Creative Writing Commons^™

Le Romancier Africain Et L'« Énigme D'Arrivée », Bernard Mouralis

Présence Francophone: Revue internationale de langue et de littérature

The theme of travel occupies an important place in African literature for two reasons. The earliest African writers wanted to substitute their own discourse for the one that had been produced by the West for centuries and which was long considered to be the sole legitimate discourse on Africa. By portraying African heroes and/or narrators who embarked on voyages to Africa or to Europe, African writers showed that the African too could be a traveler. The second reason is linked to generic considerations. Since the time of Don Quixote, the novel unfolds as an itinerary moving from one point to …

Kate 2006 Fall, Jennifer Roberts, Mollie Fingerman, Amber Robertson, Laura Naso, Chris Kirk, Sarah Pyle, Bonita Fee, Alicia Ribar, Jennifer Knox, Marsha Robinson, Sue Butz, Jackie Smith, Julie Eaton, Kimberly Brazwell, Annie Mcguick, Marjorie Vogt, Colleen Deel, Ruth Garrett

Kate

"Each year, kate seeks to:

• explore ideas about normative gender, sex, and sexuality
• work against oppression and hierarchies of power in any and all forms
• serve as a voice for race and gender equity as well as queer positivity
• encourage the silent to speak and feel less afraid
• build a zine and community that we care about and trust"

Reading At Risk, Mark Y. Herring

Dacus Library Faculty Publications

Reading may be in jeopardy as we advance along the information superhighway. Is literacy to be technology's first roadkill?

Nexus, Fall 2006, Wright State University Community

Nexus Literary Journal

Nexus is a magazine that began as an insert in the Wright State Guardian student newspaper in 1965 and has since been published semi-regularly. It began only accepting creative writing, but has since expanded to include illustrations, photography and other non-written art forms. Today, it is published in a digital format and accepts submissions from around the country, though it maintains its commitment to the Wright State Community.

Literal/Littoral Crossings: Re-Articulating Hope Atherton’S Story After Susan Howe’S Articulation Of Sound Forms In Time, W. Scott Howard

Reconstruction: Studies in Contemporary Culture

[First paragraph]

Water transforms everything it touches: landscapes, lives & languages. This essay offers a true relation, or a sequence of contiguous reflections—some concentric, others eccentric—provoked by the strange story of Hope Atherton (1646-77), first minister of Hatfield, Massachusetts and protagonist of American poet Susan Howe’s Articulation of Sound Forms in Time (Awede, 1987): his involvement at the battle of Peskeompscut (May 19, 1676) and separation from Captain Turner’s men during their retreat, which became a rout; Rev. Atherton’s crossings of rivers & brooks, his fearful wanderings through woods, around marshes, swamps; his near captivity, miraculous signal escapes, deliverance from …

Hannah Arendt, Boris Diop Et Le Rwanda : Correspondances Et Commencements, Isabelle Favre

Présence Francophone: Revue internationale de langue et de littérature

While the social and political sciences account for a relatively large number of books on the 1994 Rwandan genocide, there are still very few literary texts on the subject. Taking Hannah Arendt’s concept of beginning as its point of departure, this article begins with an analysis of the “act of writing” before going on to examine the dynamic interplay between philosophy and literature via Boris Boubacar Diop’s novel Murambi, le livre des ossements (2000).

Doublures, Restes Et Rapports : Les Corps Entre Méconnaissances Et Mises, Jean-Godefroy Bidima

Présence Francophone: Revue internationale de langue et de littérature

If the body finds a place in our discourse, it is only to justify what we abhor and to provide us with alibis. However, some postcolonial discourses generate misunderstanding via two major omissions: on the one hand, they steer away from a critique of the political economy of the scholar’s own body and its relationship to economic power; on the other hand, they fail to explore what can be said about the body conceived as remains and as residue. One cannot properly conceive of the body as a substance but, rather, as a relation —a relation to what it is …

Ua32/4/1 Women & Kids Learning Together Summer Camp, Wku Gender & Women's Studies

WKU Administration Documents

Booklet reviewing events at Women & Kids Learning Together Summer Camp.

