Classical Literature and Philology Commons^™

The Enduring Enigma Of Tom Bombadil: From Riddlic Styling To Metaphorical Encounter, Derek Simon

Journal of Tolkien Research

Conversationalists and critics alike continue to take delight in Tom Bombadil, yet remain perplexed by his enduring enigma. Interpretive positioning appears to be determined by the semantics of the term enigma deployed and how it intersects with any of the several textual standpoints adopted. The primary contention of this article is that the enigma is intentionally both a riddle (noun) and a riddling (verb). Reading the enigma through literary features of the Old English riddle-song can yield an alternate interpretation of Tom Bombadil that has received scant attention in critical commentary. In support of this contention, I propose to read …

An Outspoken Woman In A Man's World: A Commentary On Seneca's Medea, Julia Eckholdt

History & Classics Student Scholarship

No abstract provided.

A Transcendental Phenomenological Study Of Faculty Perceptions Of A Humanistic Classical Education, Nils Ivan Borquist

Doctoral Dissertations and Projects

The purpose of this transcendental phenomenological study was to understand the descriptions of experiences for faculty members at classical education curriculum academic institutions at the PreK-12 school level. The descriptions of experiences were defined as phenomenal experiences of faculty through the subjective lens. The theory guiding this study was the humanistic learning theory of education as it focuses on self-directed and self-evaluative classwork as well as the common use of canonical works to cultivate a desire for students to learn and study great texts for their entire lives. The Central Research Question asked “How do faculty at classical education institutions …

Resurrecting The Muse: Kithara And Lyric Poetry Performance Practice In Greco-Roman Antiquity, Abigail Petersen

Honors Projects

Both students and pedagogues of classical studies are familiar with the inherent musicality of Greek and Latin poetry, and they also widely accept the idea that poets sang their works to accompaniment on a kithara, or large lyre. However, little work has been done to perform works of poetry according to this tradition, and thus many modern attempts at oral recitation feature a forced and pedantic rhythm that bores the listener and fails to do justice to the revered art of Greco-Roman poetry. Through a review of primary and secondary sources, I examine the construction of the kithara, the context …

The Pagan Reception Of Judaism From The Sibylline Oracles: Insights From Pseudo-Seneca’S Octavia Regarding The Creation And Circulation Of Oral Sibylline Oracles By The Plebs, Kenneth Atkinson

Faculty Publications

According to tradition, the original collection of Sibylline Books ac­quired by the Roman monarch Tarquinius Priscus, which were kept in the Temple of Jupiter in the capital, were lost in the fire of 83 BCE. In 76 BCE, the Senate ordered the college of the quindecimviri to travel to the traditional centers of Sibylline activity in the East to find Sibylline Oracles to replace those destroyed in the fire. According to Lactantius, these officials collected many Oracles from private individuals. This reference suggests that Sibylline Oracles circulated widely. However, based on the witnesses regarding their consultation, it appears that the …

Cultural And Personal Inheritance: Generational Trauma In Madeline Miller's Circe, Emily Stucky

The Cardinal Edge

Madeline Miller’s Circe, Miller considers varying perspectives on a well-known character—one who has been vilified as a monster, recast as a feminist icon, and rewritten into a variety of spaces in between. As part of this continuous narrative, Miller draws on the inherently hybrid space of Circe’s character to construct her as a product of her multi-faceted lineage. A character with so many identities makes for a complicated subject, but Miller utilizes this plurality to her advantage, deliberately casting Circe as a product of multiple backgrounds—occupying both the space of oppressor and oppressed—to both compound her status as a …

“Every Time I Write A Rhyme / These People Think It’S A Crime”: Persona Problems In Catullus And Eminem, Jesse Weiner

Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy

This essay interprets Eminem’s song, “Criminal” (2000, The Marshall Mathers LP, Track 18), as a Catullan project in establishing distance between the poet and poetic persona, accomplished through Catullan invective. Drawing upon pedagogical experience, I argue that Catullus (a Roman poet of the 1st Century BCE) and Eminem use analogous rhetorical tactics and structures to challenge accusations (real or imagined) of poor character stemming from their poetry. Catullus and Eminem vociferously articulate a separation of art from artist, using common transgressive poetics. Each poet disavows his own self-constructed stance of authenticity with similar threats of violence and postures of …

