Creative Writing Commons^™

Pathos, Spring 2009, Portland State University. Student Publications Board

Pathos

Editor: Nataliya Pirumova

Issue 9

Pathos, Winter 2009, Portland State University. Student Publications Board

Pathos

Editor: Nataliya Pirumova

Issue 8

Un Autre Monde Est Possible: Création Et Résistance Dans L’Oeuvre D’Ousmane Sembène, David Murphy

Présence Francophone: Revue internationale de langue et de littérature

During an artistic career that spanned half a century, Ousmane Sembène often played a pioneering role. However, although the many awards he received constitute recognition of the artistic quality of his work, his literary and cinematic output is best known for its denunciation of colonial and neo-colonial injustices. This article argues that Sembène’s importance is not solely political, and nor should it be limited to his role as a pioneer of African cinema. Sembène was also a great artist who developed a profound refl ection on his practice both as a writer and as a filmmaker. The article will trace …

L’Éthique Et L’Esthétique Chez Ousmane Sembéne, Frederic Ivor Case

Présence Francophone: Revue internationale de langue et de littérature

The ethics and aesthetics of the films and novels of Sembène reflect the axiological principles of his work. Sembène’s impact can be felt throughout as his practice in both cinema and literature helped redefi ne the features of the African novel and film. For him, writing was fed by the experiences, however painful, of workers of diverse origins attempting to survive their difficult conditions. His novels reveal the agony of this world but also various opportunities for self realization among his characters. Such practice, born out of the sweat, resistance and determination of men and women eking out their living, …

De La Fiction Criminelle En Afrique. Relecture Des Films D’Ousmane Sembène, Alexie Tcheuyap

Présence Francophone: Revue internationale de langue et de littérature

For institutional, ideological and even sociological reasons, the detective genre had difficulty rising to prominence within literatures and especially within the field of African cinema. If one observes today its shy emergence in the works of some West African film directors and within popular Nigerian video films, it is nonetheless possible, thanks to a finer scrutiny of theories developed on the subject, to realize that some films by Ousmane Sembène contain aesthetic strategies that allow for a fresh assessment of the works of a director whose films were often reduced to their ideological aspects. This second reading also unravels the …

Pathos, Fall 2008, Portland State University. Student Publications Board

Pathos

Editor: Nataliya Pirumova

Issue 7

Pathos, Spring 2008, Portland State University. Student Publications Board

Pathos

Editor: Laura Pieroni

Issue 6

Pathos, Winter 2008, Portland State University. Student Publications Board

Pathos

Editor: Laura Pieroni

Issue 5

Carpe Noctum, Mark Andrew Turnage

Honors Program Theses

In movies, there are certain conventions that identify a film with a particular genre: a typical western has cowboys; a superhero movie may star a gifted protagonist; or an adventure film could feature exotic locations. Such is also the case with film noir, a movement characterized by storylines featuring criminal elements and their tensions with the police, stylized black-and-white cinematography, and a seedy, nightmarish cityscape. But just as an audience can easily identify genres like these, an author can also demythologize a genre by providing original themes within a familiar setting or inverting those themes that currently exist within the …

Bent Familia De Nouri Bouzid : Enjeux De L’Amitié, De La Clairvoyance Féminine Et Du Questionnement, Hélène Tissières

Présence Francophone: Revue internationale de langue et de littérature

Bent Familia by the Tunisian filmmaker Nouri Bouzid breaks down silences by questioning norms and power structures, including patriarchal authority. Centered on an exceptional friendship between three women and examining their preoccupations as well as their needs, the film reveals the empowering forces of sharing, insightfulness and engagement. Through the character of Aïda and the intertwinement of arts – in particular music and painting – the film dismantles absolutes and illusions. It encourages deep questioning in order to trace new paths, valuing the clear-sighted contributions of women in a continuously changing society.

Pathos, Fall 2007, Portland State University. Student Publications Board

Pathos

Editor: Laura Pieroni

Issue 4

The Feel-Good Gulag: The Value Of The Arts, Ian Kilroy

Books/Book chapters

A 2007 consideration of the importance of the arts in Irish society by Ian Kilroy, Arts Editor of the Irish Examiner. The piece was commissioned by the Irish Arts Council.