Sony Labou Tansi : La Question Du Bas Matériel Et Corporel, Boniface Mongo-Mboussa

Présence Francophone: Revue internationale de langue et de littérature

According to Mikhail Bakhtin, the material and corporeal “lower stratum” includes the symbols that refer to the nether regions of the human body. By adopting this approach to writing in a dictatorship, Labou Tansi most likely wanted to protect his work and himself from possible reprisals by his country’s political authorities. More importantly, however, this move constitutes a strategy of subversion of Marxist ideology: the focus on the material and corporal “lower stratum” (indistinguishable from the carnivalesque) is a form of resistance to what Bakhtin calls official discourse, and becomes a way of reclaiming the writer’s literary autonomy.

Femme Nue, Femme Noire : Tribulations D’Une Vénus, Lydie Moudileno

Présence Francophone: Revue internationale de langue et de littérature

This article examines the return, in two contemporary novels, of the figure of the “naked black woman” as an emblematic site of difference. Two women of African origin take back this twice-appropriated figure and use it to question the ways in which the materiality of the body is again being written into contemporary postcolonial society. The aim of the essay is to underline the means and meaning deployed in these new appropriations of African icons, while pointing to some possible limits to the symbolic passage from the colonial imagination to a postcolonial one.

L’Inscription Du Corps Dans Quatre Romans Postcoloniaux D’Afrique, Augustine H. Asaah

Présence Francophone: Revue internationale de langue et de littérature

More and more, contemporary African literature dwells on the body —as the subject and object of desire, as a refuge and as a commodified and objectified victim. Using as reference points four novels —Calixthe Beyala’s C’est le soleil qui m’a brûlée and Femme nue, femme noire, Williams Sassine’s Mémoire d’une peau and Nimrod’s Les jambes d’Alice— all of which inscribe the body onto and into the text, this article seeks to analyse diverse manifestations of the textualized body. Works of alienation and dispossession, these four texts also focus on corporeal quests for equilibrium. The presence of the body in the …

Le Système Des Personnages Dans Corruption De Pramoedya Ananta Toer Et L’Homme Rompu De Tahar Ben Jelloun, Magda Ibrahim

Présence Francophone: Revue internationale de langue et de littérature

A comparison of the character systems of Tahar Ben Jelloun’s The Broken Man and Pramoedya Ananta Toer’s Corruption (transmitter text) has made it possible to identify the same type of protagonist at the core of each novel. He is, in short, a mere functionary overburdened with social responsibilities, leading a cramped life and trying to live and breathe. But the portrayal of him in The Broken Man is more precise, and has greater depth. Moreover, the character systems as a whole is richer, more complex and subtle in this last novel, compared with that

Faire Taire Les Silences Du Corps Noir, Cilas Kemedjio

Présence Francophone: Revue internationale de langue et de littérature

From the middle passage to modern day red light districts, from human zoos to the “compassionate” forum of the TV screen, the display of the black body has long formed the narrative thread of a monologue uttered by a West pleased with the sound of its own voice. The staging of the black body can be said to have rendered black voices silent, and this study sets out to break this silence.

Kate 2006 Spring, Ladan Osman, Sarah Jacobson, Mac Mcgowan, Vanessa Casella, Julie Eaton, Allison Hayes, Jennifer Roberts, Christeen Stridsberg, Glenna S. Jackson, Laura Naso

Kate

Each year, kate seeks to:

• explore ideas about normative gender, sex, and sexuality
• work against oppression and hierarchies of power in any and all forms
• serve as a voice for race and gender equity as well as queer positivity
• encourage the silent to speak and feel less afraid
• build a zine and community that we care about and trust

Nexus, Winter 2006, Wright State University Community

Nexus Literary Journal

Nexus is a magazine that began as an insert in the Wright State Guardian student newspaper in 1965 and has since been published semi-regularly. It began only accepting creative writing, but has since expanded to include illustrations, photography and other non-written art forms. Today, it is published in a digital format and accepts submissions from around the country, though it maintains its commitment to the Wright State Community.