Fallen Kingdoms And Ancient Monoliths: The Influence Of Atlantis And Egypt In Tolkien’S Númenor, Charlotte J. Brockway

Journal of Tolkien Research

In light of the recent publication of The Fall of Númenor, my essay aims to focus on Tolkien’s, somewhat underappreciated, influences on Gondor; particularly Ancient Egypt. This essay looks at Plato's Timaeus and Critias, Ignatius Donnelly's theories, and examines the Atlantean and Egyptian motifs in Tolkien’s version of Westernesse, in particular, the remnants of Atlantean civilization survived by Egyptian colonists which mirror the Realms of Exile (Gondor and Arnor).

Dante’S Volgare And The Pastoral Presence: An Analysis Of The Concept Of Language In The Divina Commedia, Paola M. Rodriguez

Dissertations, Theses, and Capstone Projects

Dante’s conception of the Italian vernacular, the “volgare illustre”, is a central concern of his work and one which catalyses and nurtures, both overtly and covertly, his creation of the Commedia. Although Dante positions himself in his writings as the continual defender and most prolific poet of the vernacular, isolating a specific linguistic use and structure, a coherent definition of what vernacular Dante privileges or what appropriate usage he adheres to, is a difficult and often confusing task. The existence of two eclogues, the only works by Dante to have been written after the majority of the Commedia had been …

Penyakit Kulit Sebagai Pembangun Struktur Naratif: Tinjauan Naratologis Hikayat Agung Sakti Karya Muhammad Bakir, Cahyaningrum Dewojati, Daru Winarti, Sumiman Udu, Riqko Nur Ardi Windayanto

Paradigma: Jurnal Kajian Budaya

This research aims to discover the role of skin diseases in the narrative structure of M. Bakir’s Hikayat Agung Sakti as well as its surrounding ideological, social, political, and cultural contexts. Mieke Bal’s narratological theory was applied to map and analyze the elements of the fabula: event, time, actor, and location. Methodologically, this research consisted of two levels: text and context. At the first level, lingual data were collected using the note-taking technique and then explained interpretatively using relevant theoretical concepts. At the second level, data were collected through literature study on ideology and context. The text and context data …

Mathematical Concepts And Coding Theory In Kumārasambhavam Of Kālidāsa, Bhuvaneswari K

Theses and Dissertations

Kālidāsa, a renowned Sanskrit poet and playwright from ancient India, is known for his profound understanding and depiction of various aspects of human life, nature, and the universe in his works. While his writings primarily revolve around themes of love, romance, and human emotions, there are several instances where he incorporates mathematical concepts and astronomical references.

His meticulous usage of such abstractions and symbolism adds depth and richness to his poetry. These elements serve as tools to enhance the imagery and aesthetics of his literary works, reflecting the interplay between art and science in ancient Indian culture. These subtle allusions …

Ecologies Of Medieval Latin Poetics, Ian Cornelius

English: Faculty Publications and Other Works

The concept of literary ecology is developed as an instrument for large-scale literary study by Alexander Beecroft (2015), for whom the metaphor emphasizes the great diversity of world literatures and the possibility of organizing this diversity into cultural types, analogous to the biologist’s ecotypes. For a study of Latin poetics, the most important typological distinction is between cosmopolitan and vernacular languages. Latin acquired an articulated body of stylistic norms (“poetics”) in antiquity as a vernacular language; subsequent developments in Latin poetics were conditioned by the language’s acquisition of cosmopolitan characteristics. I explore the consequences of that shift; texts discussed include …

If I Cannot Hear Us, How Do I Know We Are Here? A Journey Into Assyrian Storytelling, Nadine Koochou

Canterbury Scholars

In this collection of poetry and prose, Nadine Koochou explores her Assyrian-American identity, retracing family history and merging it with her own reflections. Through creative essays, she communicates the things she knows, to some degree of certainty. Through poetry, she communicates things she thinks she knows, or feelings she understands intrinsically, or things she does not know at all but wishes to know. Combining Assyrian history with intimate stories, she explores themes of generational trauma, language, love, war, and home.

