Open Access. Powered by Scholars. Published by Universities.®
- Institution
- Keyword
-
- George MacDonald (20)
- Phantastes (17)
- Poem (4)
- Holy Roman Emperor (3)
- MacDonald (3)
-
- Poetry (3)
- Shakespeare (3)
- 1590 (2)
- 1795 (2)
- Chapter 20 (2)
- Chapter 22 (2)
- Chapter 23 (2)
- Charles V (2)
- Jean Paul (2)
- Johann Paul Friedrich Richter (2)
- Playwright (2)
- Playwriting (2)
- Theatre (2)
- Thomas Middleton (2)
- 1491-1547; Assertio septem sacramentorum adversus Martinum Lutherum (Henry VIII (1)
- 1500-1558; Lutheran Church; Catholic Church (1)
- 1500-1558; Schmalkaldic League (1)
- 1500-1558; Schmalkaldic War (1546-1547); Church history; Europe--Holy Roman Empire (1)
- 1501-1573; Authority--Religious aspects--Catholic Church; Lutheran Church--Controversial literature--Catholic authors; Poetry (1)
- 1530-1547 (1)
- 1530-1547; Augsburg Confession; Schmalkaldic War (1546-1547) (1)
- 1584 (1)
- 1593 (1)
- 1605 (1)
- 1606 (1)
- Publication Year
- Publication
- Publication Type
Articles 1 - 30 of 53
Full-Text Articles in Other Classics
The Substance Of Reality: Moral Perfectionism In Shakespeare's Hamlet., David Wright
The Substance Of Reality: Moral Perfectionism In Shakespeare's Hamlet., David Wright
Electronic Theses and Dissertations
Through a selection of and close reading of key passages, I offer an interpretation of Hamlet that seeks to illuminate the play as an important work of moral philosophy, and to situate the play within a strand of moral philosophy named moral perfectionism by Stanley Cavell. Indeed, Hamlet is a masterpiece of Renaissance drama, but when read with attention to moral perfectionism, the play yields additional layers of meaning. Hamlet is a “philosophical drama” that navigates the “moral calling of philosophy”—a text that seems to, almost uncannily, elicit the audience to think reflectively, to ask fundamental human questions along …
Compilation As Narrative Art In Medieval Islam: The Redemption Of Kuthayyir In The Book Of Songs, Kirsten Beck
Compilation As Narrative Art In Medieval Islam: The Redemption Of Kuthayyir In The Book Of Songs, Kirsten Beck
CLCWeb: Comparative Literature and Culture
This article examines the narrative art of Abū ‘l-Faraj al-Iṣbahānī’s Kitāb al-Aghānī through a close reading of the chapter on the poet Kuthayyir ibn ʿAbd al-Raḥmān (d. 723). Though Kuthayyir is mocked throughout for his short stature, unorthodox beliefs, and supposed insincerity, the chapter ends with a surprising scene: his death is mourned by the people of Medina in a large public funeral, suggesting a reevaluation of his character. I argue that this tonal shift is not incidental but the result of Iṣbahānī’s deliberate narrative arrangement. By analyzing the structure of the chapter—including the juxtaposition of genealogical accounts, the gradual …
Aguaaaa!!!, Cory Villegas
Aguaaaa!!!, Cory Villegas
Theses and Dissertations
“AGUA” is a call for new models of learning and sharing, celebrating the diasporic as a place of global revolution. Salsa, rooted in Latin American and Afro-Caribbean histories, is choreographer Cory Villegas’s expression of cultural legacy. As an Afro-diasporic dance, Salsa carries the wealth and variety of African and Indigenous roots. Villegas contextualizes her thesis event “Las Leyendas: An Afro Cuban Suite,” presenting herself and her troupe Soul Dance Co. as evidence that contradicts the erasure of Latin & Caribbean Culture in US dance history. The paper uses English and Spanish, written, visual, and oral materials with an accompanying webpage.
