have gone swimming in the Black Sea. No. Not yet. I plan to go this afternoon, when most of the conference participants are on an excursion to a botanical garden. He decides I need an escort.
Eduard is older than my mother, born in 1935. I have known him for over twenty years. Yesterday my children chided me for not including Eduard in our skype session. Today he and I sit outside …
Bill In Hell, Collin C. Furth
Bill In Hell, Collin C. Furth
Student Publications
A humorous look at the truth of relationships between varying roles of people and the supremacy love holds.