Creative Writing Commons^™

The Hidden Scars Of Healing, Amanda Almeida

be Still

A photograph collection of Mark's unique road to healing, and a medical narrative.

The Essence Of Resilience, Evelyn Echevarria Cruz

be Still

No abstract provided.

Putting Myself First, Nicholas E. Doberstein

be Still

No abstract provided.

The Circle Of Life And Care, Isabel M. Vera Machado

be Still

As a first-year medical student on the osteopathic path, my art is a reflection of my journey to balance creativity and the principles of holistic care. Osteopathic medicine’s focus on treating the whole person—mind, body, and spirit—aligns closely with my approach to art, which aims to capture the connections between humanity, healing, and empathy.

Through my work, I explore themes of care, connection, and the values I hope to uphold as a future physician. Whether it’s through symbolic imagery or simple, heartfelt compositions, my art reflects the importance of compassion and the human connection in both medicine and life.

For …

Cultural And Religious Perspectives On Suicide And Healing, Arielle Friedman

be Still

This essay is built off of a paper I wrote in a college global health course on culture and mental illness. I have always been fascinated by cultural interpretations of illness & believe that as a future physician, it is my responsibility to educate myself and others on the complex interplay between religious ideologies & recognition/management of biological disease in order to provide appropriate patient-centered care.

A Child’S Oath, Nozimakhon K. Omonullaeva

be Still

"A Child's Oath" reflects the transformative journey of a young girl shaped by her personal experiences with healthcare inequities, both in her home country of Uzbekistan and in the United States. This piece explores the emotional impact of these experiences and how they inspired a lifelong commitment to healing and serving underserved communities. It is a testament to the resilience born from hardship and the sacred promise to bring compassion and equity to medicine.

The Glacier, Emily Rodman

be Still

The Glacier discovers the inner workings of a medical student's mind as she devotes years of her life to eventually partake in the "sacred oath of healing." She knows that these years of medical training - filled with strife and joy alike - will eventually lead her to fulfill the career of her dreams, serving others.

The Sacred Healing Of A Little Warrior, Adrianna M. Zambrano

be Still

As a hopeful pediatrician, I find my sacred oath of healing to be inspired by the radiant positivity and resilience of children. My goddaughter was not even three years old when she had her first major surgery, and I was so worried about her future recovery. Then, she was just a few hours post-op and already cracking a smile. Her innocence and purity extended to the point where she made sure that she wasn't the only one being taken care of; after all, her "baby" Julie needed to be taken care of, too.

The Heart Of Healing, Madison Prieto

be Still

No abstract provided.

Nourishing The Body, Nurturing The Soul, Vidhi Raval

be Still

No abstract provided.

Frankenstein Colorized, Marianne Koleng

be Still

One of my favorite novel's growing up was Mary Shelley's Frankenstein. I see Frankenstein's desire to create a "Monster" as a way to grasp at the fundamental human drive for connection, and healing through connection. In this piece, I attempt to bring that inner yearning for fundamental connection to paper.

Beyond Myself - Healing Through Pain, Marianne Koleng

be Still

In this piece I reflect on the importance of setbacks, non-linear growth, injuries, and pain and their ability to provide self-reflection, a platform for growth, and an crucial reminder of the fragility of life. I have often been self-critical for not following a "traditional" path in life, and reflecting on my experiences allows me to show myself grace and hopefully may influence others to do so as well.

The Orchard Of Golden Apples, Ambika Kapil, Brendan Ginsberg

be Still

This poem was written collaboratively by Ambika Kapil and Brendan Ginsberg, reflecting our shared journey through the challenges and rewards of medical school. The inspiration for this piece comes from a pivotal time in Ambika's journey, when she found herself balancing the demands of medical education with personal struggles. During this period, she often turned to the lectures and guidance of various faculty members, including Dr. Lori Dribin, whose wisdom and support provided a sense of stability and hope. The guidance of these mentors became a beacon, helping Ambika navigate through uncertainty.

As many students face an array of challenges …

Death Is Not The End, Marianne Koleng

be Still

In this piece, Death is Not the End, the juxtaposition of maintaining a connection with those lost, while simultaneously adjusting to life without them is explored. The use of mixed media to convey a spectrum of emotions surrounding death along with the use of both a skeleton, to represent death, and "normal" hands and body contours to represent life, highlight the importance that proper healing play in both mourning and celebrating life.

For The Birds, Charlotte L. Middleton

School of Art, Art History, and Design: Theses and Student Creative Work

For the Birds is a homogenous material exhibition of porcelain pottery that explores the relationships between, expectations of, and roles placed upon women and pottery. Using traditional craft processes, still life imagery, and the language and limits of porcelain, I create arrangements that expose the viewers assumptions of both subjects. Pottery- pitchers, cups, and vases—is a product of anthropocentrism and anthropomorphism and can be entirely taken for granted- their role is assumed and unquestionable—to serve. The language and expectations of these objects are the medium I build with.