Ivy Leaves, 2006, Ivy Leaves Editorial Staff

Ivy Leaves

The 2006 edition of the Anderson University journal of art and literature, Ivy Leaves.

The names of the known editors for this issue of Ivy Leaves were Jill Ayers, Cassie Kolasky, Maghan Lusk, Ashley McAdams, Jess Sopolosky, Danielle Webb, Kristy Eppolito, Wayne Cox, and Eric Whitlock.

On Becoming A Family: Melanie's Story Of Benjamin's Adoption, 2002, Melanie Springer Mock

Faculty Publications - Department of English

Excerpt: "I became a mother in the back of a taxi cab.

No sit-com cliché, this. The taxi was a late-model, jacked up Honda, its plush chairs bedecked by delicate white doilies. Traffic dared not impede my driver, a silently brooding young man who weaved between Cyclos and motorcycles freighted by fruit, vegetables, live chickens, entire families. I sat tensely in the backseat, holding my son, incredulously wondering into what I had just gotten myself."

Kate 2006 Winter, Colleen Tappel, Barbara Dewitt, Jen Knox, Whitney Prose, Amber Robertson, Ruth Garrett, Christeen Stridsberg, Shannon Lakanen, Mac Mcgowan, Julie Eaton, Abby Gaurd, Sarah Jacobson, Geetha Nagarajan, Jane Wu, Suzanne Ashworth, Jennifer Roberts, Glenna S. Jackson

Kate

Each year, kate seeks to:

• explore ideas about normative gender, sex, and sexuality
• work against oppression and hierarchies of power in any and all forms
• serve as a voice for race and gender equity as well as queer positivity
• encourage the silent to speak and feel less afraid
• build a zine and community that we care about and trust

Graduate Bulletin, 2006-2007 (2006), Minnesota State University Moorhead

Graduate Bulletins (Catalogs)

No abstract provided.

The Game's Afoot: Images Of Infinite Games In Samuel Delany's Trouble On Triton, Marc R. Zaldivar

Reconstruction: Studies in Contemporary Culture

Games are frequently used in speculative literature as a metaphor for real-world activities. In Trouble on Triton, Samuel Delany uses several sorts of games in order to explore complex systems of modeling and interrelationships between fiction and reality, extending a tradition in science fiction of placing games at the very center of social reality. Zaldivar's essay seeks to define some of the concepts of game theory that can be used to understand this complex novel and its representation of human social life. In particular, Zaldivar explores finite and infinite games and their uses within a deconstructive theoretical framework. A …

Is This A Mirror I See Before Me?: Adolescent Girls Use Imaginal Writing To Re-Vision Life Experience: A Dissertation, Cameron L. Marzelli

Expressive Therapies Dissertations

This participant observer collective case study was an investigation of the ways in which an imaginal writing process might facilitate resilience in adolescent girls who had previously used writing to respond to challenging life experience.

[Introduction To] Epic Revisionism: Russian History And Literature As Stalinist Propaganda, David Brandenberger, Kevin M. F. Platt

Bookshelf

Focusing on a number of historical and literary personalities who were regarded with disdain in the aftermath of the 1917 revolution - figures such as Peter the Great, Ivan the Terrible, Alexander Pushkin, Leo Tolstoy, and Mikhail Lermontov - "Epic Revisionism" tells the fascinating story of these individuals' return to canonical status during the darkest days of the Stalin era. An inherently interdisciplinary project, "Epic Revisionism" features pieces on literary and cultural history, film, opera, and theater. It pairs scholarly essays with selections from Stalin-era primary sources - newspaper articles, unpublished archival documents, short stories - to provide students and …

Role Playing Games As Interactive Fiction, John Miller

Reconstruction: Studies in Contemporary Culture

This chapter compares the experience of gaming and the experience of reading, and explores what that comparison might tell us about each. More specifically, it applies methods of literary analysis to the study of two narrative activities situated near the border of reading and gaming: Electronic hyperfictions and role-playing games. Miller first reviews literary theories of reader response and interactivity and notes how these have informed recent critical discussions of literary hyperfiction. He then critiques these discussions and the claims made for hyperfiction's liberating or empowering effect on readers: Contrary to the claims of some critics, such narratives generally fail …

De L’Écriture Romanesque Comme Traversée Et La Maghrébinité, Kasereka Kavwahirehi

Présence Francophone: Revue internationale de langue et de littérature

This essay explores how some “Maghrebian” novelists represent and problematize their relation to “Maghrebness” or “maghrebinité”. Using postcolonial theory and Réda Bensmaia's Alger ou La maladie de la mémoire, the author shows how problematic the concept of “Maghrebian literature” can be when one considers its transnational and transcultural poetics and its de-territorialization.

