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Articles 2161 - 2190 of 9817
Full-Text Articles in Creative Writing
Lcs 220 B: Creativity And The Arts Spring 2022, Alyssa Alviti, Kellen Austermann, Ryan Bradley, Brittany Cavarra, Chase Chuckran, Evan Clark, Hannah Dreska, Olivia Emond, Ayman Fawaz, Stephen Grivers, Justin Hainse, Lucas Hogan, Dillon Keeney, Bradley Lewis, Marco Loccisano, Matthew Melnychuk, Michael Otty, Anthony Pisciotta, Jacqueline Raymond, Christopher Rota, Krista Soldano, Jordan Standford, Jillian Sylvia, Zachary Tamayo
Lcs 220 B: Creativity And The Arts Spring 2022, Alyssa Alviti, Kellen Austermann, Ryan Bradley, Brittany Cavarra, Chase Chuckran, Evan Clark, Hannah Dreska, Olivia Emond, Ayman Fawaz, Stephen Grivers, Justin Hainse, Lucas Hogan, Dillon Keeney, Bradley Lewis, Marco Loccisano, Matthew Melnychuk, Michael Otty, Anthony Pisciotta, Jacqueline Raymond, Christopher Rota, Krista Soldano, Jordan Standford, Jillian Sylvia, Zachary Tamayo
Bryant Zines
Creativity is vital to achievement in many fields, from science, to business and the arts. This course will explore creativity both as a general process of engagement with the world around us and as an introduction to creative cultural expression in the Arts. It will engage students in thinking about creativity as an intrinsic part of their educational, personal and professional lives, as it engages them in creative practice and reflection upon creative process. As part of the class, students collaborated and created a zine.
Lcs 220 A: Creativity And The Arts Spring 2022, Ben Abladian, Brooke Blanche, Jillian Collingwood, Taylor Denuccio, Sarah Discepola, Cole Garvey, Allison Kostiw, Brittney Lucero, Daniel Mccormack, Luke O'Connor, Tori Priestley, Mike Roberts, Olivia Sales, Logan Salvatore, Megan Sevigny, Kelly Shea, Nate Sideris, Abigail Slavik, Sydney Stewart, David Sullivan, Jacob Sutton, Abby Trimble, V Velagapudi, Brady Waitze, Jackie Zeigler
Lcs 220 A: Creativity And The Arts Spring 2022, Ben Abladian, Brooke Blanche, Jillian Collingwood, Taylor Denuccio, Sarah Discepola, Cole Garvey, Allison Kostiw, Brittney Lucero, Daniel Mccormack, Luke O'Connor, Tori Priestley, Mike Roberts, Olivia Sales, Logan Salvatore, Megan Sevigny, Kelly Shea, Nate Sideris, Abigail Slavik, Sydney Stewart, David Sullivan, Jacob Sutton, Abby Trimble, V Velagapudi, Brady Waitze, Jackie Zeigler
Bryant Zines
Creativity is vital to achievement in many fields, from science, to business and the arts. This course will explore creativity both as a general process of engagement with the world around us and as an introduction to creative cultural expression in the Arts. It will engage students in thinking about creativity as an intrinsic part of their educational, personal and professional lives, as it engages them in creative practice and reflection upon creative process. As part of the class, students collaborated and created a zine.
Saga Vol.85 / 2021-2022, Sarah Luepkes, Blake Traylor
Saga Vol.85 / 2021-2022, Sarah Luepkes, Blake Traylor
SAGA Art & Literary Magazine
No abstract provided.
Satori 2022, Abigail Perlinger, Brianna Strohbehn, Elise Modjeski, Gabriel Hathaway, Gabriela Wallberg, Grace Menke, Jennifer Wendt, Kaysey Price, Keaton Riebel, Louisa Shirmacher, Madi Bonebright, Madison Grove, Mckenna Scherer, Page Sutton, Rae Peter, Savannah Egger, Sophia Sailer, Trianna Douglas, Van Herman
Satori 2022, Abigail Perlinger, Brianna Strohbehn, Elise Modjeski, Gabriel Hathaway, Gabriela Wallberg, Grace Menke, Jennifer Wendt, Kaysey Price, Keaton Riebel, Louisa Shirmacher, Madi Bonebright, Madison Grove, Mckenna Scherer, Page Sutton, Rae Peter, Savannah Egger, Sophia Sailer, Trianna Douglas, Van Herman
Satori Literary Magazine
The Satori is a student literary publication that expresses the artistic spirit of the students of Winona State University. Student poetry, prose, and graphic art are published in the Satori every spring since 1970.
