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Articles 12421 - 12450 of 21525
Full-Text Articles in Creative Writing
If A Car Is Traveling West Going 60 Miles Per Hour..., Mackenzie Steckler
If A Car Is Traveling West Going 60 Miles Per Hour..., Mackenzie Steckler
A Midwestern Review: A Magazine of the Arts and Issues at DePauw University
No abstract provided.
Fall 1998, Emmy Shiring
Fall 1998, Emmy Shiring
A Midwestern Review: A Magazine of the Arts and Issues at DePauw University
No abstract provided.
Carved From The Cocoon (Reflection On Depauw’S Quarry), Megan Carter
Carved From The Cocoon (Reflection On Depauw’S Quarry), Megan Carter
A Midwestern Review: A Magazine of the Arts and Issues at DePauw University
No abstract provided.
Flight After Fall A Tribute To Sappho, Jessica Maginity
Flight After Fall A Tribute To Sappho, Jessica Maginity
A Midwestern Review: A Magazine of the Arts and Issues at DePauw University
No abstract provided.
Humans Are Animals, Dillon Raidt
Humans Are Animals, Dillon Raidt
A Midwestern Review: A Magazine of the Arts and Issues at DePauw University
No abstract provided.
My Housemaid In Her Domestic Quarters, Howard St, Greencastle, In, Megan Carter
My Housemaid In Her Domestic Quarters, Howard St, Greencastle, In, Megan Carter
A Midwestern Review: A Magazine of the Arts and Issues at DePauw University
No abstract provided.
“Salvia, It’S All The Sage.”, Mackenzie Steckler
“Salvia, It’S All The Sage.”, Mackenzie Steckler
A Midwestern Review: A Magazine of the Arts and Issues at DePauw University
No abstract provided.
Charm Bracelet, Akanksha Chawla
Charm Bracelet, Akanksha Chawla
A Midwestern Review: A Magazine of the Arts and Issues at DePauw University
No abstract provided.
Carnival, Jason Bredle
Carnival, Jason Bredle
University of Akron Press Publications
Jason Bredle's poems approach the world like a haunted cat approaches a glacier, curious and itchy with strangeness. In Carnival, he skates paratactically between states of being: levity, heart-holes, licks of darkness, lovesickness and werewolfishness. Bredle's gift as a poet is to traverse and re-traverse one looking glass in ten different moods. When he goes through it, we are taken. -Melissa Broder
All Aboard The Succulent Wave, Oscar William Oswald
All Aboard The Succulent Wave, Oscar William Oswald
UNLV Theses, Dissertations, Professional Papers, and Capstones
All Aboard the Succulent Wave is a collection of poems written over the past three years. It is the product of major shifts in my faith and trust in language. The manuscript is divided into three parts: "The Staccato Monsoon," "Today / / / A Poetics," and "Elliptics." Each of these sections concerns a particular theme about my language, my god, and my soul.
I wrote many poems that used language to find god. In these poems, those designated by "/ / / A Poetics," I write about what is holy to me in the moment and about how the …
At West Lake, Morning Postcard, After Visiting Tiantai Mountain, Alan Soldofsky
At West Lake, Morning Postcard, After Visiting Tiantai Mountain, Alan Soldofsky
Faculty Publications, English and Comparative Literature
No abstract provided.
Wobble, Said The Hedgehog, Mary Elder
Wobble, Said The Hedgehog, Mary Elder
UNLV Theses, Dissertations, Professional Papers, and Capstones
My thesis is called "Wobble, Said the Hedgehog." However, there are also things in it that are neither hedgehogs nor wobbly. These include, but are not limited to, the body, kingship, Catholicism, cats, mice, betrayal between friends, jam, alcohol, badgers, love and the military. There is less actual discussion of sex than one might expect. For the purposes of describing my project as an assembled whole, however, this prospectus will attempt to transcend "badgers" as a summary. (This is not to say that "badgers" isn't a useful signifier. It should be referred to almost as often as "Catholicism.")
II. Image …
Joanne Growney's Poetry-With-Mathematics Blog -- An Appreciation, Gregory E. Coxson
Joanne Growney's Poetry-With-Mathematics Blog -- An Appreciation, Gregory E. Coxson
Journal of Humanistic Mathematics
Now is a good time to work on the boundaries of practice and theory, of art and science. We are seeing a rising tide of interest in these boundaries. Witness the growing Bridges movement, which has been exploring the connections between mathematics and the arts. Similarly, JoAnne Growney's blog, Intersections -- Poetry with Mathematics, explores the connections between mathematics and poetry. Through this review, I aim to give readers a taste of what can be found in Intersections as a way of encouraging others, be they mathematicians, poets, or neither, to visit the blog.
Forecast, Dean Rader
Recovery At Lake Tahoe, Alan Soldofsky
Recovery At Lake Tahoe, Alan Soldofsky
Faculty Publications, English and Comparative Literature
No abstract provided.