Casar Student Discussion Series: Should Cultural Artifacts Be Returned To Their Country Of Origin?, The Prince Alwaleed Center For American Studies And Research Casar
Casar Student Discussion Series: Should Cultural Artifacts Be Returned To Their Country Of Origin?, The Prince Alwaleed Center For American Studies And Research Casar
Performances, Events, and Presentations
Student Debate Series - Launched in Fall 2023:
The Center of American Studies and Research (CASAR) launched a Student Discussion Series in Fall 2023 semester, it is a student-led debate on a plethora of current hot topics. In this student discussion series, students play the role of delving into topics together to understand one another. This event is broadcasted on facebook live via the CASAR Facebook Page, where the entire record is still available to watch. Students passionately present their arguments in an organized manner, going back and forth between the two sides, and often students become excited about leading …
Beware The Mammoni: My Search To Understand Domestic Violence In Italian-American Culture And Rhode Island's Family Court, Anne Grant
Dignity: A Journal of Analysis of Exploitation and Violence
Since I disapproved of stereotypes, I found myself trying to comprehend Italian-American culture after I became executive director of the largest shelter in Rhode Island for battered women and their children. Many of those I met were fleeing Italian-American men. On 60 Minutes, Lesley Stahl reported from Italy about the large number of single men who still live with their parents and are known as mammoni, or “mama’s boys.” Their mothers dutifully cook and clean for them. The Roman Catholic Church’s view of the Holy Family reinforces mammoni culture. I learned that Rome’s founding legend starts with men …
Panji's Present Predicament: The Artistic Prominence And Tension Of The Malat In Painting And Contemporary Balinese Performance, Emily Austin
Independent Study Project (ISP) Collection
The Malat is a Balinese oral tradition and text composed of numerous episodic stories based on Javanese and Balinese courtly life of the pre-Dutch intervention era, when kings and princes dominated the political sphere and the court system governed aspects of social life. Many art forms blossomed out of this epic, notably in painting and in performance, known as gambuh. Through an exploration of the Balinese epic, the Malat, as a Balinese text, history, fine art, and performance, this study analyzes the modern cultural importance of this ancient pre-Indonesian courtly epic. Gambuh is an ancient dance-drama that serves as the …
French Women In Art: Reclaiming The Body Through Creation/Les Femmes Artistes Françaises : La Réclamation Du Corps À Travers La Création, Liatris Hethcoat
French Women In Art: Reclaiming The Body Through Creation/Les Femmes Artistes Françaises : La Réclamation Du Corps À Travers La Création, Liatris Hethcoat
Student Scholar Symposium Abstracts and Posters
The research I have conducted for my French Major Senior Thesis is a culmination of my passion for and studies of both French language and culture and the history and practice of Visual Arts. I have examined, across the history of art, the representation of women, and concluded that until the 20th century, these representations have been tools employed by the makers of history and those at the top of the patriarchal system, used to control women’s images and thus women themselves. I survey these representations, which are largely created by men—until the 20th century. I discuss pre-historical …
Research And Study Of Fashion And Costume History Spanning From Ancient Egypt To Modern Day, Kaitlyn E. Dennis Miss
Research And Study Of Fashion And Costume History Spanning From Ancient Egypt To Modern Day, Kaitlyn E. Dennis Miss
Posters-at-the-Capitol
Through a generous donation to Morehead State University, research has been conducted on thousands of slides containing images of artwork and artifacts of historical significance. These images span from Egyptian hieroglyphs to the inaugural dress of every first lady of the United States. The slides are in the process of being recorded and catalogued for future use by students in hopes of furthering academic comprehension and awareness of the influence of fashion and costume history through the ages. Special thanks to the family of Gretel Geist Rutledge, faculty mentor Denise Watkins, as well as the Department of Music, Theatre, and …
Lies Breathed Through Silver: Mythological Constructs In Tolkien’S Works, Joshua Mccrowell
Lies Breathed Through Silver: Mythological Constructs In Tolkien’S Works, Joshua Mccrowell
Undergraduate Theses and Capstone Projects
It’s not hard to imagine the English air being warm the night John Ronald Reuel Tolkien brought Clive Staples Lewis hard won into Christianity. The image of their lengthy midnight talk has since become almost mythic to those who study those two authors because of the impact that Christianity (and the other) had on each other’s lives. Lewis’ most famous works - everything from Narnia to his Space Trilogy to his apologetics - all are based on and inspired by his faith. Similarly, Tolkien once said that “The Lord of the Rings is of course a fundamentally religious and Catholic …
"Prodigiousness Of Diction": Marianne Moore And Sir Thomas Browne, Secret Sharers Of A Like Tradition, Laura Nicosia
"Prodigiousness Of Diction": Marianne Moore And Sir Thomas Browne, Secret Sharers Of A Like Tradition, Laura Nicosia
Department of English Faculty Scholarship and Creative Works
No abstract provided.
Phantastes Chapter 6: The Demon Lady, William Motherwell
Phantastes Chapter 6: The Demon Lady, William Motherwell
German Romantic and Other Influences
From the poem “The Demon Lady” (1830), first published in The Edinburgh Literary Journal. William Motherwell (1797-1835) was a Scottish journalist and poet, as well as a collector of local Scottish ballads.
Phantastes Chapter 5: Pygmalion, Thomas Lovell Beddoes
Phantastes Chapter 5: Pygmalion, Thomas Lovell Beddoes
German Romantic and Other Influences
Thomas Lovell Beddoes (1803-1849) was a Romantic poet intensely focused on death. His poem “Pygmalion” (1825) recounts the myth of the Cypriot sculptor who fell in love with the statue he carved. In this chapter, MacDonald echoes this myth.
