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Articles 901 - 930 of 930
Full-Text Articles in Creative Writing
Et Cetera, Marshall University
Et Cetera, Marshall University
Et Cetera
Founded in 1953, Et Cetera is an annual literary magazine that publishes the creative writing and artwork of Marshall University students and affiliates. Et Cetera is free to the Marshall University community.
Et Cetera welcomes submissions in literary and film criticism, poetry, short stories, drama, all types of creative non-fiction, photography, and art.
Et Cetera, Marshall University
Et Cetera, Marshall University
Et Cetera
Founded in 1953, Et Cetera is an annual literary magazine that publishes the creative writing and artwork of Marshall University students and affiliates. Et Cetera is free to the Marshall University community.
Et Cetera welcomes submissions in literary and film criticism, poetry, short stories, drama, all types of creative non-fiction, photography, and art.
Er Cetera, Marshall University
Er Cetera, Marshall University
Et Cetera
Founded in 1953, Et Cetera is an annual literary magazine that publishes the creative writing and artwork of Marshall University students and affiliates. Et Cetera is free to the Marshall University community.
Et Cetera welcomes submissions in literary and film criticism, poetry, short stories, drama, all types of creative non-fiction, photography, and art.
Et Cetera, Marshall University
Et Cetera, Marshall University
Et Cetera
Founded in 1953, Et Cetera is an annual literary magazine that publishes the creative writing and artwork of Marshall University students and affiliates. Et Cetera is free to the Marshall University community.
Et Cetera welcomes submissions in literary and film criticism, poetry, short stories, drama, all types of creative non-fiction, photography, and art.
Et Cetera, Marshall University
Et Cetera, Marshall University
Et Cetera
Founded in 1953, Et Cetera is an annual literary magazine that publishes the creative writing and artwork of Marshall University students and affiliates. Et Cetera is free to the Marshall University community.
Et Cetera welcomes submissions in literary and film criticism, poetry, short stories, drama, all types of creative non-fiction, photography, and art.
Et Cetera, Marshall University
Et Cetera, Marshall University
Et Cetera, Marshall University
Et Cetera
Founded in 1953, Et Cetera is an annual literary magazine that publishes the creative writing and artwork of Marshall University students and affiliates. Et Cetera is free to the Marshall University community.
Et Cetera welcomes submissions in literary and film criticism, poetry, short stories, drama, all types of creative non-fiction, photography, and art.
Et Cetera, Marshall University
Et Cetera, Marshall University
Et Cetera, Marshall University
Et Cetera
Founded in 1953, Et Cetera is an annual literary magazine that publishes the creative writing and artwork of Marshall University students and affiliates. Et Cetera is free to the Marshall University community.
Et Cetera welcomes submissions in literary and film criticism, poetry, short stories, drama, all types of creative non-fiction, photography, and art.
Et Cetera, Marshall University
Et Cetera, Marshall University
Et Cetera
Founded in 1953, Et Cetera is an annual literary magazine that publishes the creative writing and artwork of Marshall University students and affiliates. Et Cetera is free to the Marshall University community.
Et Cetera welcomes submissions in literary and film criticism, poetry, short stories, drama, all types of creative non-fiction, photography, and art.
In Memoriam; By Alfred, Lord Tennyson; A Photographic Interpretation, Eunice Blanchard
In Memoriam; By Alfred, Lord Tennyson; A Photographic Interpretation, Eunice Blanchard
English - All Scholarship
In Memoriam; by Alfred, Lord Tennyson; A Photographic Interpretation is a photographic essay completed by Eunice Blanchard in 1947 as an English Term Paper at Syracuse University in Syracuse, NY. Blanchard tells the story of Tennyson's poem through original photography.
Acknowledgements:
Arthur W. Brown, Instructor in English; C. Wesley Brewster, Instructor in Photography; D.M. Norton, Assistant to Mr. Brewster; Photography Models: Janet Clark, Betty Sanders, Aubrey Vaughn Woolsey. Jr.
This is the original work of Eunice Blanchard, under CCBY 4.0. It is an open-access work, copyrighted and licensed by the author for re-use.
Twentieth Century Negro Poets, Sheila Higgins
Twentieth Century Negro Poets, Sheila Higgins
Masters Theses & Specialist Projects
According to Matthew Arnold an open mind is one of the chief essentials for true literary criticism. One is impressed by the truthfulness of this statement when he seeks to evaluate Negro poetry.