The Satori 2022 editors are Matthew Pearson, Jasmyne Taylor, and Emily Venne. the Satori 2022 faculty advisor is Dr. Jim Armstrong, Professor of English.
Spring 2022, Valparaiso University
Ivy Leaves, Volume 97, Ivy Leaves Editorial Staff
Ivy Leaves, Volume 97, Ivy Leaves Editorial Staff
Ivy Leaves
The 2022 edition of the Anderson University journal of art and literature, Ivy Leaves.
The names of the known editors for this issue of Ivy Leaves were Samantha Brooks, Gabrielle Morgan, Lily McNamara, Perry Diamaduros, Rebekah McCallum, Slone Pearce, Jo Randlett, Sharice Somero, Maggie Fitch, Hannah Brown, Sara Pepper, Brianna Elwell, Abbie Vanasse, Alexis Bussey, Rebecca Thompson, Dakota Riemer, Caroline Reynolds, Shelby Parker, Lindsey Gatlin, James Glymph, Wayne Cox, and Tim Speaker.
It Won’T Be Easy, Allison Arkush
It Won’T Be Easy, Allison Arkush
School of Art, Art History, and Design: Theses and Student Creative Work
Interdisciplinary artist Allison Arkush engages a wide range of materials, modalities, and research in her practice. In It Won’t Be Easy, Arkush places and piles her multimedia sculptures throughout the gallery to create installations that overlap with her writing and poetry, sometimes layering in (or extending out to) audio and video components. This approach facilitates the probing exploration of prevailing value systems through a flattening of hierarchies among and between humans, the other-than-human, and the inanimate—though no less lively. Her work meditates on and ‘vendiagrams’ things forsaken and sacred, the traumatic and nostalgic. The exhibition title acknowledges that the …
The Lantern, 2021-2022, Sarah Buck, Amy Litofsky, Julia Paiano, Juliana M. Valerio, Lauren Flanagan, Miles Noecker, Amelia Kunko, Isabella Almonte, Makayla Heisler, Bradley Kocher, Kate I. Foley, Jasmine Ruiz, Aurora Mckee, Marie Sykes, Morgan Grabowski, Jessica Schnur, Jenna Lozzi, Tyler Ways, Kyle Guzy, Benjamin Tobias, Elliot Cetinski, Leo Cox, Ian Abrahams, Gabbie Pitt, Derek Matarazzo, Alessandra Armour, Jessica Celli, Emily Crocker, Anastasia Dziekan, Rimsha Maryam, Ryan Savage, Vanessa Worley, Jesse White, Amy Smith, Sarah Fales, Christine Heren, Emily Bradigan, Kristen Cooney, Rishabh Kancherla, Mairead Mcdermott, Kylie Halko
The Lantern, 2021-2022, Sarah Buck, Amy Litofsky, Julia Paiano, Juliana M. Valerio, Lauren Flanagan, Miles Noecker, Amelia Kunko, Isabella Almonte, Makayla Heisler, Bradley Kocher, Kate I. Foley, Jasmine Ruiz, Aurora Mckee, Marie Sykes, Morgan Grabowski, Jessica Schnur, Jenna Lozzi, Tyler Ways, Kyle Guzy, Benjamin Tobias, Elliot Cetinski, Leo Cox, Ian Abrahams, Gabbie Pitt, Derek Matarazzo, Alessandra Armour, Jessica Celli, Emily Crocker, Anastasia Dziekan, Rimsha Maryam, Ryan Savage, Vanessa Worley, Jesse White, Amy Smith, Sarah Fales, Christine Heren, Emily Bradigan, Kristen Cooney, Rishabh Kancherla, Mairead Mcdermott, Kylie Halko
The Lantern Literary Magazines, 1933 to Present
No More Buses through El Paso • A Woman's World • The Angel of Tragedy • A Victim of Circumstance • Ace of Hearts • Ghost Light • Missing Diamonds • The Upside-Down House: A Dialogue with the Self • What is Chronic Pain? • A Sunny Day in Sinkhole • Extra Marshmallows • Fourth Wall Broken • Hemlock • In the Comfort of Others • Lasting Impressions • Let's Do the Time Warp Again • One Last Afternoon • Space Invaders • The Dogwood Tree • An Ode to Poppies • Charlotte's Web • Crab • Crossing • Dandelions …
The Messenger - 2022
The Messenger
About the Publication
The objective of The Messenger is to encourage the appreciation and exploration of the creative arts on the University of Richmond campus. Since 1876, The Messenger has celebrated student work by publishing submissions in a literary and visual arts magazine. More information on the magazine, as well as past publications since 1987, can be found on messengerur.wordpress.com.
