Creative Writing Commons^™

The Dunes, Juliet Grey

Allusions

No abstract provided.

Dreams, Jarrett Stringer

Allusions

No abstract provided.

Agony Café, Sarah Mattingly

Allusions

No abstract provided.

Mind Over Medicine, Ariel Petrie

Allusions

No abstract provided.

This Town Eats People, Seth Johnson

Allusions

No abstract provided.

#Iamthesudanrevolution, Mustafa Mustafa

Allusions

No abstract provided.

Saltwater., Alyson Laplante

Allusions

No abstract provided.

Lost Friend, Victoria Presslor

Allusions

No abstract provided.

Red, Patrick Gibbons

Allusions

No abstract provided.

Chrysalis, Sierra Nobbe

Allusions

No abstract provided.

Incantation For What I Cannot Hide - After "Again, Let Me Tell You What I Know About Trust" By Hieu Minh Nguyen, Madison Williams

Allusions

No abstract provided.

I'M Fine, Sam T. Morlan

Allusions

No abstract provided.

Break In Pink, Austin Roberts

Allusions

No abstract provided.

Translator Of Soliloquies: Fugues In The Key Of Dissociation, Seo-Young J. Chu

Publications and Research

Chu, Seo-Young. “Translator of Soliloquies: Fugues in the Key of Dissociation” (chapbook). Black Warrior Review 46.2, Spring 2020.

Pathos, Winter 2020, Portland State University. Student Publications Board

Pathos

Editor: Sadie Jordan

A Story About A Girl With Snakes For Hair, Kate M. Turner

Theses and Dissertations

My work is autobiographical. I use various art making processes to create a visual archive of my life. By abstracting these memories and experiences, I can examine how culture works surrounding issues of identity. This is my story.

The Program, Aaron Douglas Estrada

Theses and Dissertations

In my work, I explore the engineering of identity and socioeconomics that are programed into Black and Brown communities. I refer to this as “The Program”. The Program validates, breaks, codes, and critiques the system that divided us. The Program is identifying with the struggle of growing up in a system that is programmed to see you fail. So if you get caught up in that system it’s a natural death within the program. But you can break and make your own program. If you stick to the program.

The paper's use of language is coded. Text has been written …

Small Worlds: A Collection Of Creative Nonfiction On Relationships And Our Connections, Nicole H. Conner, Colin Burch

Honors Theses

Small Worlds is a collection of creative nonfiction, personal essays, and memoir essays detailing the connections between relationships, love, and music.

Orpheus, Fall 2019: Fever, University Of Dayton

Orpheus: UD's Literary and Artistic Magazine

No abstract provided.

The Missing Archive Of Loss, Zeina G. Halabi

Regards

The article examines the power of visual archives and the implication of their absence on the work of mourning. It explores the photographic work of the Iranian artist Azadeh Akhlaghui, who retroactively assigned visual identities to the unrecorded death of prominent Iranian figures. The scenes of death, reconstructed in highly staged photographs, operate as the guardians of collective memory insofar as they enable the work of mourning – a process of reckoning with loss that ultimately frees the collectivity from enduring melancholia.

Résumé

L'article examine le pouvoir de l’archive visuelle et les implications de son absence sur le travail de …

Introduction, La Rédaction De « Regards »

Regards

Dans ce deuxième numéro de la nouvelle formule, Regards se penche sur la question du portrait et de l’autoportrait, qui occupent une place prépondérante dans l’histoire de l’art. La peinture et la littérature, tout autant que le théâtre, le cinéma et les arts visuels, ont tous été tentés de saisir, avec leurs caractéristiques respectives, les traits d’une personne, connue ou anonyme, tandis qu’écrivains et artistes se sont, à un moment ou à un autre, focalisés sur la représentation de soi.

