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Articles 1 - 8 of 8
Full-Text Articles in Ancient Philosophy
Music As A Tool For Ecstatic Space Design, Pranav Amin
Music As A Tool For Ecstatic Space Design, Pranav Amin
Masters Theses
Music and architecture share a sacred bond across cultures. Their histories intertwine and together, they shape ritualistic, religious, and popular practices. As one of the few remaining avenues of universal transcendental experiences that have been so integral to humans, music’s ability to create ecstatic spaces is ever more necessary for the modern human. This thesis uses spatial, artificial intelligence, visual, and aural tools—while engaging in a dialogue between rationalist architecture and shamanic conceptions of spaces—to create an ecstatic space that seeks to reimagine the union of music and architecture. It reveals new ways in which this union can be experienced …
Searching For Hades In Archaic Greek Literature, Daniel Stoll
Searching For Hades In Archaic Greek Literature, Daniel Stoll
Electronic Theses and Dissertations
No single volume of mythological or philological research exists for Hades. In the one moment Hades appears in archaic Greek literature, speaking for only ten lines, Hermes stands nearby. Thus, to understand and journey to Hades is to reckon with Hermes’ close presence. As I synthesize research by writers from several different disciplines, may some light be brought into the depths. May we analyze Hades’ brief appearance in archaic Greek literature, examining how what I define as the “Hermetic” emits from his breath in the one moment he physically appears and speaks.
Evaluating A Need For Somatic Access To Classical Objects In Public Museums, Jerod G. Peitsmeyer
Evaluating A Need For Somatic Access To Classical Objects In Public Museums, Jerod G. Peitsmeyer
Graduate Student Theses, Dissertations, & Professional Papers
Physical experiences with ancient art objects in museums are rare. Display paradigms in most public institutions continue to propagate systems of participant interaction that reinforces unequal power structures. The Montana Musuem of Art and Culture (MMAC) is the current custodian of an ancient, Rhodian wine amphora that provides an opportunity to examine a novel system of somatic participation. This proposal upends traditional gatekeeping practices and serves as a powerful and progressive, humanist touchstone; an olive branch extended to the general public from behind the walls of higher education and the ramparts of privileged scholarship. This study reimagines the amphora's future …
Tracing The Past, Drawing The Present, Sixue Yang
Tracing The Past, Drawing The Present, Sixue Yang
Graduate School of Art Theses
The group of work, Rising Water, Floating Islands is inspired by traditional Chinese scroll landscape paintings. Such landscape paintings combine meticulous technique, compositional complexity, and tension between representation and abstraction to reveal an alternative universe that waits discovery amid our mundane existence. In “Rising Water, Floating Islands,” I explore the political and social ramifications of the ongoing cultural conflict between traditional and emergent contemporary values. By combining traditional Chinese elements and techniques with my own markings and gestural adaptation in my painting, I give the audience the opportunity to contemplate the implications of our present digital condition through traditional esthetic …
The Poetic Function Of Imagination: The Parallel Process Of Poiêsis, Angela Carlson
The Poetic Function Of Imagination: The Parallel Process Of Poiêsis, Angela Carlson
Expressive Therapies Capstone Theses
In the advent of Postmodernism, modern approaches to understanding the nature of things is being put into question. As the gap between objective and subjective realms of experiences is narrowing, there is an increased need for a more artful approach to science. This paper serves as my attempt to promote the field of Expressive Arts Therapy (ExATh) as a mode of poetic science for understanding the experience of ‘Being’ in the world. Through a critical review of the semantic development of the ancient Greek concepts poiêsis, noêsis, and aisthêsis, the imagination is identified as a function of alêthaic revealing, …
French Classicism In Four Painters: Where It Went And Why, Kristen Tayler Westerduin
French Classicism In Four Painters: Where It Went And Why, Kristen Tayler Westerduin
Senior Projects Spring 2019
Senior Project submitted to The Division of Language and Literature and The Division of Arts of Bard College. French Classicism in Four Painters: Where It Went and Why is an analytical approach to the history of classicism and its definitions since being proposed as a style by the ancient Greeks. This paper looks to artists such as Nicolas Poussin, Jacques-Louis David, Charles le Brun, and Eugène Delacroix to understand the evolution of the style’s interpretations within France between the 16th and 19th century.
Laminated Paint, Travis R. Austin
Laminated Paint, Travis R. Austin
Theses and Dissertations
Though we may not perceive it, we are surrounded by material-in-flux. Inert materials degrade and the events that comprise our natural and social environments causally thread into a duration that unifies us in our incomprehension. Sounds reveal ever-present vibrations of the landscape: expressions of the flexuous ground on which we stand.
Pharaonic Occultism: The Relationship Of Esotericism And Egyptology, 1875–1930, Kevin Todd Mclaren
Pharaonic Occultism: The Relationship Of Esotericism And Egyptology, 1875–1930, Kevin Todd Mclaren
Master's Theses
The purpose of this work is to explore the interactions between occultism and scholarly Egyptology from 1875 to 1930. Within this timeframe, numerous esoteric groups formed that centered their ideologies on conceptions of ancient Egyptian knowledge. In order to legitimize their belief systems based on ancient Egyptian wisdom, esotericists attempted to become authoritative figures on Egypt. This process heavily impacted Western intellectualism not only because occult conceptions of Egypt became increasingly popular, but also because esotericists intruded into academia or attempted to overshadow it. In turn, esotericists and Egyptologists both utilized the influx of new information from Egyptological studies to …