Zephyr: The Twenty-Second Issue, Zephyr Faculty Advisor, Luke E. Colomey, Nick D. White, Evelyn M. Belmer Ms., Stephanie Ruff, Skyler Garcia, Paige-Marie Merrill, Peyton Sammons
Zephyr: The Twenty-Second Issue, Zephyr Faculty Advisor, Luke E. Colomey, Nick D. White, Evelyn M. Belmer Ms., Stephanie Ruff, Skyler Garcia, Paige-Marie Merrill, Peyton Sammons
Zephyr
This is the twenty-second issue of Zephyr, the University of New England's journal of creative expression. Since 2000, Zephyr has published original drawings, paintings, photography, prose, and verse created by current and former members of the University community. Zephyr's Editorial Board is made up exclusively of matriculating students.
V.1 Spring 2022, Center For Arts & Language, Students Of Risd, Risd Archives
V.1 Spring 2022, Center For Arts & Language, Students Of Risd, Risd Archives
All Student Newspapers
v.1 is a publishing platform for the ongoing work, ideas, discussions, debates, and aspirations of students at the Rhode Island School of Design. The Spring 2022 issue contains writings divided into five categories: ecosystems, homes, archaeologies, explorations, and new constructions. Writings touch on urban ecology, wilderness, physical and mental health, identity, and other topics. Visual work is also present in this issue.
S Is For Sza, Justin A. Paduganan Mr
Boston Discusses The Massacre, Jean C. O'Connor
Boston Discusses The Massacre, Jean C. O'Connor
The Montana English Journal
Teachers may use this chapter from The Remarkable Cause: A Novel of James Lovell and the Crucible of the Revolution as a short story for grades 7 – 12., to explore themes of interpersonal conflict, conflict resolution, and the value of law.
The chapter “Boston Discusses the Massacre” is taken from The Remarkable Cause: A Novel of James Lovell and the Crucible of the Revolution (Knox Press, 2020), and used with permission. James Lovell, teacher at the Boston Latin School, discusses the pivotal events of March 5, 1770. As the conflicts that become the American Revolution begin a group of …
Critical Issues In The Book (Eiar Al-Shier), Arwa Majzoub
Critical Issues In The Book (Eiar Al-Shier), Arwa Majzoub
Al Jinan الجنان
The importance of the critique science lies in that it helps the reader of literature understand its artistic characteristics, and to appreciate its creativity and fine quality. Its function is to judge the quality of literature texts, and provide a comparison between them in the context of the finest artistic rubrics and aesthetic articulation. Accordingly, this research work provides a comprehensive study covering the critique methods covered by the Ibn Tabataba›s book (The Caliber of Poetry). The book is considered one of the pioneers in this area that had a contribution to laying the foundations and origins of critique science. …
Celebrations 2022, University Of Mississippi Writing Project, University Of Mississippi. Office Of Pre-College Programs.
Celebrations 2022, University Of Mississippi Writing Project, University Of Mississippi. Office Of Pre-College Programs.
Celebrations: A Literary Magazine
No abstract provided.
Parnassus
Parnassus
The 2022 edition of the student literary journal, Parnassus, published by Taylor University in Upland, Indiana.