When Critics Are Artists: Ekphrasis In Erotic Art Criticism, Joanna A. Ligon

Dissertations, Theses, and Capstone Projects

In “Against Interpretation,” Susan Sontag argues for an erotics of art in art criticism in place of hermeneutics. In this thesis, I examine erotics of art, a focus on form and experiencing art instead of exclusively on content, in practice. Drawing on other essays by Sontag, specifically the essay “Godard” in comparison with the filmmaker Jean-Luc Godard’s own filmic criticism in Breathless, criticism according to an erotics of art becomes a new artwork itself. Subsequently, I present a definition of erotic through Anne Carson and Roland Barthes and juxtapose the term with Hans-Georg Gadamer’s hermeneutics. The comparison ultimately undoes …

Biblical Literacy And The Creative Mind, Michael Farrell

Undergraduate Honors Theses

Biblical Literacy and the Creative Mind will explore interpretation tracing the history of English literature back to biblical aspirations and its continued profound influence on Western human perspectives. It will examine the decline in adults reading literary texts and the diminishing number of English majors among prospective students. I am arguing for poetic interpretations over hermeneutic ones, which analyze what is structurally in a sentence to make a reader feel a certain way. I will use the theory of intertextuality, meaning a text comprises the consumption of past texts, to aid my argument. This theory underscores the importance of celebrated …

Mythos And Meaning: Medieval Appropriations Of Mythological Types In The Consolation Of Philosophy And Later Western Literatures, Francis J. Hunter

Seton Hall University Dissertations and Theses (ETDs)

Often referred to as the last Roman and first medieval, Boethius, author of The Consolation of Philosophy, has been widely received as an unoriginal philosopher who sought to preserve Platonic thought as the Western Roman Empire fell. However, this essay features an investigation into the literary originality of Boethius who initiates a line of Christian and Platonic literatures to follow in the medieval European tradition. Boethius demonstrates himself to be a poet who makes great use of philosophy rather than as a philosopher writing poetry. Boethius’ poetic influence is felt most strongly in major aspects of Dante’s Divine Comedy and …

The Affable Raphael: Milton's Surrogate Instructor In Paradise Lost., Beau Kilpatrick

Electronic Theses and Dissertations

John Milton’s Paradise Lost (1667) is a beautifully written epic that continues to be a stalwart text in the English literary canon, with unlimited potential for interpretation. In this dissertation I propose that Paradise Lost can be read as a pedagogical lesson for Milton’s “fit audience,” where the author implements his views on education in the context of heaven, hell, and Paradise. In the poem, Milton presents three pedagogical methodologies: first, the wrong way to knowledge is presented through Satan’s manipulations of the fallen angels and Eve; second, the divine way to knowledge is illustrated via Michael’s prophecy to Adam …

Iuno… Saevissima: Patriarchy, Divinity, And Villainy In Imperial Roman Epic, Nolan Michael Cicci

Honors Theses

Juno is a Roman deity with a significant amount of scholarship around her impact on Roman literature and Roman social life. Her divine department is as the protector of motherhood, banks, family order, marriage, and women in general. Many Roman temples still exist that immortalize her. However, there is another aspect to her character that is at odds to her portrayal in day-to-day Roman life, mainly her portrayal in the Roman epics of Virgil's Aeneid and Silius Italicus' Punica. Virgil (fl. ~26. B.C.) and Silius Italicus (b. ~26 A.D.) wrote, respectively, examples of epic literature, both which detail the myths …

The Trial Of Abraham And The Trembling Of The Audience: Rereading The Aqedah, Michael Zhaohan Tang

Classical Mediterranean and Middle East Honors Projects

This thesis reexamines the Aqedah narrative from Genesis 22:1–19, focusing on the conveyance of emotions and the portrayal of characters in a story that lacks explicit descriptions of thoughts and feelings. Approaching the text through a literary and narratological lens, I propose that through phraseological techniques like diction and parataxis and compositional strategies such as allusion and juxtaposition, the text captures the psychological depth of biblical characters, thereby enhancing its emotional impact on the audience. I dissect the narrative into eight scenes and within each scene, I conduct close readings to identify and analyze subtle lexical choices and rhetorical devices. …

The Dependent Nature Of Enlightenment And Capitalism: Discourse On How Civilization Needs Capitalism To Curb The Effects Of Enlightenment, Katriel Lee