The term, Negro poetry, has several interpretations. In its most general sense, the one in which it is used in this paper, it means poetry written by Negroes on any subject. In a more restricted sense it refers to poetry that contains allusions, rhythms, sentiments and idioms more or less peculiar to the Negro. In its narrowest meaning it refers to poetry of racial protest and self-exhortation. …
Herrick & His Horatian Influence, Maude Wright
Herrick & His Horatian Influence, Maude Wright
Masters Theses & Specialist Projects
Much has been written concerning Quintus Horatius Flaccus, a Roman poet and satirist born two thousand years ago, and Robert Herrick, and English lyrist of the seventeenth century. Notable literary histories of the two languages, criticisms of the writings of each of the two men and his contemporaries, short biographical studies of the two authors, discussions in literary and classical magazines, and many treatises on the Horatian influence have been written, but no individual parallel of these two authors has been issued.
As it has been pointed out above, no parallel of the two authors in question has been issued. …
Ua68/6/2 Minute Book, Wku English Club
Ua68/6/2 Minute Book, Wku English Club
Student Organizations
Minute book created by the WKU English Club from 1932 to 1935. Includes meeting minutes, membership and attendance register and an account balance.
Alan Seeger & Joyce Kilmer, American World War Poets, Mary Gardner
Alan Seeger & Joyce Kilmer, American World War Poets, Mary Gardner
Masters Theses & Specialist Projects
American war poetry did swell to greater volume, but much has been written already about this poetry and much more will be written before it has passed the test of time and found its proper rank in the literature of the ages. Numerous collections and classifications have been made, but, strange to say, very little attention has been paid to the poets themselves. We have brief sketches or scattered magazine articles on the lives of some of the war poets, but it seems that the most interesting phase of work has been neglected, that of making a detailed study of …
Ua68/6/2 Minute Book, Wku English Club
Ua68/6/2 Minute Book, Wku English Club
Student Organizations
Minute book created by the WKU English Club for the period 1924-1925. Includes lists of members, dues, constitution, bylaws, officers and meeting minutes. In the back is a revised constitution dated 1953.
Phantastes Chapter 12: A Threefold Cord, Unknown
Phantastes Chapter 12: A Threefold Cord, Unknown
German Romantic and Other Influences
This poem appears in MacDonald’s A Threefold Cord (1883), where MacDonald is credited as contributor and editor. In this volume, individual authors are not credited. While some have thought that this passage is by MacDonald himself, Nick Page persuasively argues that the poem should be attributed to MacDonald’s friend Greville Ewing Matheson. See Page, Phantastes: Special Annotated Edition (Paternoster, 2008)
Phantastes Chapter 11: The Excursion, William Wordsworth
Phantastes Chapter 11: The Excursion, William Wordsworth
German Romantic and Other Influences
Lines 836-842 from Book II of William Wordsworth's The Excursion (1814).
Phantastes Chapter 9: Dejection: An Ode, Samuel Taylor Coleridge
Phantastes Chapter 9: Dejection: An Ode, Samuel Taylor Coleridge
German Romantic and Other Influences
From Samuel Taylor Coleridge's "Dejection: An Ode" (lines 47-49 and 53-58). Coleridge published the poem in 1802.
Phantastes Chapter 13: I Prithee Send Me Back My Heart, John Suckling
Phantastes Chapter 13: I Prithee Send Me Back My Heart, John Suckling
German Romantic and Other Influences
Lines 13-18 from “I prithee send me back my heart” by the poet Sir John Suckling. Suckling (1609-1641) is associated with the Cavalier Poets, poets who supported King Charles I. Suckling is the inventor of the card game cribbage.
Phantastes Chapter 19: The Innocent Iii, Abraham Cowley
Phantastes Chapter 19: The Innocent Iii, Abraham Cowley
German Romantic and Other Influences
Abraham Cowley (1618-1667) was an English poet whose work echoes the metaphysical wit of John Donne. The lines quoted are lines 5-8 of “The Innocent III” (1647).
Phantastes Chapter 14: Winter's Tale, William Shakespeare
Phantastes Chapter 14: Winter's Tale, William Shakespeare
German Romantic and Other Influences
William Shakespeare (1564-1616), The Winter’s Tale, published in 1623 in the First Folio.
