Christian Values Guide Generation Z To A Better Future In Post-Apocalyptic Screenplay, Charlotte Ashleigh Rice

Masters Theses

Echo’s Calling is a screenplay written with the intention to relate to modern teenagers and young adults (Generation Z) and teach them the Christian values of forgiveness, love, and acceptance. According to research, Generation Z relates to post-apocalyptic narratives because they feel as if they are currently living in the apocalypse. Their dismal worldview is perpetuated by negative news, “cancel culture,” and the media. Despite all this, Generation Z strives for a better future free from hate. In order to produce such a future, the Christian values of forgiveness, love, and acceptance need to be relatable and teachable to Generation …

Death Spaces And Distant Skies (Every Day We Say Goodbye), Renee Estee

Theses and Dissertations

Linking ideas and imagery of the Australian Outback, Hauntology and Orphism, my practice highlights myth-making and rituals surrounding mourning, celebration and commemoration. Operating as visual love letters and epitaphs, my paintings coalesce figuration and abstraction to conjure spaces where I can commune with the deceased and contend with future loss.

What An Interesting Video To Put On The Internet (An Amusing Economic Indicator), Dahlia S. Bloomstone

Theses and Dissertations

My exhibition reconciles representations of domesticity, labor, and morality through the lens of sex-work (SW). It consists of video work, a video game, and free-to-take objects, where donation, the strip club, and the fish tank converge. My work concludes that SW is a timeless construct that will always exist even after reimagining multiple worlds.

With The Screenwriter's Pen: An Analysis Of The Representation Of Gifted Children In The Family Film, Sarah Williams

Master of Arts in Professional Writing Capstones

Family films are something that have been enjoyed for many decades. They often create a fantastic world that will enchant audiences and eventually become beloved stories. A big aspect often seen in these films is a protagonist that possesses some kind of gift. Where does this gift come from? How does it grow? Most importantly, how do the screenwriters who are responsible for bringing these gifted heroes to life go about it?

Using the screenplays of Kubo and the Two Strings, Harry Potter and the Sorcerer’s Stone, Encanto, and Coraline, I take a deep dive into the portrayal of …

The School Of The One: A Mystery On Canvas, Noah Salomon

Regards

In late 20th century Sudan, a new school of visual art emerged that sought to bridge what it saw as a gulf between contemporary Islamic renewal and the arts. Lamenting that the latter had gone in the direction of secular life, while the former had taken on a deeply anti-aesthetic bent, the school looked to Sufism’s aesthetic archive to revitalize Islamic artistic practice for the 21st century. Calling itself “The School of the One” (Madrasat al-Wāhid), its artists sought to harness the power of beauty inherent in Islamic theological and ritual traditions while suturing it to new ends …

Imagining Lebanon With Islamic Art: The 1974 Exhibition At The Nicolas Sursock Museum, Sarah Sabban

Regards

Focusing on the first exhibition of Islamic art in Lebanon, organized by the Nicolas Sursock Museum in 1974, this article shows how the construction and the operationalization of the concept of Islamic art overlapped with postcolonial endeavors to foster national identity. By closely examining the making of the art exhibition and tracing material histories intersecting in Beirut, it elicits constructions of the national, the secular, and the spiritual via the notion of art. It contributes to the growing scholarship on the historiography of Islamic art, regional museums, and nation-building in the second half of the 20th century.

Résumé

S'intéressant à …

"This Is Not An Exhibition. And This Is Not Beirut" A Free-Format Curatorial Platform Exploring The Space Of Beirut In The Aftermath Of The August 4 Explosion, Philippa Dahrouj

Regards

This is not an exhibition. is a platform for experimentation in the public spaces of the city through timely interventions in the form of installations, performances, discussions, walks, etc. These interventions aim to question and contest established artistic and curatorial practices by transgressing the normalization of social, political, and urban dynamics in the spaces in which they take place. They invite the audience to participate in the production of the works.
The pilot version, This is not an exhibition. And this is not Beirut., engages with Beirut in the aftermath of the August 4 explosion through artistic interventions in …