Phantastes Chapter 4: Ballad Of Sir Aldingar, James Kinsley
Phantastes Chapter 4: Ballad Of Sir Aldingar, James Kinsley
German Romantic and Other Influences
A child ballad of various origins. Aldingar attempts to seduce the Queen, who spurns him and sets off Aldingar to falsely accuse the Queen of sleeping with a leper. The king believes Aldingar, and the Queen asks that a knight fight for her honor. Unable to find a knight, she relies on a four-year-old boy, who defeats Aldingar. On his deathbed he admits his accusation was false. The history of this ballad can be found in Paul Christopherson’s The Ballad of Sir Aldingar, its Origins and Analogues, Oxford UP, 1952
Phantastes Chapter 12: A Threefold Cord, Unknown
Phantastes Chapter 12: A Threefold Cord, Unknown
German Romantic and Other Influences
This poem appears in MacDonald’s A Threefold Cord (1883), where MacDonald is credited as contributor and editor. In this volume, individual authors are not credited. While some have thought that this passage is by MacDonald himself, Nick Page persuasively argues that the poem should be attributed to MacDonald’s friend Greville Ewing Matheson. See Page, Phantastes: Special Annotated Edition (Paternoster, 2008)
The New England Primer Improved, Unknown
The New England Primer Improved, Unknown
Albert A. Howard Book History Collection
Full title: The New England primer improved, for the more easy attaining the true reading of English. To which is added the Assembly of Divines, and Mr. Cotton's catechism. Boston, Printed by E. Draper and sold by J. Boyle, 1777
Find this item in the library catalog.
The Wonder Of Wonders, Or, The Remarkable Discovery Of An American Hermit; : Who Lived Upwards Of 200 Years, James Buckland, John Fielding
The Wonder Of Wonders, Or, The Remarkable Discovery Of An American Hermit; : Who Lived Upwards Of 200 Years, James Buckland, John Fielding
Albert A. Howard Book History Collection
Chapbook description:
The hermit was purportedly discovered by Capt. James Buckland and Mr. John Fielding, who in 1785 "agreed to travel into the western parts of this vast country, to explore the regions which belong to the United States which are yet unknown to us."
Printed in Kennebunk prior to Maine's statehood.
For more information, please refer to the library catalog.
Phantastes Chapter 8: Faust, Goethe
Phantastes Chapter 8: Faust, Goethe
German Romantic and Other Influences
Johann Wolfgang von Goethe (1749-1832), was a German writer associated with the Sturm and Drang (Storm and Stress) literary movement. Faust 1 (1806) has Mephistopheles, a minion for the devil, seduce Faust into selling his soul to the devil. Faust, in turn, seduces a young woman, ultimately destroying her. In Faust 2 (1831), Faust goes on a series of adventures, meets some fairies, and finally atones for some of his sins and is able to enter Heaven.
Phantastes Chapter 9: Dejection: An Ode, Samuel Taylor Coleridge
Phantastes Chapter 9: Dejection: An Ode, Samuel Taylor Coleridge
German Romantic and Other Influences
From Samuel Taylor Coleridge's "Dejection: An Ode" (lines 47-49 and 53-58). Coleridge published the poem in 1802.
Phantastes Chapter 22: Titan: A Romance, Jean Paul
Phantastes Chapter 22: Titan: A Romance, Jean Paul
German Romantic and Other Influences
Jean Paul (Johann Paul Friedrich Richter, 1763-1825) was a German writer. Titan (1800-1803) is a four-volume novel in the Bildungsroman (novel of education) tradition. Schoppe is the friend of Albano (the main character), who searches for balance in his life. Schoppe, however, is a cynic and pessimist and dies after he thinks he see his doppelgänger, but who is, in fact, his look-alike friend. Schoppe’s tragic ending reinforces the death of the brothers in Phantastes.
Phantastes Chapter 16: Life And The Ideal, Friedrich Von Schiller
Phantastes Chapter 16: Life And The Ideal, Friedrich Von Schiller
German Romantic and Other Influences
Johann Christoph Friedrich von Schiller (1759-1805) was a German writer, primarily known as a dramatist, poet, and literary critic. Das Ideal und das Leben (Life and the Ideal, 1795) is a philosophical poem. The Oxford Reference reports that the poem was “first published in 1795 in No. 9 of Die Horen, with the title ‘Das Reich der Schatten’. Schiller changed this in 1800 to ‘Das Reich der Formen’, and adopted the present title in 1804.” Edward Bulwer-Lytton (1803-1873), writer and politician, translated the poem in 1844 as Ideal and Actual Life. Bulwer-Lytton began his novel Paul Clifford …
Phantastes Chapter 18: Hesperus, Jean Paul
Phantastes Chapter 18: Hesperus, Jean Paul
German Romantic and Other Influences
Jean Paul—Johann Paul Friedrich Richter (1763-1825)—was a German writer in the Romantic tradition, also known for his humorous writing. Hesperus (1795) includes two major ideas that MacDonald explores throughout Phantastes: the notion of dreams, and the importance of mirrors.