A Poet’S Cento: Reflecting On The Written Word Through Writing, Nicole Trackman
A Poet’S Cento: Reflecting On The Written Word Through Writing, Nicole Trackman
Understanding Poetry
Students will create their own cento using lines from poetry discussed in class during a poetry unit. In a short analysis, students reflect on the lines of poetry that they chose to include as well as their process as a poet. This lesson allows the students to become even more familiar with their previously studied work while working through the writing process as an author. The short reflective analysis prompts students to be metacognative about their process and product. This lesson is best used at the end of a poetry unit.
Name That Invention: Examining Connotation And Sound, Dan Gleason
Name That Invention: Examining Connotation And Sound, Dan Gleason
Understanding Poetry
This exercise engages students with questions of diction, connotation, and sound patterns. Students discuss the field of product branding, and learn how much certain product names (e.g., Blackberry, Pentium, Swiffer) were considered in light their denotative, connotative, and aural elements. Then, in groups, students devise product names for four imagined products; afterward, as a class they debate the virtues of each name rate and choose a winner for each product. Such close attention to meanings, buried implications, and sound cues encourages students to adopt a very poetic form of word analysis, a skill that transfers nicely to more literary areas.
America In Verse: The Laureate Project, Leah Kind, Dan Gleason, Erin Micklo, Margaret T. Cain
America In Verse: The Laureate Project, Leah Kind, Dan Gleason, Erin Micklo, Margaret T. Cain
Understanding Poetry
The purpose of this project is to allow students to use their (developing) skills of poetic explication and close reading, combined with research and analysis, to discover and establish a solid case for a poet they will nominate as the next American Poet Laureate. Working in groups of 3-4, students will identify a published, living American poet who has not yet been designated a laureate. The project demands a wide array of skills as the students research bibliographic information on the poet: read and analyze the poet’s body of work and select one central poem to represent that poet; amass …
Imitism: Learning Imagism Through Imitation, Nicole Trackman
Imitism: Learning Imagism Through Imitation, Nicole Trackman
Understanding Poetry
Students will learn the components of Imagism through works of William Carlos Williams and D.H. Lawrence. As authors, students will demonstrate their understanding of this poetic movement through an imitation of either Williams’ poem “This is just to Say” or Lawrence’s poem “Green”.
Explicating Poetry: Shakespeare's Sonnet 46, Adam Kotlarczyk
Explicating Poetry: Shakespeare's Sonnet 46, Adam Kotlarczyk
Understanding Poetry
The term “explication” comes from a Latin participle of explico, which means to “unfold” or “disentangle.” The term is often applied to philosophy and to literature; in literature, it has become a procedure very important to New Criticism. In the process of explication, a reader forges a detailed analysis of the structural and figurative components within a work, focusing on ambiguities, multiple possibilities of interpretation, and interrelationships between various elements of the text.
This lesson introduces students to explication through the reading of a complex poem, practice explicating it as a class, and reading a model explication about the poem. …
¡Escriba! ¡Write! Volume 10, June 2012, Hostos Community College Library
¡Escriba! ¡Write! Volume 10, June 2012, Hostos Community College Library
¡Escriba!
No abstract provided.
Millie Dies In Style: Crafting Poems In Four Poetic Styles, Dan Gleason
Millie Dies In Style: Crafting Poems In Four Poetic Styles, Dan Gleason
Understanding Poetry
This exercise helps students learn about poetic style by challenging them to write poetry in different styles. To make stylistic differences most obvious, students write about the same topic in four different ways (casual, formal, depressing, whimsical). Students write poems of 4-10 lines in groups, and then they share their writings with each other. Nearly any topic may be chosen, but the topic should be a bit unusual; I like to use the tragic tale of Millie, a fictional family dog that dies suddenly by falling down an open well, to generate interest. The exercise is a fun activity that …
After Hearing The News, Michael C. Vocino
After Hearing The News, Michael C. Vocino
Technical Services Faculty Publications
A poem written after hearing the news of the death of a long ago friend.
Votary, Mary Bamburg
Rooftop Cities, Tammi L. Mccune
A Mandala Of Hands, John Warner Smith
A Mandala Of Hands, John Warner Smith
LSU New Orleans Theses and Dissertations
No abstract provided.
Codemakers, Dawn Manning
Codemakers, Dawn Manning
LSU New Orleans Theses and Dissertations
Codemakers is a book of poems by Dawn Manning divided into three sections: "Topophilia," "Goodwill," and "Women's Work."
Through Other I'S: Las Otras, Brenda Nettles Riojas
Through Other I'S: Las Otras, Brenda Nettles Riojas
LSU New Orleans Theses and Dissertations
The “I” speaks in each of the poems presented; but whose I? The collection explores the use of personae, and gives voice to “the other” I’s/las otras, women who came before us and those who walk among us. Sometimes in English, sometimes in Spanish, sometimes the voices cross between languages. Written primarily in free verse, the poems are ordered to allow the mingling of languages from the speakers on the page. Through other eyes, some of the characters revive the past, speak from the grave. They provide a glimpse into what lies beyond the “I.” We hear the …
What Was And When It Passes, Mark Petrie
What Was And When It Passes, Mark Petrie
LSU New Orleans Theses and Dissertations
No abstract provided.
Skinny Love, Natalie Bridgmon