"In This Place: Reels Of Beirut" Une Installation Filmique De Hady Zaccak, Entre Nostalgie Et Amertume, Yara Nashawaty

Regards

“My Government Did This”: Exploring The Erasure Of The Beirut Port Wall, Lara Sabra

Regards

This paper draws on ethnographic fieldwork to examine the affective and agentive power of graffiti in Beirut after the August 4 Beirut explosion, specifically the graffiti on the port wall: “My government did this.” The paper investigates the whitewashing of the port wall, the erasure of this phrase, and the subsequent policing that took place.
It studies how graffiti holds an emotional or affective grip on civilians and is intrinsically tied to the practice of agency. In short, the paper discusses how graffiti opens a space for the transgression of dominant or hegemonic systems of power.

Résumé

Cet article s’appuie …

"Hady Zaccak: 'In This Place: Reels Of Beirut'" La Scénographie Comme Chassé-Croisé Entre Plusieurs Espaces/Temps, Joanna Raad

Regards

Ce compte-rendu tente d’inscrire l’installation de Hady Zaccak, In This Place: Reels of Beirut, dans un concept théâtral de « scénographie d’exposition ». L’article conjecture un dialogue entre l’espace-temps des films et celui de l’observateur/spectateur. Pourquoi la fiction peut-elle jouer le rôle d’archive ? Comment le passé dialogue-t-il avec le présent ? L’ancien Beyrouth, la « Suisse de l’Orient », est-il un mythe ou une réalité ? Autant de questions abordées dans un langage interdisciplinaire.

Theorizing The Spiritual-Secular Binary In Modern And Contemporary Art Of – And By Artists From – The Swana Region, Valerie Gonzalez

Regards

The present article critically examines the spiritual–secular binary in modern and contemporary art from the SWANA region and by artists with heritage from that region who live or have lived elsewhere. Given this binary’s origin in the European Enlightenment’s view of religion, and its epistemic canonization through post-Enlightenment ideas on art and culture in the colonial era, this examination is carried out within the framework of current decolonizing art historical discourses and their postcolonial background.
The reflection begins with a key moment of global modernism, underpinned by the colonial diffusion of secularism. It then proceeds to explore the cultural shifts …

Tellers Of Dark Fairy Tales: Common Themes In The Works Of C.S. Lewis And Terence Fisher, Gabriel C. Salter

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

This article explores connections between C.S. Lewis and filmmaker Terence Fisher, notably how their works explore themes like the charm of evil, white magic’s dubious nature, and myth hinting at divine truths. By viewing these themes, Fisher and Lewis’s common views on fairy tales, and how feedback informed their work, scholars discover nuance in the perceived “Inklings versus secular British culture” dichotomy.

Pathos, Fall 2022, Portland State University. Student Publications Board

Pathos

Editor: Bret Steggell

Introduction – Whither The Spiritual? Rethinking Secularism’S Legacy In Post-Ottoman Art, Hannah Feldman, Kirsten Scheid

Regards

This dossier seeks to pinpoint hazards emerging on the globally redrawn map of art and culture. It was conceived to expose and navigate the mines laid when the ostensibly methodologically secular discourse of art history turns to art made outside Euro-American cultural centers – art often considered out of sync with Euro-American modernity.¹ As commonly approached, the pinnacle of that modernity corresponds roughly to what one of us has referred to as the “decades of decolonization,” in an effort to avoid reaffirming the Eurocentrism inherent in labeling the period as ‘post-war’...

