Creative Writing Commons^™

Chrysalis, Nafisa Choudhury

HCA Healthcare Journal of Medicine

This poem explores the experience of being an Asian American care provider and civilian, growing up and trying to mesh together culture with “fitting in” and suffering racism from other individuals and patients. It was inspired by the March 16, 2022, shootings in Atlanta and discusses the origin of hatred and racism/xenophobia. What I hope this conveys is a glimpse into the shared perspectives of many Asian American and Pacific Islanders and describes the optimism moving forward as we begin to tackle these issues.

The Flow Of (Re)Memory In African American And Nubian Egyptian Literature: Morrison, Oddoul, And Mukhtar, Bushra Hashem

Theses and Dissertations

The purpose of this thesis is to define the term rememory, which Toni Morrison coins in her novel Beloved, and explore its interplay with water imagery in the novel and in two Nubian short stories, namely Haggag Oddoul’s “The River People” and Yahya Mukhtar’s “The Nile Bride.” The three narratives have core common features: they centralize water bodies as key sites of events, they depend heavily on the retelling of history and mythology, and they are told predominantly from the perspective of women. How do the writers weave rememory, history, and mythology to produce these narratives? Are they attempting to …

Identity In The 21st Century Nigerian Fiction: A Case Study Of Blackass By Igoni A. Barrett., Ogochukwu B. Ossai

Beyond the Margins: A Journal of Graduate Literary Scholarship

This paper attempts to examine the allegorical narrative strategies and politics of identity—race, and gender, using postcolonial and racial frameworks. The novel, Blackass written by a Nigerian writer is a 21st century fierce comic satirical adaptation of Metamorphosis, a novella by Franz Kafka. The intricacies and culture within a society and ethnicity in a nation such as patriarchy are explored through the language, characters, and development of the plot in Nigerian literature. For this essay, I enter into the discourse of race by analyzing the social and cultural phenomena that occur throughout the structure of the fictional work.

'My Name Is Peaches': Black Women's Affect In The Blues Biomyth, Taylor C. Scott

LSU Doctoral Dissertations

For this project, I am interested in the study of nuanced self-representations of Black rage that appear within African American literary traditions, specifically the blues aesthetic, wherein artists narrativize a wide spectrum of intelligent and specific emotion--not just melancholy. Blues narratives in which Black people self-represent are in direct opposition to flattened narratives of certain affective modes such as anger as a useless, backwards, pathologized, and flat feeling that appear within dominant U.S. and global iconographies. What I see in the blues aesthetic is the capacity for a multichromatic approach to studying rage and Black authorship in America. By using …

Adoration Above Objectification: The Promotion Of Other In Black, Mexican And Arabic Love Poetry, Joycelynn L. Baker

Honors Projects

This paper analyzes the philosophical fundamentals of sexual objectification and presents opposing literature, written in the 20th century, by Black, Mexican and Arabic male poets in contrast. In vigorous patriarchal environments that provide more opportunities to practice sexual objectification, the poets reframe male metaphysical perception and behavior in romantic or sexual contexts by promoting the autonomy and agency of women above themselves, and displaying their enjoyment of that situation. This paper will discuss how Western metaphysical philosophy impacts self-perception and belief in contemporary romantic contexts.

The Rain Over Hanoi: A Personal Project About Screenplay Structure, Story, Representation And Intergenerational Struggle, Joan Moua

Electronic Theses, Projects, and Dissertations

A good screenplay is first and foremost a good story. Elements of a good story include compelling characters, a theoretical structure, and a well-executed premise. The Rain Over Hanoi is an extremely intimate and personal project about an Asian American expat living in Vietnam. Our protagonist’s journey and coming of age is explored via the interactions she has with her old and new family. Communication through food, symbolism, and cultural exchange are also present throughout the screenplay, utilizing a realistic point of view for the benefit of a full story submersion experience to the reader/viewer. Themes of self-exploration, growing up, …

