Ancient History, Greek and Roman through Late Antiquity Commons^™

Oracula Mortis In The Pharsalia, John Makowski

John F Makowski

No abstract provided.

F.M. Ahl, Lucan: An Introduction, John Makowski

John F Makowski

No abstract provided.

Helen By Giovanni Boccaccio: A New Translation, With Text, And Commentary, Edward H. Campbell

E. H. Campbell

Violence In Plautus: Or, How I Learned To Stop Worrying And Love Performance, Christopher Bungard

Christopher Bungard

Christopher Bungard's contribution to the American Philological Association Annual Meeting, 2015.

Comedy, Violence, And Undergraduates, Christopher Bungard

Christopher Bungard

Christopher Bumgard's contribution to the CAMWS Annual Meeting: Boulder, Colorado, 2015.

Mercator, 691-802 In English, Version B. Neh Summer Institute: Roman Comedy In Performance, Christopher Bungard

Christopher Bungard

Dorippa has discovered that her husband Lysimachus is harboring a prostitute in their house. She wrongly thinks that it is his prostitute rather than his friend Demipho's. At the precisely the wrong time, the cook arrives who Demipho had asked Lysimachus to hire for a party. Lysimachus becomes increasingly frustrated with his friend Demipho. Filmed in Forest Theatre, on the campus of the University of North Carolina at Chapel Hill. Version 1: Performed in Latin to illustrate a scene that would have not been accompanied in the original performance. This is the only scene of the Institute that would have …

A Blast From The Ancient Past: Using Digital Storytelling In ‘Roman Perspectives’, Christopher Bungard

Christopher Bungard

Christopher Bumgard's contribution to the CAMWS Annual Meeting: Waco, Texas. 2014.

Reconsidering Zeus’ Order: The Reconciliation Of Apollo And Hermes, Christopher Bungard

Christopher Bungard

This paper argues that the Homeric Hymn to Hermes explores competing ways of approaching the world through the figures of Hermes and Apollo. Apollo’s reliance on the established world, partially marked by the knowledge of εἰδέναι, is insufficient in understanding Hermes, who aligns himself with the flexible capacity of νόος. Whereas Apollo eliminates his rivals in order to establish himself permanently, Hermes exploits unexplored potentials in order to create space alongside the established gods in the Olympian order. Ultimately, the newly forged friendship of Apollo and Hermes helps us understand the nature of Zeus more fully.

Mercator, 691-802 In English, Version A. Neh Summer Institute: Roman Comedy In Performance., Christopher Bungard

Christopher Bungard

Dorippa has discovered that her husband Lysimachus is harboring a prostitute in their house. She wrongly thinks that it is his prostitute rather than his friend Demipho's. At the precisely the wrong time, the cook arrives who Demipho had asked Lysimachus to hire for a party. Lysimachus becomes increasingly frustrated with his friend Demipho. Filmed in Forest Theatre, on the campus of the University of North Carolina at Chapel Hill. Version 2: Performed in English. Dorippa is played assertively, and the cook unwittingly complicates Lysimachus' troubles. Translation by Sharon James with modifications by Christopher Bungard, Christine Woodworth, Dan Smith, and …

L’Ingannatore Ingannato: I Due Aspetti Di Milfione Nello Poenulo, Christopher Bungard

Christopher Bungard

Christopher Bungard's contribution to: Lecturae Plautinae Sarsinates XV: Poenulus. R. Raffaelli and A. Tontini, eds. Urbino: Edizioni QuattroVenti.

To Script Or Not To Script: Rethinking Pseudolus As Playwright, Christopher Bungard

Christopher Bungard

Christopher Bungard's contribution to Helios, 41(4).

Lies, Lyres, And Laughter: Surplus Potential In The Homeric Hymn To Hermes, Christopher Bungard

Christopher Bungard

This paper seeks to reevaluate scholarly responses to the laughter in the Homeric Hymn to Hermes. Using Zupančič's recent work on comedy, I argue that Hermes intentionally exploits surplus potentials that emerge from splits in the perceived unity and completeness of Zeus's cosmos. Through surpluses (a tortoise-lyre, a baby cattle rustler, a baby master of legal speech), Hermes is able to attain his place among the Olympians. The laughter of the audience is one final expression of this acceptance of Hermes and his potential.

Determinando Un Ruolo: Immo E Improvvisazione Nello Pseudolus, Christopher Bungard

Christopher Bungard

Christopher Bungard's contribution to: Lecturae Plautinae Sarsinates XVI: Pseudolus. R. Raffaelli and A. Tontini, eds. Urbino: Edizioni QuattroVenti.

Moore, T. 2012. Roman Theatre. Cambridge: Cambridge University Press, Christopher Bungard

Christopher Bungard

Christopher Bungard's review of Roman Theatre, by Timothy Moore.

Silent And Boisterous Slaves: Considerations In Staging Pseudolus 133-234, Christopher Bungard, Daniel Walin

Christopher Bungard

Christopher Bumgard's contribution to the CAMWS Annual Meeting: Iowa City, Iowa. 2013.

Mercator, 691-802 In Latin. Neh Summer Institute: Roman Comedy In Performance, Christopher Bungard

Christopher Bungard

Dorippa has discovered that her husband Lysimachus is harboring a prostitute in their house. She wrongly thinks that it is his prostitute rather than his friend Demipho's. At the precisely the wrong time, the cook arrives who Demipho had asked Lysimachus to hire for a party. Lysimachus becomes increasingly frustrated with his friend Demipho. Filmed in Forest Theatre, on the campus of the University of North Carolina at Chapel Hill. Version 1: Performed in Latin to illustrate a scene that would have not been accompanied in the original performance. This is the only scene of the Institute that would have …

Pseudolus, 133-234 In Latin. Neh Summer Institute: Roman Comedy In Performance, Christopher Bungard

Christopher Bungard

Plautus, Pseudolus (133-234). All-male cast, directed by Mark Damen, with collaboration from the other group members, Tarik Wareh, Christopher Bungard, Daniel Walin, and Michael Katchmer. Music composed by T. H. M. Gellar-Goad. Clarinetist: Tony Sprinkle. As the young lover Calidorus and his slave Pseudolus watch on, the pimp Ballio drives his slaves outside his brothel and denounces them for being lazy and wasting his money. He then leads out some prostitutes, including Calidorus' beloved Phoenicium, and insists they bring in more money and gifts. It is, he claims, his birthday. When he leads them back inside his house, Calidorus begs …

Two Documentary Papyri, Fred W. Jenkins

Fred W Jenkins

No abstract provided.

A Lease Of Land From The Tebtunis Grapheion Archive, Fred W. Jenkins

Fred W Jenkins

No abstract provided.

A Land Lease From The Michigan Collection, Fred W. Jenkins

Fred W Jenkins

Edition of P.Mich. inv. 632.