La Poétique Transgénérique De L’Oeil Et La Nuit D’Abdellatif Laâbi : Du Théâtral Au Filmique Dans Un Roman-Poème, Lucia Trifu

Présence Francophone: Revue internationale de langue et de littérature

The study proposes a re-reading, a new interpretation of the novel-poetry work L’oeil et la nuit by Moroccan writer Abdellatif Laâbi. In this literary text, the borders of writing are dismantled and new affinities are revealed between writing, performance, theatre and film; all of which aim to redefine the postcolonial

Entre Intertextualité Et Réécriture, Alexie Tcheuyap

Présence Francophone: Revue internationale de langue et de littérature

Aesthetic practices have become more and more diversified in contemporary cultures. Although rewritings and adaptations are most common from literature to film, from myth/epic to novels, African filmmakers have recently been inaugurating novelization, that is the literary rewriting of a film. This essay examines the case of the Algerian filmmaker Merzac Allouache, who has written Bab el-Oued City, based on his film Bab el-Oued, in order to escape the technical and practical limitations of cinema. In doing so, he best expresses the challenges of contemporary Algeria, which is permanently threatened by violence and Islamic fundamentalism.

Problèmes Et Enjeux De L’Adaptation En Algérie, Mehana Amrani

Présence Francophone: Revue internationale de langue et de littérature

As in all postcolonial societies confronted with the question of illiteracy, in Algeria, film adaptations pose a political and cultural stake. Due to the phenomena of political and moral censure and self-censorship, only ten novels were carried over to the screen during one 36-year period. However, with the rebirth of Algerian cinema in the Nineties, screenwriters are once again interested in setting Algerian novels in images. These new adaptations, which are often done in co-production with France and Belgium, introduce the new problems of language. The audience for these films, which are expressed mainly in French, is thus likely limited …

Ahmadou Kourouma Et La Genèse Tragique L’Événement Postcolonial Dans En Attendant Le Vote Des Bêtes Sauvages Et Allah N’Est Pas Obligé, Étienne-Marie Lassi

Présence Francophone: Revue internationale de langue et de littérature

This article studies the birth and manifestations of the tragic in Ahmadou Kourouma’s fiction. It demonstrates how the tragic in Kourouma’s novels, far from being a metaphysical feeling, stems from social realities and is closely related to the postcolonial system. In these novels, tragedy goes beyond the realistic depiction of catastrophic events and is further articulated in the characters’ political attitudes, their social life and cultural behaviour.

Discours De La Sexualité Et Postmodernisme Littéraire Africain, Adama Coulibaly

Présence Francophone: Revue internationale de langue et de littérature

Representations of sex in the black Africa postcolonial novel often strike us because of their centrality and coarseness. Using examples from three texts (Cannibale; L'État honteux; Les naufragés de l'intelligence), this article examines the manifestation and mainly the motivation of what seems like inappropriate outbursts. In this transcultural approach (beyond the intertextual), the aggressiveness of the sexuality discourse allows the novel to be linked to the large movement of postmodernism. This strategy of “textual extravagance” represents a society that “lacks substance”, a society of pretence, in the � � Baudrillardian�

L’Écriture De La Femme Musulmane Dans Loin Demédine D’Assia Djebar, Yvonne-Marie Mokam

Présence Francophone: Revue internationale de langue et de littérature

Assia Djebar is one of the most important figures in contemporary African literature. Her views are structured around a critique of the misrepresentation of Muslim women. It is precisely this challenge that is undertaken in Loin de Médine (1991), in which Djebar challenges various stereotypes in order to offer a new image of Asian women.