Fictionalizing Error In Edberto Villegas’S Barikada, Laurence Marvin S. Castillo

Akda: The Asian Journal of Literature, Culture, Performance

Barikada (2013), written by the late political scientist, writer, and consultant for the National Democratic Front of the Philippines (NDFP) Edberto Villegas (1940–2020), is a novel that presents a counterfactual portrayal of an urban insurrection, waged by city-based national democratic (NatDem) revolutionaries who deviated from the Maoist rural-oriented protracted guerrilla warfare sanctioned by the Communist Party of the Philippines (CPP). This essay reads this NatDem fiction in relation to the debates about revolutionary strategy that surfaced during the movement’s crises-ridden years, and were taken up during the Second Great Rectification Movement. I undertake a detailed examination of the novel’s reworking …

Myth, Dream, And Resistance In Ninotchka Rosca And Emmanuel Lacaba’S Fictions, Kathrine Domingo Ojano

Akda: The Asian Journal of Literature, Culture, Performance

Despite Ninotchka Rosca’s international acclaim as a Feminist novelist and Emmanuel Lacaba’s national renown as a martyred resistance poet, the dearth of scholarship on their collections of short stories—written from around the time of the 1970 First Quarter Storm to the early years of Martial Law—has also left unanswered how their fictions evinced a new paradigm of resistance literature as the critique and revision of modernity in the Third World. In this paper, I address this gap by looking into Rosca’s transformation of fiction into mythopoeic speculations in The Monsoon Collection (1983) and Lacaba’s experimentation with oneiric or dream-like narratives …

Greenbox To Barbershops, Willie Wilson

English Theses & Dissertations

This thesis is a collection of poetry that reflects the heartbeat of the inner-city. The poems in this collection highlight the struggles and explore the tensions within but they also celebrate the tempered strength of those who traverse its streets. The meeting place is the metaphorical center of my thesis. For me, two of those places were the greenbox ( juvenile) and the barbershop setting (adulthood).

The Flowerings Project: A Library In Transformation, Jody Condit Fagan, Joanne V. Gabbin, Bethany Nowviskie, Lauren K. Alleyne, Aaron Noland

Libraries

This final report from the JMU Libraries and Furious Flower Poetry Center to the Mellon Foundation describes in detail the activities undertaken as part of a 2020-2021 planning grant, “Furious Flowerings: Developing a Partnership Model for Digital Library Support of a Living Center for Black Poetry,” funded by the Mellon Foundation. The grant explored and developed a partnership model for integrated library support of a living, academic center for the arts with archival, scholarly, digital, educational, and performance components. Nine key areas were addressed, including three overarching areas: development of cultural competencies, exploring how an exemplar project can be used …

Chaparrita, Cyerra Colomba Guzman

Toyon: Multilingual Literary Magazine

N/A

Fa'amatagi: From Whence The Wind Blows, Annette Roberts

Undergraduate Research Symposium

Fa’amatagi: From Whence the Wind Blows is a love letter to the people and culture of my parents. This is a documentary poetics project that draws upon research of the Mau Movement, archives from the New Zealand government, and personal ethnographies with my own parents who are both of Samoan descent. I curated several pieces of art from book collector Alexander Turnbull and photographer Alfred J. Tattersall. This project delves into the effects of colonialism on a previously isolated people. It explores the act of civil disobedience and what comes of it versus the long-lasting damage of compliance towards a …

1% Left Of 100: Taino History And Puerto Rican Identity, Alanis Gonzalez Torres

Undergraduate Research Symposium

1% left of 100 is a documentary poetics research project exploring the confluence of identity, family, and language. Crafted in a hybrid format that mixes Spanish and English according to my personal idiolect, which is itself a product of my heritage as a Puerto Rican, Africa, native Taino American, this poem engages with exciting new approaches to thinking about race which liberate us from talking about physical features and takes us instead toward race as a social fact, a product of culture, history, and family. I seek to intervene in a narrative of American history that, though it teaches about …