Phantastes Chapter 13: I Prithee Send Me Back My Heart, John Suckling
Phantastes Chapter 13: I Prithee Send Me Back My Heart, John Suckling
German Romantic and Other Influences
Lines 13-18 from “I prithee send me back my heart” by the poet Sir John Suckling. Suckling (1609-1641) is associated with the Cavalier Poets, poets who supported King Charles I. Suckling is the inventor of the card game cribbage.
Phantastes Chapter 19: The Innocent Iii, Abraham Cowley
Phantastes Chapter 19: The Innocent Iii, Abraham Cowley
German Romantic and Other Influences
Abraham Cowley (1618-1667) was an English poet whose work echoes the metaphysical wit of John Donne. The lines quoted are lines 5-8 of “The Innocent III” (1647).
Phantastes Chapter 21: The Book Of Judges, Unknown
Phantastes Chapter 21: The Book Of Judges, Unknown
German Romantic and Other Influences
The Book of Judges is the seventh book of the Hebrew and the Christian Bible (Old Testament). The line quoted is from Chapter 12:3. Judges tells the stories of the heroes (judges) who restore the Israelites after they have fallen. The pattern of fall and rise is the pattern of Anodos’s experiences in Phantastes.
Phantastes Chapter 20: The Faithful Shepherdess, John Fletcher
Phantastes Chapter 20: The Faithful Shepherdess, John Fletcher
German Romantic and Other Influences
John Fletcher (1579-1625) was a contemporary of William Shakespeare and followed him as main playwright for the King’s Men. The Faithful Shepherdess (produced in 1608, probably published in 1609) is also important for Fletcher’s definition of tragicomedy, which highlights the importance of near-death to the genre.
Phantastes Chapter 22: The Revenger's Tragedy, Cyril Tourneur
Phantastes Chapter 22: The Revenger's Tragedy, Cyril Tourneur
German Romantic and Other Influences
Cyril Tourneur (1575-1626) was an English dramatist, a contemporary of Shakespeare; Tourneur was also a soldier and politician. The Revenger’s Tragedy (1607), as its name implies, is a revenge tragedy, and comments on the battle to avenge the destruction by the giants that lead to the brothers’ deaths. Literary critics now believe that the play was written by Thomas Middleton (1580-1627).
Phantastes Chapter 24: The Honest Whore, Thomas Dekker, Thomas Middleton
Phantastes Chapter 24: The Honest Whore, Thomas Dekker, Thomas Middleton
German Romantic and Other Influences
Thomas Dekker (1572-1632) was a dramatist and writer of popular pamphlets describing London life. This line comes from the play The Honest Whore, Part II (1605 or 1606). The Honest Whore, Part I, a collaboration between Dekker and Thomas Middleton, was performed in 1604.
Phantastes Chapter 13: The Water Is Wide, Unknown
Phantastes Chapter 13: The Water Is Wide, Unknown
German Romantic and Other Influences
Lines are from an old Scottish ballad, “The Water is Wide,” dating from the seventeenth century. We note, for interest’s sake, that Bob Dylan and Joan Baez sing a version of this song in the 1975 film Renaldo and Clara.
Phantastes Chapter 23: Astrophel: An Elegy, Or Friend’S Passion, For His Astrophill, Matthew Roydon
Phantastes Chapter 23: Astrophel: An Elegy, Or Friend’S Passion, For His Astrophill, Matthew Roydon
German Romantic and Other Influences
Matthew Roydon (1580-1622), Elizabethan poet and friend of Sidney’s. In 1593, Roydon published his elegy for Sidney: “Astrophel: An Elegy, or Friend’s Passion, for His Astrophill.” MacDonald quotes lines 103-106. “The lineaments of Gospell bookes,” suggests that Sidney’s face exhibited a spirituality of a kind found in the four gospels of the New Testament
Phantastes Chapter 23: The Countess Of Pembroke’S Arcadia, Philip Sidney
Phantastes Chapter 23: The Countess Of Pembroke’S Arcadia, Philip Sidney
German Romantic and Other Influences
Sir Philip Sidney (1554-1583) was an Elizabethan courtier, soldier, and poet. The quotation derives from The Countess of Pembroke’s Arcadia (1590), and sets out Sidney’s definition of a gentleman. Late in his writing career, MacDonald published a collection of excerpts from Sidney: A Cabinet of Gems, Cut and Polished by Sir Philip Sidney (1892). MacDonald lectured on Sidney as early as 1854.