The Textual Gutter: How Gene Luen Yang Redefines The Gutter In Boxers & Saints To Tell A Transnational Tale, David Lucas Jr

SANE journal: Sequential Art Narrative in Education

This paper attempts to provide a new understanding of the gutter and how it is used to significant effect in Gene Luen Yang's, Boxers & Saints. This research draws upon the work of Scott McCloud to establish a framework for the theoretical applications of the gutter. Most prior research focuses on the gutter within the page. This article demonstrates how Yang pushes the concept of the gutter further by creating a new type of gutter that moves beyond the pages and across texts. Then the research attempts to demonstrate how the idea of the textual gutter heightens the transnational elements …

Finding Your Inner Drag: How Drag Culture Helped Form Freedom Of Expression For The Lgbtq Community, Sylvia Zobel De Ayala

Pop Culture Intersections

This research paper discusses the history of the LGBTQ community, the effects of the drag community and the comparison to the behaviors and attitudes from the past to the present. This article goes in depth to different scholarly articles that help understand the history of the LGBTQ community. This article will also discuss personal stories and experiences that describe the emotional aspect of the moments of history mentioned. The three main topics discussed in this paper are the Stonewall Riot, the AIDS epidemic and the uprising of the transgender community. After understanding the history and the present attitudes, they will …

Popular Culture’S Grip On The Lgbtq Community, Connor Grogan

Pop Culture Intersections

The purpose of this research is to identify the causes and consequences of forming groups within this cultural sphere, specifically focusing on the LGBTQ community. I would contend that the inclusion and exclusion of this marginalized group which exists within a larger community can be promoted or amplified by hegemonic forces through the use of popular culture and mass media. Firstly, with regards to this paper, I will identify what hegemonic power dynamics are within the context of the thesis, as well as what it means to be a marginalized group without much force within a power dynamic. Secondly, I …

Strategies Used In Translating The Fantastic Events In Venus Dari Kota Ille, Ria Rizkya, Arif Budiman

International Review of Humanities Studies

The fantastic (le fantastique) is a literary genre that originated from France, which has a specific characteristic of an ambiguous event that cannot be found in other literary works from other countries that introduce similar genres. This study discusses the translation strategies used to translate these fantastic events in Venus dari Kota Ille, the Indonesian translation version of the fantastic story of La Vénus d'Ille by Mérimée (1837). The objective of this research is to see what strategies the translator use in translating the fantastic events that are present in the French version that contained uncanny elements and whether these …

Glass House S1:E1 “Sweet Temptations”, Taylor Middleton

Honors Theses

Sweet Temptations tells the story of the Price family navigating their new lives in Cape Huron. Enticed by the opportunity of a new job with great benefits, the Price family moves to Cape Huron, Maine, a small town with mysterious goings-on. While father, Paul, starts work at the factory in town, twins Seth and Samantha start their senior year of high school. Everything in the town is perfect at surface level, the houses are all the same cookie-cutter design with the exception of the different color palettes and furniture styles. The perfect All-American façade comes crashing down when Seth and …

Sandstorm Spring 2022, Leslie Malland

Sandstorm: A Journal of Arts and Letters

Full Manuscript

..., Claire Alfonso

Undergraduate Honors Theses

Words are fickle, easily misunderstood, and often put us at a loss... but we all have so much we feel we need to express. This begs the question: Is there any safe way of communication? Can anything ever really be communicated how you mean it? Will you ever see the reflection of what you feel, think, and dream outside of yourself? In response to this existential dilemma, I imagine an alternative language of images, sounds, color, feelings, and non-identification. My thesis is a meditation on the issues with standard language and the idea of alternative language. In my argument I …

Wavzine: Independent, Localized Cultural Journalism In The Digital Age, Jake Edward Davis

Journalism

wavzine (also called .WAV or colloquially known as “The Zine”) is a music, arts, and culture multimedia website and print periodical founded by Cal Poly students in the summer of 2020. Two years on, it was comprised of roughly 45 regular staff members and even more occasional contributors, all of whom are volunteers. Along with independently publishing articles, videos, podcasts, and art online, wavzine also organizes and hosts concerts for local bands, collaborates with local cultural events such as Shabang Music Festival and the San Luis Obispo Film Festival, and sells its own branded merchandise. To its 2,700 Instagram followers, …

The Screen And Development: Creative Writing And Liminality In Children’S Literature, Rebecca E. Glenn