Phantastes Chapter 20: The Faithful Shepherdess, John Fletcher
Phantastes Chapter 20: The Faithful Shepherdess, John Fletcher
German Romantic and Other Influences
John Fletcher (1579-1625) was a contemporary of William Shakespeare and followed him as main playwright for the King’s Men. The Faithful Shepherdess (produced in 1608, probably published in 1609) is also important for Fletcher’s definition of tragicomedy, which highlights the importance of near-death to the genre.
Phantastes Chapter 22: The Revenger's Tragedy, Cyril Tourneur
Phantastes Chapter 22: The Revenger's Tragedy, Cyril Tourneur
German Romantic and Other Influences
Cyril Tourneur (1575-1626) was an English dramatist, a contemporary of Shakespeare; Tourneur was also a soldier and politician. The Revenger’s Tragedy (1607), as its name implies, is a revenge tragedy, and comments on the battle to avenge the destruction by the giants that lead to the brothers’ deaths. Literary critics now believe that the play was written by Thomas Middleton (1580-1627).
Phantastes Chapter 24: The Honest Whore, Thomas Dekker, Thomas Middleton
Phantastes Chapter 24: The Honest Whore, Thomas Dekker, Thomas Middleton
German Romantic and Other Influences
Thomas Dekker (1572-1632) was a dramatist and writer of popular pamphlets describing London life. This line comes from the play The Honest Whore, Part II (1605 or 1606). The Honest Whore, Part I, a collaboration between Dekker and Thomas Middleton, was performed in 1604.
Phantastes Chapter 13: The Water Is Wide, Unknown
Phantastes Chapter 13: The Water Is Wide, Unknown
German Romantic and Other Influences
Lines are from an old Scottish ballad, “The Water is Wide,” dating from the seventeenth century. We note, for interest’s sake, that Bob Dylan and Joan Baez sing a version of this song in the 1975 film Renaldo and Clara.
Phantastes Chapter 23: Astrophel: An Elegy, Or Friend’S Passion, For His Astrophill, Matthew Roydon
Phantastes Chapter 23: Astrophel: An Elegy, Or Friend’S Passion, For His Astrophill, Matthew Roydon
German Romantic and Other Influences
Matthew Roydon (1580-1622), Elizabethan poet and friend of Sidney’s. In 1593, Roydon published his elegy for Sidney: “Astrophel: An Elegy, or Friend’s Passion, for His Astrophill.” MacDonald quotes lines 103-106. “The lineaments of Gospell bookes,” suggests that Sidney’s face exhibited a spirituality of a kind found in the four gospels of the New Testament
Phantastes Chapter 23: The Countess Of Pembroke’S Arcadia, Philip Sidney
Phantastes Chapter 23: The Countess Of Pembroke’S Arcadia, Philip Sidney
German Romantic and Other Influences
Sir Philip Sidney (1554-1583) was an Elizabethan courtier, soldier, and poet. The quotation derives from The Countess of Pembroke’s Arcadia (1590), and sets out Sidney’s definition of a gentleman. Late in his writing career, MacDonald published a collection of excerpts from Sidney: A Cabinet of Gems, Cut and Polished by Sir Philip Sidney (1892). MacDonald lectured on Sidney as early as 1854.
Phantastes Chapter 20: The Faerie Queene, Edmund Spenser
Phantastes Chapter 20: The Faerie Queene, Edmund Spenser
German Romantic and Other Influences
Edmund Spenser (1552-1599), most famous for The Faerie Queene (1590; 1596), is a key influence on MacDonald generally and on Phantastes in particular. John Docherty writes that “MacDonald bases his upon the figure Phantastes living the forebrain of the ‘House of Alma' (the human body) in book 2 of Edmund Spenser’s The Faerie Queene” (“Sources of Phantastes,” North Wind: A Journal of George MacDonald Studies, vol. 25, 2005, pages 16-28).
Phantastes Chapter 15: Campaspe, John Lyly
Phantastes Chapter 15: Campaspe, John Lyly
German Romantic and Other Influences
Campaspe, an Elizabethan play by John Lyly (1584). The lines quoted are from Act 3, Scene 4, and they indicate the notion of a Platonic beauty, an ideal beauty that the artist can never capture perfectly