Departmental Honors & Graduate Capstone Projects

This paper examines the interplay between the intellectual movements of enlightenment, the economic system of capitalism, and the manifestation of violent racist ideologies like antisemitism and anti-black racism. The core argument is that while the enlightenment ideals of reason, universality, and human dominance over nature inherently set the stage for categorizing and objectifying groups seen as deviating from the desired uniformity, the emergence of extreme racist violence like the Holocaust requires the additional factors of a failing capitalist economy and the rise of totalitarian governments. In the modern American context, racist thought persists in the more covert form of color-blindness. …

From Never Enough To Nothing At All: An Investigation Of Political Commentary In Euripides' Medea, Eleanor Clark

Departmental Honors & Graduate Capstone Projects

When studying the plays of Euripides, scholars have often focused on the playwright’s social commentary while paying less attention to the relationship between the plays’ plots and the political environment in Greece at the time of their production. Furthermore, although many of Euripides’ plays have been identified as referencing contemporary political events, scholars have made no such assertions regarding the Medea. Through an examination of Euripides’ Medea and Thucydides’ History of the Peloponnesian War, this study seeks to address this gap in scholarship by taking into account the political context at the time which it was written and first produced. …

Coming Out Of The Coffin: The History And Present Of Queerness In The Vampire Genre., Bailey Drummond

Honors Projects

This essay delves into the captivating and lasting influence of vampires on popular culture since their creation. The fascination with vampires can be traced back to literary works such as John Polidori's "The Vampyre" and Bram Stoker's classic "Dracula," which have served as foundations for vampire mythology across different media platforms. Despite the evolution of media and cultural contexts, certain themes surrounding vampires have persisted throughout history. Notably, vampires have been portrayed as symbols of sexuality and queerness, reflecting societal fears and desires from past eras to the present day. These themes have been critically analyzed and dissected in various …

Orpheus And The Harrowing Of Hell In The Tale Of Beren And Lúthien, Giovanni Carmine Costabile

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

Critics have observed that Beren and Lúthien’s tale is a Christian retelling of the myth of Orpheus and Eurydice. The “Harrowing of Hell” tradition is widespread in Italy as attested by the mosaic of San Marco among others, but it is in France that the Ovid Moralized reconnects it to Orpheus who descended into the Underworld to save Eurydice (an already late antique parallel) and therefore attests a happy ending version of the story that can be found in medieval England and also in various classical sources, perhaps even in the original legend of Orpheus. The apocryphal Harrowing is also …

0887: Gwenyth E. Hood Collection, 1889-2023, Marshall University Special Collections

Guides to Manuscript Collections

Gwenyth Elise Hood was born on December 10, 1955, to Thomas Arthur Hood and Marion Louise Snee Hood in White Plains, NY, but moved with her family to Brandon, Vermont at the age of seven. She developed a love of reading and writing at an early age, discovering some favorite authors—Rudyard Kipling, Shakespeare, and J.R.R. Tolkien—at roughly the same time, in early adolescence. Then came Dante. Dante drew her to learn Latin and Italian; she had already started on French due to family heritage and the availability of the language in High School. In 1979 she won a University of …

Dispelling Delusion And Seeing Nature: A Comparative Analysis Of Lucretius’ _De Rerum Natura_ And Hui-Neng’S _Platform Sutra_, Isaac Raymond

Honors Theses

Lucretius’ De Rerum Natura and Hui-neng’s Platform Sutra have never been compared in a scholarly context; as such, this paper builds a new bridge between Western and Eastern philosophical literature, examining language, narrative, ethics, teleology, theology, and departures from orthodox philosophies in order to synthesize a clear and complete view of the two works in dialogue. De Rerum Natura, or On the Nature of Things, is a first-century BC epic poem composed in Latin by Titus Lucretius Carus which explains Epicurean philosophy in great detail through verse. The Platform Sutra is an eighth-century AD Chinese Zen (Ch’an) Buddhist sermon, …

The Myths Of Plato: Socratic Kenosis And The Call Of Beauty, Daniel Edward Shirley