Pathos, Spring 2007, Portland State University. Student Publications Board

Pathos

Editor: Laura Pieroni

Issue 3

Pathos, Fall 2006, Portland State University. Student Publications Board

Pathos

Editor: Laura Pieroni

Issue 2

Summer 2006, 90.9 Wmpg Fm

WMPG Program Guides

Newspaper format. "The WMPG 'Zine"

Pathos, Winter 2006, Portland State University. Student Publications Board

Pathos

Editor: Laura Pieroni

Issue 1

Entre Intertextualité Et Réécriture, Alexie Tcheuyap

Présence Francophone: Revue internationale de langue et de littérature

Aesthetic practices have become more and more diversified in contemporary cultures. Although rewritings and adaptations are most common from literature to film, from myth/epic to novels, African filmmakers have recently been inaugurating novelization, that is the literary rewriting of a film. This essay examines the case of the Algerian filmmaker Merzac Allouache, who has written Bab el-Oued City, based on his film Bab el-Oued, in order to escape the technical and practical limitations of cinema. In doing so, he best expresses the challenges of contemporary Algeria, which is permanently threatened by violence and Islamic fundamentalism.

Problèmes Et Enjeux De L’Adaptation En Algérie, Mehana Amrani

Présence Francophone: Revue internationale de langue et de littérature

As in all postcolonial societies confronted with the question of illiteracy, in Algeria, film adaptations pose a political and cultural stake. Due to the phenomena of political and moral censure and self-censorship, only ten novels were carried over to the screen during one 36-year period. However, with the rebirth of Algerian cinema in the Nineties, screenwriters are once again interested in setting Algerian novels in images. These new adaptations, which are often done in co-production with France and Belgium, introduce the new problems of language. The audience for these films, which are expressed mainly in French, is thus likely limited …

L’Écriture De La Femme Musulmane Dans Loin Demédine D’Assia Djebar, Yvonne-Marie Mokam

Présence Francophone: Revue internationale de langue et de littérature

Assia Djebar is one of the most important figures in contemporary African literature. Her views are structured around a critique of the misrepresentation of Muslim women. It is precisely this challenge that is undertaken in Loin de Médine (1991), in which Djebar challenges various stereotypes in order to offer a new image of Asian women.

Contact: Little Orphan Ellie, Andrew Gordon

Reconstruction: Studies in Contemporary Culture

By featuring a woman scientist as protagonist, Contact (1997) is a welcome change in the largely male-dominated territory of American science-fiction film. The astronomer Dr. Ellie Arroway is an exceptional woman for recent SF film: a brilliant, dedicated visionary who defies the male scientific establishment, goes it alone, risks her career and life for her beliefs, and succeeds in the end by taking a dangerous journey to the stars to contact intelligent extraterrestrial life. Although the movie is largely faithful to the novel by Carl Sagan, it deviates from the novel in certain critical respects which end up making Contact …

Summer 2005, 90.9 Wmpg Fm

WMPG Program Guides

Summer 2005

Spring 2005, 90.9 Wmpg Fm

WMPG Program Guides

Newspaper format.

Fall/Winter 2005, 90.9 Wmpg Fm

WMPG Program Guides

Newspaper format

Summer 2004, 90.9 Wmpg Fm

WMPG Program Guides

Newspaper format

Spring 2004, 90.9 Wmpg Fm

WMPG Program Guides

Newspaper format

Fall 2004, 90.9 Wmpg Fm

WMPG Program Guides

Newspaper format

Fall 2003, 909 Wmpg Fm

WMPG Program Guides

Fall 2003

De L’Aliénation À La Libération, Alexie Tcheuyap

Présence Francophone: Revue internationale de langue et de littérature

This essay addresses the issue of education in pre and post-colonial Africa. It examines the ideological discourses, challenges and consequences associated with the adoption of western education in African countries. Based on novels and films, some of which are set in universities, the article analyses the effects of violence and irrelevant syllabi on African education, and argues that in order for knowledge to serve as a tool for real liberation, it has to be relevant to the social environment. It contends further that, paradoxically, even colonial education can contribute towards the liberation of Africans from some problematic aspects of their …

Winter/Spring 2003, 90.9 Wmpg Fm

WMPG Program Guides

Newspaper format

Saving "Cinderella": History And Story In Ashpet And Ever After, Elisabeth Rose Gruner

English Faculty Publications

An orphan is mistreated by a cruel surrogate family. The orphan is special, however, and with the intervention of kind and magical parental substitutes, rises to dizzying heights and achieves a happy ending. It’s a familiar tale, from “Cinderella” to Harry Potter —the difference is all in the details. In two fairy tale films of the 1980s and 1990s, those details remove the Cinderella story from the realm of fantasy. Ashpet and Ever After take pains to “realize” Cinderella—to remove almost all elements of magic and fantasy and to imagine, instead, what might make such a story real. Both incorporate …