Inheritance: A Memoir, Jennifer Skoog

Dissertations, Theses, and Capstone Projects

I was born and raised on a small farm in central Minnesota, the youngest of nine. Our lives centered around a dogmatic faith that banned sex education and birth control in any form. The consequences of these teachings put my life on a tragic course, and I paid dearly for my ignorance. With the help of a therapist and a deep commitment to myself, I left the faith. After I earned a college degree in my early 40s, I began to critically examine my upbringing. Through my educational journey in Black studies, I saw deeply troubling ways in which my …

Who Taught You To Hate Yourself: Disentangling My Black Identity From White Christian Doctrine, Patrice Lorna Lebron

Dissertations, Theses, and Capstone Projects

How does white Christian doctrine fragment Black existence? When African slaves bound in chains landed on the shores of the Americas, they brought their religious and cultural traditions into that oppressive environment. They were dehumanized and compelled to embrace white Christian doctrine enforced on them by white theologians and white enslavers. Slaves were branded as inhuman and inferior beings. Biblical scriptures became a vessel for their prayers, dreams and sacred ceremonies. They transformed their deities into biblical prophets. Their African identity, religious and cultural beliefs were demolished and shrouded with biblical mis-interpretations to promote white supremacy.

This capstone project WHO …

Foul Play: A Comparative Look At Community Fragmentation And Gender Roles Through Internment And Relocation Of Japanese Canadians And Japanese Americans, Maryn J. Rolfson

AWE (A Woman’s Experience)

No abstract provided.

"Yours For The Indian Cause": Zitkala-Sa's Expansion Of Indigenous Rights Through Female Correspondence, Maya Brimhall

AWE (A Woman’s Experience)

No abstract provided.

Eng 200: The Approaches To Grief By Robert Frost & Joy Harjo, Heaven Howard

English 100-200-300 Conference

No abstract provided.

Creole Sketches, Lafcadio Hearn, Charles Woodward Hutson

Zea E-Books Collection

New Orleans in 1878 was the most exotic and cosmopolitan city in North America. An international port, with more than 200,000 inhabitants, it was open to French, Spanish, Mexican, South American, and West Indian cultural influences, and home to a thriving population descended from free African Americans. It was also a battleground in the fight against yellow fever (malaria) and in the political upheavals that followed the end of Reconstruction. The continued influx of Anglo-Americans and the renewed ascendancy of white supremacists threatened to overwhelm the local blend of languages, races, and cultures that enlivened the unique Creole character of …

Fashioning The Flapper: Clothing As A Catalyst For Social Change In 1920s America, Julia Wolffe

Honors Program Theses

Fashion has been a catalyst for social change throughout human history. Fashion in 1920s America in particular reflects society's rapidly evolving attitudes towards gender and race. Beginning with how corsetry heavily restricted women for nearly four hundred years up until the twentieth century, this thesis explores how clothing has acted as a tool for societal progression following World War I and Women's Suffrage and during the Jazz Age and The Harlem Renaissance. Specifically, this thesis examines how the influence of jazz music and dance that originated from Black American communities led to the creation of the flapper evening dress. The …

Fleshcrawl, Shanita Jackson

Theses and Dissertations--English

I am fascinated with the spiritual, physical, and psychological experiences that occur when one’s flesh crawls. The experiences, akin to inverted goosebumps, result from provocations of the senses or of the mind. James Blake’s latest album, for example, triggers my flesh to crawl. The art on the album cover depicts a decaying body turned into a canyon-like labyrinth. In undergrad, attempts to conceptualize slave-deck diagrams disturbed my flesh to crawl. I am intrigued by how anxiety, epigenetics, and superstition all factor into the subjective intensities of this collective experience. As it seems, circumstance heightens the severity and frequency of the …

Traversing Paradigms: An Environmental Journey To Body And Mind, Martin Ceja Mejia

Graduate Student Theses, Dissertations, & Professional Papers

Traumatic life experiences altered the way I perceive the world. As a result, I embark on a journey to reshape my relationship to self, the built and natural world; to environment. In this thesis I ask: How do I want to relate to the environment? Considering I am a doubly colonized agent, I also aim to decolonize my relationship to environment along the process. Therefore, this work aims to formulate a new, personal, relationship to environment through academic literature, history, psychology, Indigenous knowledge and science, and literary studies, among other fields of knowledge. This work is interdisciplinary in nature; life …