The Bridge, Volume 19, 2022, Bridgewater State University
The Bridge, Volume 19, 2022, Bridgewater State University
the bridge
Managing Editor:
Grace Guindon
Editors:
Dakota Lopes
Jonathon Gillis
Stephanie Pizella
Meghan Joyce
Design Lead:
Cay Berman
Designers:
Lucy Flaherty
Jessica Hayes
Bao Huynh
Michael Seguer
Faculty Advisor:
Dr. Carrie Oeding
Design Advisor:
Professor Alain Blunt
Zephyrus, Western Kentucky University
Zephyrus, Western Kentucky University
Student Creative Writing
The fine arts magazine of Western Kentucky University at Bowling Green.
Inscape 2022, Morehead State University.
Inscape 2022, Morehead State University.
Inscape: Art & Literary Magazine Archive
The 2022 edition of the Inscape: Literary and Art Magazine.
The Mockingbird - 2022, Department Of Art And Design, East Tennessee State University, Department Of Literature And Language, East Tennessee State University
The Mockingbird - 2022, Department Of Art And Design, East Tennessee State University, Department Of Literature And Language, East Tennessee State University
The Mockingbird [magazine]
Emily Price [Editor’s Note]; Micheal Bumgarner [Artist’s Statement]; Emrie Gilbert [“The Sins of the Fathers Visited upon the Children,” or How I Lived More-or-Less Openly Queer in the Southern Baptist Church]; Korbin Rhue [Playing Gods: An Aspiring Author’s Guide to Creating a Fantasy World That Feels Real to Your Readers]; Kylee Phalen [Prodigal Daughter: A Queer Christian’s Open Letter to the Church]; Ethan Walker [Hit]; Wendy Gourley [Seeing in the Dark]; Elias Murphy [Who I Am]; Andy Demczuk [Lesdiguières]; Amara Bunten [Method Acting]; Sappho Stanley [Like a Bosch]; Wendy Gourley [Butterflies]; Courtney Harvey [roolF eht no sI gniR ehThe Ring …
Fashioning The Flapper: Clothing As A Catalyst For Social Change In 1920s America, Julia Wolffe
Fashioning The Flapper: Clothing As A Catalyst For Social Change In 1920s America, Julia Wolffe
Honors Program Theses
Fashion has been a catalyst for social change throughout human history. Fashion in 1920s America in particular reflects society's rapidly evolving attitudes towards gender and race. Beginning with how corsetry heavily restricted women for nearly four hundred years up until the twentieth century, this thesis explores how clothing has acted as a tool for societal progression following World War I and Women's Suffrage and during the Jazz Age and The Harlem Renaissance. Specifically, this thesis examines how the influence of jazz music and dance that originated from Black American communities led to the creation of the flapper evening dress. The …
Arrow Rock, Spring 2022, Full Issue
Amendment: Literary And Art Journal (2022 Fall)
Amendment: Literary And Art Journal (2022 Fall)
Amendment, 2004-
Amendment is a VCU student-produced progressive literature and art journal that provides a platform for students to promote equality, tolerance, and social progression through artistic expression.
Calliope, Georgia Southern University
Seaglass: An Animated Rejection Of Narrative Permanence, Alejandra Louise Blackmore
Seaglass: An Animated Rejection Of Narrative Permanence, Alejandra Louise Blackmore
Scripps Senior Theses
This thesis explores how popular narrative structures imply that our reality should be stagnant, thereby leaving us as viewers unprepared for the notion of change. I introduce the term “narrative permanence” as a story structure that assumes the foundations of a narrative are absolute. These stories therefore consider structural change as a threat or abnormal. I analyzed examples such as The Simpsons and news coverage of the BP oil spill to demonstrate how popular media frames change as an unnatural occurrence that must be neutralized. My thesis then culminated in an animated short about a person living in a seaside …
A Study In Transparency, Rachel Wilson
A Study In Transparency, Rachel Wilson
Williams Honors College, Honors Research Projects