Master of Arts in Classical Studies

The myths of Plato have been inordinately subordinated to the “intellect” of Plato since the eighteen-thirties. The ancient Christian tradition of interpreting stories and scriptures with symbolic understanding serves as a potentially primary hermeneutical pattern that could correct the modern tendency of subconscious materialism. To restore the Platonic myths, there are two foundational arguments to be made about the myths. The first is that these myths are kenotic in function. Observing the Socratic call to self-emptying, especially in the cosmological image of the World Axis, challenges modern assumptions concerning the second goodness of Platonic myth. The second argument is the …

The Authors

Textile Crossroads: Exploring European Clothing, Identity, and Culture across Millennia

Short professional biographies of the Contributors: Dimitra Andrianou, Giacomo Bardelli, Magali An Berthon, Tina Boloti, Cecilie Brøns, Ana Cabrera-Lafuente, Francesca Coletti, Roxana Coman, Catarina Costeira, Cristina Cumbo, Camilla Cziffery Nielsen, Klara Dankova, Anna Maria Desiderio, Kerstin Droß-Krüpe, Arianna Esposito, Astrid Fendt, Nade Genevska Brachikj, Francisco B. Gomes, Judith Goris, Audrey Gouy, Karina Grömer, Morten Grymer-Hansen, Mary Harlow, Susanna Harris, Sophia Larissa Hayda, Angela Huang, Floor Huisman, Alina Iancu, Zofia Kaczmarek, Marisa Kerbizi, Meghan Korten, Tetiana Krupa, Karolina Anna Kulpa, Lena Larsson Lovén, Ronja Lau, Yuliia Lazorenko, Susanne Lervad, Petra Linscheid, Christina Margariti, Maria João Melo, Elena Miramontes Seijas, Leyre Morgado-Roncal, …

The Euroweb Textile And Clothing Terminology Network And The Digital Atlas Of European Textile Heritage: Some Reflections And Results, Louise Quillien, Alina Iancu, Meghan Korten, Susanne Lervad, Joana Sequeira, Catarina Costeira

Textile Crossroads: Exploring European Clothing, Identity, and Culture across Millennia

One of the research areas of the EuroWeb project during the four years of the COST Action (November 2020 – October 2024) is the comparative study of textile and clothing terminologies in European languages across time. Inside the EuroWeb network, the research group on Textile and clothing terminologies has three topics of particular interest: 1. the specificities of these terminologies, and the strategies for naming textiles and garments; 2. the impact of European geography on textile and clothing terminologies, especially visible through textile terms formed after a toponym or through the circulation of loanwords; 3. the influence of textile and …

Exploring Dress, Gender, And Bodily Capital Through Pre- And Protohistoric Funerary Contexts: Case Studies From Southwestern Europe, Francisco B. Gomes, Catarina Costeira, Anna Maria Desiderio, Arianna Esposito, Giacomo Bardelli

Textile Crossroads: Exploring European Clothing, Identity, and Culture across Millennia

While uneven in their scope and reach, studies of dress and dress complements (fibulae, belt buckles, buttons, etc.) have a significant tradition within the broader study of the pre- and protohistory of Mediterranean Europe. Many of these studies, however, have had a strong focus on the typology of the dress complements and ornaments themselves, either as chronological indicators, ethnic markers, or both. In more recent years, however, a shift in research agendas has ushered in the introduction of new perspectives and new ways of thinking about dress and bodily adornment.

This contribution explores one such perspective in particular — namely, …

Displaying And Experiencing Dress Identities In Museums: Case Studies From The Etruscan Period To Modern Times, Karina Grömer, Astrid Fendt, Morten Grymer-Hansen, Anna Zimmermann, Kayleigh Saunderson, Camilla Cziffery Nielsen, Francisco B. Gomes

Textile Crossroads: Exploring European Clothing, Identity, and Culture across Millennia

Dress, clothes, and accessories receive and give meaning through their nearness to the human body. As P. Stallybrass writes: “Bodies come and go: the clothes that have received those bodies survive.” It is through the close interaction between dress and person that they both receive their meaning. Clothes shape the human body, and we in return shape our clothes. Dress communicates class, gender, nationality, and marital status, and we leave behind parts of us in its smell, wrinkles, wear, and tear: “Clothes receive the human imprint.” Archaeological and historical dress — no matter how ancient — remain intrinsically linked to …