The title of the show, For the Birds, is both a …

The Tragic Outlaw Hero In Modern Egyptian Fiction: A Case Study On Naguib Mahfouz’S "The Thief And The Dogs", Manar Ellethy

Regards

This article examines the outlaw figure in modern Egyptian fiction

through the lens of the conceptual framework of social banditry and classical

tragedy. It offers a unique angle of analysis of one of Mahfouz’s most prolific

works that emerges in times of growing political anxiety following the Egyptian

Revolution of 1952. Reading the 1962 film adaptation of Naguib Mahfouz’s The

Thief and the Dogs directed by Kamal El-Sheikh as a projection of the socio-

political uncertainty of the post-revolution Nasser era, this paper considers the

outlaw figure within the condition of social alienation. Using the conceptual

borders set by Eric …

A Polyphonic Adaptation: Noir Sensibilities In Naguib Mahfouz And Salah Abu Seif’S Take On Émile Zola’S "Thérèse Raquin", Fadi Awad Elsaid

Regards

In 1951, Salah Abu-Seif directed Lak Yūm yā ẓālim (Your Day Is Coming) – scripted by Naguib Mahfouz – adapting Émile Zola’s Thérèse Raquin (1867). In their third collaboration, Abu-Seif and Mahfouz went beyond merely adapting Zola’s novel – they also incorporated traits and techniques from film noir, creating what this article terms a “polyphonic adaptation” that draws from multiple sources. While their partnership is often credited with pioneering realism in Egyptian cinema, this article argues that the film’s crime-thriller elements invite a reassessment of that narrative. Although adapting French novels was common in pre-1952 Egyptian cinema, their …

The 1953 Codes: Rayyā And Sakīna On Screen (1953-2005), Elena Chiti

Regards

This paper examines on-screen representations of female criminals. It focuses on Rayyā and Sakīna, two sisters who were arrested in Egypt in 1920 and executed in 1921. Since 1953, the sisters have inspired movies and TV series that have entrenched their myth in popular culture. Rayyā and Sakīna are at the core of narratives that bear moral imperatives on societal issues, such as the place of women in society and the relation of the nation to its margins. I will argue that, until a recent off-screen resignification, Rayyā and Sakīna have not been deeply resignified in Egyptian movies. Instead, they …

A Conversation With Loe Gino, Loe Gino, Seb Taylor

Digital Laboratory: Publisher of Internet Journal

LOE Gino is a Bay Area native from Berkeley, California and an independent artist. He has been a pioneer in the music industry for new age artistry. His ability to be a voice for independent artists parallels his wordsmith-skills as a rapper. As a part of the Bay Area cultural scene, he is a real life example of how to set a vision and build it as you go. Every aspect of his creative vision is thought out and executed with the accuracy of a freestyle. LOE Gino stands as an example of what it means to never conform to …

Contributors, Amelie Sandoval

.RAW Journal of Art and Design

No abstract provided.

'Scatter' & 'Divine', Victoria Dai, Margaret Mallow

.RAW Journal of Art and Design

No abstract provided.

'Can't Feel Me'; 'Bodies In Nature'; & 'Chypre', Owen Isachsen, Joie Rahn, Jaclyn Brodersen

.RAW Journal of Art and Design

No abstract provided.

'Nazare, Portugal' & 'Fingered', Tasman Fruhauf, Olivia Pye

.RAW Journal of Art and Design

No abstract provided.

'Visual Control'; 'What Lurks'; & 'Whispers Of My Roots', Nick Degeorge, Samarra Sanders, Shrishti Dutta

.RAW Journal of Art and Design

No abstract provided.

'The Deception Of Elegance' & 'Submarine Cinema', Maya Benham, Lucas Vergara

.RAW Journal of Art and Design

No abstract provided.

'Picking Up The Pieces' & 'Show Me The Way', Liliana Monge, Lorelai Samuel

.RAW Journal of Art and Design

No abstract provided.

'Pink Party' & 'West', Kelli Ayon, Kennedy Ray

.RAW Journal of Art and Design

No abstract provided.

'Mio- Branding' & 'Pillow Book', Jenni Martinez, Itzel Camarillo-Gonzalez

.RAW Journal of Art and Design

No abstract provided.

'Veiled In Luminance'; 'Herd'; & 'Preservation', Victorine Philippe, Zoe Shaikh, Jolina Chen

.RAW Journal of Art and Design

No abstract provided.

'Sinner' & 'Feel The Music', Gillian Crow-Juarez, Josh Hakman

.RAW Journal of Art and Design

No abstract provided.