Ancient Philosophy Commons^™

Emotion In Plato's Trial Of Socrates, Thomas W. Moody

Dissertations, Theses, and Capstone Projects

My dissertation argues that Plato composed the figure of Socrates as a three-dimensional literary character who experiences and confronts emotions in ways that other studies have overlooked. By adopting a dramatic, non-dogmatic mode of reading the dialogues and emphasizing the literary elements of the texts and their dramatic connections, this dissertation offers a new and compelling portrait of Socrates in the dialogues that relate his finals weeks of life: Theaetetus, Euthyphro, Apology, Crito, and Phaedo. This study in turn provides new insights into the genre of Plato’s texts and demonstrates how he exploited the dramatic …

Quod Inane Vocamus: Lucretius’ Void In Seventeenth-Century Italy, Carlo Bottone

Dissertations, Theses, and Capstone Projects

During the seventeenth century, the revival of atomic theories and the beginning of barometric experiments sparked a philosophical debate on the existence and the nature of void, which in turn generated new attention to the ancient disputes on void and prompted new interpretations of Lucretius’ examination of inane (De Rerum Natura, I.329-397). Commentators began to discuss the passage beyond the ancient philosophical tradition and in relation to modern ideas and recent discoveries, while Vacuists appealed to Lucretian arguments to prove or deny the existence of an absolute void interspersed among corpuscles.

My research contributes to the scholarship on …

Digital Occult Library, Alexis Brandkamp

Dissertations, Theses, and Capstone Projects

This capstone project is a website, titled Digital Occult Library, hosted by the CUNY Commons and built with WordPress. The site address is:

digitaloccultlibrary.commons.gc.cuny.edu

It features (in this iteration) twenty-five unique pages with information on and discussion of occult and esoteric topics. It also hosts a forum that can be accessed and utilized by anyone, not just those registered on the Commons. The purpose of the site is to inform three types of interested parties on the highlighted topics: a general audience with no current knowledge of the occult, practitioners of esoteric traditions, and academics. Not only is the …

In And Out Of Character: Socratic Mimēsis, Mateo Duque

Dissertations, Theses, and Capstone Projects

In the Republic, Plato has Socrates attack poetry’s use of mimēsis, often translated as ‘imitation’ or ‘representation.’ Various scholars (e.g. Blondell 2002; Frank 2018; Halliwell 2009; K. Morgan 2004) have noticed the tension between Socrates’ theory critical of mimēsis and Plato’s literary practice of speaking through various characters in his dialogues. However, none of these scholars have addressed that it is not only Plato the writer who uses mimēsis but also his own character, Socrates. At crucial moments in several dialogues, Socrates takes on a role and speaks as someone else. I call these moments “Socratic mimēsis.” …

Footnotes To Footnotes: Whitehead's Plato, Nathan Oglesby

Dissertations, Theses, and Capstone Projects

This dissertation examines the presence of Plato in the philosophical expressions of Alfred North Whitehead (1861-1947). It was Whitehead who issued the well-known remark that “the safest general characterization of the European philosophical tradition is that it consists in a series of footnotes to Plato" -- the purpose of this project is to examine the manner in which Whitehead positioned himself as one such footnote, with respect to his thought itself, and its origins, presentation and reception.

This examination involves: first, an explication of Whitehead’s cosmology and metaphysics and their ostensibly Platonic elements (consisting chiefly in the Timaeus); second, investigation …

Cynic And Epicurean Parrhesia In Horace's Epodes 5 & 6: Appropriating A Parallel Philosophical Debate For Poetic Purposes, Kent Klymenko

Dissertations, Theses, and Capstone Projects

Within Horace's fifth and sixth Epodes there is a juxtaposition of canine imagery. This imagery parallels two different interpretations of the philosophical concept of parrhesia or frank speech. Horace examines the parrhesia of Cynicism and contrasts it with the parrhesia of Epicureanism. After establishing Horace's philosophical influences, I engage in a close reading of the two poems through the lens of these competing philosophical interpretations of the same concept. I make the argument that Horace is using his knowledge of philosophy to make a larger poetic point. Although Horace's own stance on parrhesia favors Epicureanism, to the extent that one …

Tragedy And Theodicy: The Role Of The Sufferer From Job To Ahab, Nora Carroll

Dissertations, Theses, and Capstone Projects

The character of Job starts in literature, a trope and archetype of the suffering man who potentially gains wisdom through suffering. Job’s characterization informs a comparison to Sophocles’ Oedipus Rex, Shakespeare’s King Lear, Milton’s Paradise Lost, and finally Melville’s Moby-Dick. These versions of Job rally, fight, and rebel against a universe that was once loving and fair towards a more chaotic and nihilistic one. Job’s suffering is on the mark of all tragedy because he not only experiences a downfall, he gains wisdom through universalizing his torment. The Job trope not only stresses the role of suffering, it …