Changing Body And Society: A Speculative Examination Of Portraiture In Choucair’S Non-Representational Corpus, Kirsten Scheid

Regards

What ways do portraits relate people to aesthetic practices and social configurations when representational and individualizing assumptions that ensue from figurative art cannot be assumed? If social being is not given, an art act might be seen to affect primarily an artist’s relation to the possibility of subjectivity. The idea that the audience of an artwork includes the artist herself raises questions about her self-understanding and social being.
Building on my ethnographic research, I conduct a speculative examination of portraiture in relation to the career of Saloua Raouda Choucair towards founding a local art history. To conduct my review, I …

Portraits De Téléspectateurs Turcs : Enquêter Au Coeur Du Quotidien, Nese Öztemir

Regards

Dans le cas de la recherche en SIC, le portrait s’avère être une méthode adaptée pour pénétrer dans le contexte « naturel » de réception et ainsi rendre compte de ce qui se passe « autour de » la télévision. En ce sens, la pratique télévisuelle en Turquie constitue un levier intéressant pour étudier la façon dont l’organisation genrée du monde domestique travaille les rituels de réception. Comme le résume Pasquier (1999 : 233), regarder la télévision, c’est vivre une expérience organisée et socialement normée.
En s’appuyant sur les portraits individuels, travaillés dans le cadre d’entretiens semi-directifs menés dans deux …

Chouchou, Figure Gravée Dans La Mémoire Collective Du Théâtre Libanais, Rawan Kachmar

Regards

Chouchou is the nickname of Lebanese artist Hassan Alâ’ed-dine (1939-1975). Hassan founded the Lebanese National Theatre (1965-1975), the first daily theatre in Lebanon. This theatre produced, during a ten-year period, twenty-six comedic plays in which Chouchou played the main character. Who is Chouchou, though, and how did he turn into a star in the eyes of the Lebanese general public of theatre? Chouchou — with his strong Beiruti accent, a vortex of extravagant movements, a sensitive soul with a fragile heart, a conman with his distinct moustache — appropriated his own unique physical and speech mannerisms, which rendered him a …

جان شمعون وتاريخ لبنان المعلّق, Hady Zaccak

Regards

Jean Chamoun is one of the main Lebanese documentary filmmakers. After taking part in the Palestinian Political Cinema in the seventies, he documented, with his wife, the Palestinian filmmaker Mai Masri, the main events of the Lebanese War, the resistance in South Lebanon in the eighties until the liberation of the South from Israeli occupation in 2000, and the 2006 war. In his work, Chamoun focused on the human being in his daily life and continuous struggle for dignity under the strain of history. His social and political documentaries, as well as his sole fiction drama – extremely popular but …

العروض الفنية المعاصرة – التجهيز والأداء الفني تأثير التراث والمجتمع والسياسة, Hana Kaaki

Regards

A review of contemporary artistic practices in Lebanon in relation to tradition, the socio-cultural context of production, and politics.

Beyrouth Vagabond, Pascale Feghali

Regards

Starting from the filmed narrative of three characters — Abou Youssef, a homeless person found during the day at the Sanayeh public garden; a security person in charge of a crumbling building in the Grand Hotels’ sector; and Fatmeh, who squats in an abandoned property in the same sector — this article introduces us into the heartland of Beirut through the eyes of tramps and vagabonds. It is made up of narratives and counter-narratives built on elements of reality but that, in fact, speak of another dimension of reality where truth is no longer an issue. The stories are set …

La Naissance De L’Autofiction Silencieuse Dans Le Cinéma D’Elia Suleiman : « Hommage Par Assassinat » (1992), Sandra Fatté

Regards

This article questions the link between the aesthetics of silence shaped by Suleiman and his quest for identity. Through the analysis of the second short film by this Palestinian director, Homage by Assassination (1992), we underline this aesthetic and its stakes. In this film, Elia Suleiman incarnates ES, the silent character who appears for the first time on screen; he will be present in his three subsequent feature films. The story takes place one night during the Gulf War in a New York apartment where ES investigates the notion of identity. We introduce the notion of silent autofiction before analysing …

Sadie Jane, Esther French

Masters Theses & Specialist Projects

Sadie Jane is a novella set in the town of Gypsum, a fictional location in rural Kentucky. The introduction covers the inspiration for the novella, which is based on Southern storytelling traditions and features the adventures of Sadie Jane, an independent octogenarian who returns to her hometown after many years. Sadie experiences the internal challenges of regrets and grief as well as the external challenges of busybodies and car thieves before finding her place in the community.

Pathos, Fall 2019, Portland State University. Student Publications Board

Pathos

Editor: Sadie Jordan