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Articles 901 - 930 of 1943
Full-Text Articles in Creative Writing
Shame, Jacqueline Ramirez
Shame, Jacqueline Ramirez
CouRaGeouS Cuentos: A Journal of Counternarratives
No abstract provided.
¿Dónde Está Shame?, Jacqueline Ramirez
¿Dónde Está Shame?, Jacqueline Ramirez
CouRaGeouS Cuentos: A Journal of Counternarratives
No abstract provided.
Revelations Of Self, Jonah Platt (#11)
Revelations Of Self, Jonah Platt (#11)
CouRaGeouS Cuentos: A Journal of Counternarratives
No abstract provided.
Saturday Morning, Cynthia Paredes
Saturday Morning, Cynthia Paredes
CouRaGeouS Cuentos: A Journal of Counternarratives
No abstract provided.
La Música Es Vida, Susana Padilla
La Música Es Vida, Susana Padilla
CouRaGeouS Cuentos: A Journal of Counternarratives
No abstract provided.
¿Cómo Te Llamas Tú?, Mondserrat Ortiz
¿Cómo Te Llamas Tú?, Mondserrat Ortiz
CouRaGeouS Cuentos: A Journal of Counternarratives
No abstract provided.
The Bitter Taste Of Ice Cream, Mireya Ortega
The Bitter Taste Of Ice Cream, Mireya Ortega
CouRaGeouS Cuentos: A Journal of Counternarratives
No abstract provided.
The Innocence Of Being A Girl, Amy Núñez
The Innocence Of Being A Girl, Amy Núñez
CouRaGeouS Cuentos: A Journal of Counternarratives
No abstract provided.
Silent Voice, José Francisco Manzo
Silent Voice, José Francisco Manzo
CouRaGeouS Cuentos: A Journal of Counternarratives
No abstract provided.
My Best Friend And I, Zitlaly Macías
My Best Friend And I, Zitlaly Macías
CouRaGeouS Cuentos: A Journal of Counternarratives
No abstract provided.
The Brother No One Talked About, Tyree Love
The Brother No One Talked About, Tyree Love
CouRaGeouS Cuentos: A Journal of Counternarratives
No abstract provided.
Unprotected, Idette Lopez
Unprotected, Idette Lopez
CouRaGeouS Cuentos: A Journal of Counternarratives
No abstract provided.
Literacy Relates To Me, Lei Hou
Literacy Relates To Me, Lei Hou
CouRaGeouS Cuentos: A Journal of Counternarratives
No abstract provided.
A Foundation Of Labor, José Manuel Hernández
A Foundation Of Labor, José Manuel Hernández
CouRaGeouS Cuentos: A Journal of Counternarratives
No abstract provided.
Spanish To English, José Manuel Hernández
Spanish To English, José Manuel Hernández
CouRaGeouS Cuentos: A Journal of Counternarratives
No abstract provided.
Past And Future, Magdalena Cortez
Past And Future, Magdalena Cortez
CouRaGeouS Cuentos: A Journal of Counternarratives
No abstract provided.
Stolen Innocence, Magdalena Cortez
Stolen Innocence, Magdalena Cortez
CouRaGeouS Cuentos: A Journal of Counternarratives
No abstract provided.
Así Es La Vida, Patricia Cortés
Así Es La Vida, Patricia Cortés
CouRaGeouS Cuentos: A Journal of Counternarratives
No abstract provided.
Sábado, Patricia Cortés
Sábado, Patricia Cortés
CouRaGeouS Cuentos: A Journal of Counternarratives
No abstract provided.
Remembering The Forgotten, Briana Corona
Remembering The Forgotten, Briana Corona
CouRaGeouS Cuentos: A Journal of Counternarratives
No abstract provided.
Mis Berrinches: My "Otherness", Jacqueline Barrera-Pacheco
Mis Berrinches: My "Otherness", Jacqueline Barrera-Pacheco
CouRaGeouS Cuentos: A Journal of Counternarratives
No abstract provided.
Those Hot Summer Days, Karla Amaya
Those Hot Summer Days, Karla Amaya
CouRaGeouS Cuentos: A Journal of Counternarratives
No abstract provided.
Editors' Introduction, María Corral-Ribordy, Carlos Molina
Editors' Introduction, María Corral-Ribordy, Carlos Molina
CouRaGeouS Cuentos: A Journal of Counternarratives
No abstract provided.
Table Of Contents
CouRaGeouS Cuentos: A Journal of Counternarratives
No abstract provided.
"In The Land Of Tomorrow": Representations Of The New Woman In The Pre-Suffrage Era, Natalie B. O'Neal
"In The Land Of Tomorrow": Representations Of The New Woman In The Pre-Suffrage Era, Natalie B. O'Neal
Department of English: Dissertations, Theses, and Student Research
This digital anthology explores feminism in selected short fiction by women writers from the 1911 run of the popular women’s magazines Woman’s Home Companion, Ladies’ Home Journal, and The Farmer’s Wife. This fiction furthered the women’s rights movement by allowing women to imagine a world similar to their own with a heroine who voiced their desires and enacted change. Rather than the more experimental, inaccessible literature of avant garde high modernist writers consumed by the upper class, popular fiction reached a wider, middle class audience and was more effective at producing a progressive zeitgeist following the stilted Victorian …
Daughters Of The Sun: "The Birth" (An Excerpt), Megan Lynn
Daughters Of The Sun: "The Birth" (An Excerpt), Megan Lynn
Scholarly and Creative Works Conference (2015 - 2021)
“You have never heard of me before. You have never heard of me, but my name has come out of your mouth thousands of times.”
So begins my novel, Daughters of the Sun, the story of Jesus’s twin sister, Alleluia. Using the narrative framework seen in Salman Rushdie’s Midnight’s Children, Alleluia tells her story over one night—Saturday into Sunday morning—in an appropriated apartment facing a church. She weaves into her story another tale of women who have lived in shadows cast by the men around them, women whom history chose to vilify—Lilith, Adam’s first wife who was written out of …
Vistas, Volume 31, Spring 2016, Sacred Heart University
Vistas, Volume 31, Spring 2016, Sacred Heart University
Vistas (Horizons)
An interdisciplinary, multi-cultural journal celebrating the creativity of Sacred Heart University during the academic year 2015-2016.
This year's issue of Vistas is titled "Heritage and Beyond."
Pathos, Spring 2016, Portland State University. Student Publications Board
Pathos, Spring 2016, Portland State University. Student Publications Board
Pathos
Editor: Philip King
Volume 10 No. 3
The Secret Society Of Fish-Gazers, Hannah Woodlan
The Secret Society Of Fish-Gazers, Hannah Woodlan
English Theses & Dissertations
This collection of stories focuses on characters who are lost in the sense that they know themselves only in terms of what has happened to them and who subconsciously see their lives in terms of fairy-tales. They wait for destiny to knock on their door, or think they have been forced into a destiny not of their choosing. Only when they free themselves of the notion than an outside force dictates their choices can they recast themselves as heroes of their own quests and enter the world.