Through Critique And Beyond: Speculative Fiction As A Tool Of Critical Pedagogy, Syd Thorne

Master's Projects and Capstones

This field projects centers around the issue of hopelessness among teachers and students and examines the genre of speculative fiction as a potential tool for cultivating critical hope in the classroom and as an asset to critical pedagogy. Utopian pedagogy and critical pedagogy make up the theoretical framework of this research and project development. The research explores the use of speculative fiction in three areas: activism and identity, student engagement, and utopian performance. The review of the literature demonstrates that the use of speculative fiction in the classroom has the potential to engage students in conversations about social justice and …

Analyzing The Symbolism Of Modern Racial Tension In Jordan Peele's Get Out, Kyra Hammond

Symposium of Student Scholars

In award-winning films, themes surrounding race and ethnicity are typically avoided unless regarded in a historical context. Though, Jordan Peele’s Get Out(2017) breaks these barriers by taking a satirical approach to comment on modern racial issues and stigmas that are prevalent in American society. Furthermore, the film pushes society to finally see and understand the anxiety and racial trauma that African Americans continue to experience. The hidden symbols and messages throughout the screenplay further add to the film’s theme by metaphorically expressing that racism can be covert. With the intention to analyze these symbolic elements, I will break down …

Mija, Iris Brito-Stevens

The Tuxedo Archives

No abstract provided.

Diversity In Native American Literature, Sarah E. Guistwite

Student Publications

Native American literature, and Native American culture as a whole, has often been portrayed through the lens of a single story. It is assumed that Native American authors are all the same, and that their works are all the same as well. During the Native American Renaissance period, Native American authors wrote works that fought back against this idea. Their writings are diverse, and show a depth of culture that is often presumed to be nonexistent. Two authors, N. Scott Momaday and Elizabeth Cook- Lynn, demonstrate this diversity through their goals in writing, reasons for writing, and forms of writing. …

Why Intersectionality In Fiction Matters, Grace L. Dillon

Indigenous Nations Studies Faculty Publications and Presentations

In lieu of an abstract, here is an excerpt:

Indigenous peoples often say that from maewizhah, or time immemorial, we have gazed upon ae-iko-dawo-dunnauk-mishi-geezhik and created stories that are maumikaud-kummik. In other words, throughout our histories, Native peoples have looked to the heavens, pondered the universe, and composed fantastical tales that, translated literally, are “out of this world.”

This is the very definition of speculative fiction.

To us, storytellers are artists and medicine people who provide mishkiki: medicine, healing, and sometimes even solidarity — or, as we say in Anishinaabemowin, inauwinidiwin, which means collectively becoming a …

The Postcolonial Condition In Tayeb Salih's Season Of Migration To The North, Rachida Yassine

Dirassat

Tayeb Salih's Season of Migration to the North Disacounter-narrative written in 1969 at the early phase of African 'Decolonization'. This narrative re-writes Conrad's Heart of Darkness –and other ethnocentric representations of Europe's Other such as Shakespeare's Cali ban and Othello-from an Arab/African perspective. In his Culture and Imperialism, Said considers Salih's novel an example of the postcolonial native writers' reclamation of the fictive to poi of colonial culture "on the very same territory once ruled by a consciousness that assumed the subordination of a designated inferior. Saree Makdisee makes a similar point in his essay," The Empire Renarrated: Season of …

Losing Count: A Re-Collection, By Numbers, Kim D. Hester Williams

The Goose

Poetry by Kim D. Hester Williams

La Voie De La Plume, Sylvie Kande, Aly Ndiaye

The Goose

Cette conversation entre Aly Ndiaye alias Webster, artiste hip-hop et conférencier sénégalo-québécois, et Sylvie Kandé, écrivaine franco-sénégalaise établie à New York, s’est déroulée par correspondance de septembre à octobre 2020. Ils ont aussi décidé de se lancer un défi d’écriture.