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Articles 1 - 4 of 4
Full-Text Articles in Comparative Literature
Ruth Bush. Publishing Africa In French: Literary Institutions And Decolonization, 1945-1967. Liverpool Up, 2016., Madeline Bedecarre
Ruth Bush. Publishing Africa In French: Literary Institutions And Decolonization, 1945-1967. Liverpool Up, 2016., Madeline Bedecarre
Studies in 20th & 21st Century Literature
Review of Ruth Bush. Publishing Africa in French: Literary Institutions and Decolonization, 1945-1967. Liverpool UP, 2016. 224 pp.
Post-Pastoral And The Nonmodern: Jean Giono’S Engagement With Nature, Gina Stamm
Post-Pastoral And The Nonmodern: Jean Giono’S Engagement With Nature, Gina Stamm
Studies in 20th & 21st Century Literature
Dismissal of the pastoral as naïve and hostile to progress echoes the critiques which Bruno Latour, in We Have Never Been Modern, makes of what he calls the “antimodern” sensibility. Rather than advocating for an abandonment of the past, however, Latour puts forth a position he calls “nonmodern,” one that allows for recognition of the value of the past and of the natural without idolizing it, that does not demand the forward motion of the modern impulse. While eschewing the “modern” label, he seeks a way to resolve contemporary dichotomies of man vs. nature, human vs. technological, etc., which …
Jarrod Hayes. Queer Roots For The Diaspora: Ghosts In The Family Tree. Ann Arbor: U Of Michigan P, 2016., Annie De Saussure
Jarrod Hayes. Queer Roots For The Diaspora: Ghosts In The Family Tree. Ann Arbor: U Of Michigan P, 2016., Annie De Saussure
Studies in 20th & 21st Century Literature
Review of Jarrod Hayes. Queer Roots for the Diaspora: Ghosts in the family tree. Ann Arbor: University of Michigan Press, 2016. 325 pp.
Reframing Jewish Forms Of Speaking To God: The Use Of Apostrophe In David Rosenmann-Taub’S Cortejo Y Epinicio, Raelene C. Wyse
Reframing Jewish Forms Of Speaking To God: The Use Of Apostrophe In David Rosenmann-Taub’S Cortejo Y Epinicio, Raelene C. Wyse
Studies in 20th & 21st Century Literature
In his first published collection of poetry, Cortejo y epinicio (‘Cortege and Epinicion,’ 1949), Chilean author David Rosenmann-Taub (1927) depicts speakers experiencing crises of faith. They question what God is and what it means to believe, as they seek out pagan, earthly, Christian, and Jewish forms of relating to the divine. My analysis foregrounds the distinct presence of Jewishness in Cortejo y epinicio to analyze how Rosenmann-Taub represents cross-cultural spaces, heterogeneity, and heterodoxy as part of Chilean poetry and culture. One of the central means in which Rosenmann-Taub explores Jewish forms of relating to God is through the use of …