All Theses

This creative thesis strives to research and implement the overlap of liminality found within Children’s Literature, especially those works that exist through the screen. The critical component of this thesis explores the ways in which childhood development and maturity, a theme commonly found within Children’s Literature, embodies its own “right of passage” associated with the liminal. The journey of the Children’s Literature protagonist is often wrought with this movement from familiar boundaries to a sense of new development. The critical analysis emphasizes the methods Children’s Literature genre uses emotion, familial connections, symbology, space, and even elements of the monstrous to …

Operatic Mysticisms: Mountains, Deserts, Waterscapes, Andrew Demczuk

Electronic Theses and Dissertations

Operatic Mysticisms: Mountains, Deserts, Waterscapes examines the ways we encounter environments as readers/viewers of operas, literature, film, and sound recordings, and how each medium requires different detail-gathering techniques. Respective to the previously mentioned mediums, Sun & Sea (2017), Mount Analogue (1952), El Mar La Mar (2017), and Energy Field (2010) are analyzed by engaging with environmental media studies and invention. Reflecting the nature of each landscape—summits of mountains, aporias of deserts, and mysteries of waterscapes—an elemental approach is taken in investigating how these spaces may be noticed, internalized, recorded, and traversed by both the artist and viewer. …

The Rain Over Hanoi: A Personal Project About Screenplay Structure, Story, Representation And Intergenerational Struggle, Joan Moua

Electronic Theses, Projects, and Dissertations

A good screenplay is first and foremost a good story. Elements of a good story include compelling characters, a theoretical structure, and a well-executed premise. The Rain Over Hanoi is an extremely intimate and personal project about an Asian American expat living in Vietnam. Our protagonist’s journey and coming of age is explored via the interactions she has with her old and new family. Communication through food, symbolism, and cultural exchange are also present throughout the screenplay, utilizing a realistic point of view for the benefit of a full story submersion experience to the reader/viewer. Themes of self-exploration, growing up, …

A Wellbeing@Ksu Journey: Mapw Portfolio, Meghan Cooper

Master of Arts in Professional Writing Capstones

A process narrative and samples and complete works from my time in MAPW and as a GRA within the health and well-being departments at KSU. The portfolio showcases my journey as a communicator and professional writer and how it has impacted my current career.

The Journey Of Life Itself, Ashton Webb

Symposium of Student Scholars

Life Itself, written and directed by Dan Fogelman, is a heartbreaking tale featuring three different couples and the journey that life takes them on. Throughout the film there are common themes of heartbreak, marital problems, and death. The three stories are joined together by one devastating event, and Fogelman shows how beauty can be made from ashes. In this presentation, I will explore the themes of love, heartbreak, and depression and how these themes shaped the film, allowing Fogelman to intertwine three stories into one in order to tell an interconnected story. Though the film was not well received by …

It Won’T Be Easy, Allison Arkush

School of Art, Art History, and Design: Theses and Student Creative Work

Interdisciplinary artist Allison Arkush engages a wide range of materials, modalities, and research in her practice. In It Won’t Be Easy, Arkush places and piles her multimedia sculptures throughout the gallery to create installations that overlap ­with her writing and poetry, sometimes layering in (or extending out to) audio and video components. This approach facilitates the probing exploration of prevailing value systems through a flattening of hierarchies among and between humans, the other-than-human, and the inanimate—though no less lively. Her work meditates on and ‘vendiagrams’ things forsaken and sacred, the traumatic and nostalgic. The exhibition title acknowledges that the …

Pathos, Spring 2022, Portland State University. Student Publications Board

Pathos

Editor: Bret Steggell

Revolutionary Reenactment: Militant Futures Past In Rania And Raed Rafei’S “74 (The Reconstitution Of A Struggle)”, Judith Naeff

Regards

This article analyses how innovative narrative techniques operate in the movie 74 (The Reconstitution of a Struggle) by Rania and Raed Rafei (2012). The film is a reenactment of an historical event: the student occupation of the American University of Beirut one year before the start of the Lebanese civil war. The use of improvised reenactment, testimonials and the voiceover all strengthen the film’s approach to the event as an embodied transformative experience, even as it descends into its defeat. While a cynical spectator might argue that the focus on “revolutionary becoming” reduces collective action to individual experience, the article …