In a generation that feels more lost than ever, we need transparency in order to feel less alone. We need to see others, and we need to truly see ourselves. This is my way of being seen, and in turn, helping others to feel seen and understood. When I was in middle school I began to record my daily life and thoughts in journals, which evolved to help me cope as I grew up. In putting these pages on display, I’m presenting myself. That’s Rachel Wilson. I’m a writer, a designer, an artist, maybe a song writer. Maybe a lot …
Reed Magazine, Issue 155, Khem K. Arya, John T. Battaglia, Soramimi Hanarejima, Cora Lewis, Aeriel Merillat, Mohamed Shalabi, Ocean Vuong, Yiru Zhang, Marjan Kamali, Rashad Hosein, Suzanne Rico, Kirsten Reneau, Jerilynn Aquino, Katie Culligan, Susan Dambroff, Max Dorfman, Sean Enfield, Leah Kuenzi, Kazim Ali, John Blair, Tom Bennett, Partridge Boswell, Dante Di Stefano, Jonathan Greenhause, Lynn Hoggard, Leslie Anne Mcilroy, David J.S. Pickering, Noelani Piters, Kait Quinn, Henry 7 Reneau Jr, Danielle Roberts, Leona Sevick, Terry Tierney, Brendan Todt, Pamela Wax, Erin Wilson, Maggie Wolff, Xiadi Zhai, Matty Heimgartner, Antara Gangwal, Lance Fung, Caroline Dejeneffe, Koko Alexander, Dottie Lo Bue, Timothy Edward Cech, Jerome Chia-Horng Lin, Doug Edwards, Brittany Fanning, Irina Greciuhina, Roy Huerta, Le Joe, Hana Lock, Loren Marie, Nelson Muff, Shubham Sharma, Heather Perrine Shreve, Rachel Silva, Soap Soap, Kelly A. Harrison, Persis Karim
Reed Magazine, Issue 155, Khem K. Arya, John T. Battaglia, Soramimi Hanarejima, Cora Lewis, Aeriel Merillat, Mohamed Shalabi, Ocean Vuong, Yiru Zhang, Marjan Kamali, Rashad Hosein, Suzanne Rico, Kirsten Reneau, Jerilynn Aquino, Katie Culligan, Susan Dambroff, Max Dorfman, Sean Enfield, Leah Kuenzi, Kazim Ali, John Blair, Tom Bennett, Partridge Boswell, Dante Di Stefano, Jonathan Greenhause, Lynn Hoggard, Leslie Anne Mcilroy, David J.S. Pickering, Noelani Piters, Kait Quinn, Henry 7 Reneau Jr, Danielle Roberts, Leona Sevick, Terry Tierney, Brendan Todt, Pamela Wax, Erin Wilson, Maggie Wolff, Xiadi Zhai, Matty Heimgartner, Antara Gangwal, Lance Fung, Caroline Dejeneffe, Koko Alexander, Dottie Lo Bue, Timothy Edward Cech, Jerome Chia-Horng Lin, Doug Edwards, Brittany Fanning, Irina Greciuhina, Roy Huerta, Le Joe, Hana Lock, Loren Marie, Nelson Muff, Shubham Sharma, Heather Perrine Shreve, Rachel Silva, Soap Soap, Kelly A. Harrison, Persis Karim
Reed Magazine
No abstract provided.
V.1 Winter 2022, Center For Arts & Language, Students Of Risd, Risd Archives
V.1 Winter 2022, Center For Arts & Language, Students Of Risd, Risd Archives
All Student Newspapers
v.1 is a publishing platform for the ongoing work, ideas, discussions, debates, and aspirations of students at the Rhode Island School of Design. The Winter 2022 issue is a special edition "art writing capsule," with three zines that each feature a student writing about a work of art, and a fourth zine with an editor's note and postscript. Writing 1 is Angelina Rogers on Salman Toor's "Two Boys with a Dog," Writing 2 is Maxwell Fertik on Shahzia Sikander's "Epistrophe," and Writing 3 is Sabo Kpade on Lynette Yiadom-Boakye's "Any Number of Preoccupations."
Spectrum Of Shit, Hannah Hiaasen
Spectrum Of Shit, Hannah Hiaasen
Theses and Dissertations
Contending with the loss of a parent to a mass shooting in their workplace, a newsroom, I find myself suspended in time, in an office. Post-its, fans, button-ups, snow globes, clipboards, reporters notebooks, scrap paper, jot downs, keyboards hold me up. I crave the comfort of repetitive cumulative hand work. Quilting, weaving, and cutting away help me breathe, haptically process and memorialize these grieving objects, this grieving person. Weed-wacking towards intimacy, my work employs a range of materials to mourn the mundanity of a workday, fantasize transformative justice, and steward embodied grief to the surface. My only speed is slow-- …