Chinese Studies Commons^™

Negotiating Plurality: Korean Catholic Funerals As Lived Religion, Jieun Han

Journal of Global Catholicism

This article examines Korean Catholic funeral rites through the lenses of ritual

guidebooks and lived religion, arguing that Catholic funerary practice in Korea

has emerged through sustained engagement with Confucian and Buddhist tradi-

tions as well as modern nationalism. Focusing on Catholic manuals such as the

Sangjang yesik [Rites for Mourning and Funerals] and related texts, it traces how

officially sanctioned liturgical forms coexist with, accommodate, and reinterpret

indigenous ritual logics surrounding mourning, burial, ancestor veneration, and

care for the dead. Rather than viewing Korean Catholic funerals as a simple

localization of Roman rites, the article conceptualizes them as a …

Editor's Introduction, Brent H. Otto S.J.

Journal of Global Catholicism

No abstract provided.

Hindu Poetry And The Project Of An Inter-Spiritual Catholic Theology, Francis X. Clooney

Journal of Global Catholicism

This article engages the work of the Indian south Indian Tamil-language Vaiṣṇava poet saints known as the Alvārs. The article specifically focuses the First HundredHoly Linked verses of Poykai Ālvār to argue for inter-spiritual learning between Catholics and Hindus. The article concludes with personal reflections on this encounter within the context of the global Catholic Church

Tùn-Scene And A-Futurism: Biomythography, Opacity, And Posthuman Imagination, Minglu Du

Masters Theses

Grounded in the author’s position as a Chinese feminist, this thesis examines how East Asian women, as well as East Asian-coded femininity more broadly, are objectified and othered within futurist visual culture in the age of artificial intelligence. Through an engagement with ornamentalism, techno-Orientalism, and posthumanism1 , it argues that the persistent figure of the feminized humanoid cyborg continues to reproduce colonial and patriarchal structures of desire, rendering marginalized bodies as fetishized and violable surfaces. In response, the thesis develops Tùn-Scene, a biomythographic artistic framework and the first experiment in what the author provisionally names A-Futurism. Drawing on Donna Haraway’s …

Domestic Travelers: Transparent Machines, Hollow Bodies, Hanyi Wang

Masters Theses

Digitization is not a modern invention. Derived from the concept of fingers, this mindset of packing information into quantifiable, interchangeable units sounds mechanical, yet eerily physical. Try to imagine: a ghostly hand with millions of fingers with the same length, likeness, and function. Under the worldview of Digital Narrative, we live in a digital simulation: everything is representable with quantifiable units, fluid across media. Yet under this spectacle of convenient abundance, something is missing. The Unknowables are replaced with arbitrary symbols, while the Uncategorizables are omitted. This is a framework that cannot accommodate human subtleties and complexities. One needs to …

The Construction And Reflection Of The Theoretical Knowledge System Of Chinese Literature And Art:Summary Of The 16th Annual Conference Of The Chinese Association For Theory Of Literature And Art, Qianpeng Gu

Theoretical Studies in Literature and Art

No abstract provided.

Différance, Transparency And Truth: Jean-Luc Nancy On Beauty, Zhizhong Zhang

Theoretical Studies in Literature and Art

In God, Justice, Love, Beauty, Jean-Luc Nancy thoroughly elucidates his perspectives on beauty, extending beyond the confines of conventional epistemological aesthetics by introducing deconstructionism to the discourses on aesthetic issues. Specifically, Nancy reinterprets the legend of Narcissus, positioning its theme as the movement of beauty's self differentialspacing, and unveiling the différance inherent in beauty. However, as a generalized spacing movement, différance cannot highlight the singularity of beauty. Consequently, through an analysis of douard Manet's painting Reading, Nancy contends that beauty, as a motion of meaning that transcends signification, can only be represented as being of near-nothingness, that is, as a …

Dufrenne's Genetic Phenomenological Explanation Of “Affective A Priori”, Ziming Huang

Theoretical Studies in Literature and Art

The discussion on the nature of the affective in phenomenology can be traced back to the debate on the universality of the aesthetic affective in modern epistemological aesthetics. Dufrenne interpreted it from the perspective of genetic phenomenology and identified it as a problem of “affective a priori.” The “affective” is an object of feeling triggered by the work and constituted by the subject; and “a priori” is a means of preforming the object within the subject. As the constituent structure of the object, the affective a priori indicates the unity of the objective cosmological a priori and …

Rita Felski's Critique Of Contextualism: Taking Rem Koolhaas And Bruno Latour As A Clue, Lijun Su

Theoretical Studies in Literature and Art

With a special nested structure, Rita Felski follows and finalizes Rem Koolhaas and Bruno Latour's manifesto of “Context Stinks!” The three theorists of different disciplines such as architecture, sociology and literature take context as a conservative proposition. In response to the contextualist paradigm that is threatened by self-limitation, self-exclusion and generalization, Koolhaas creates space for innovation through the strategy of “bigness”, while Latour questions the theory of social entities, introducing non-human actors into a new coordinate system. Based on them, Felski tries to remold the future of literature within the framework of actor-network theory, in order to forestall text from …

Derrida's Theory Of Sovereignty—And His Criticism Of Robinson Crusoe, Jinlong Xiao

Theoretical Studies in Literature and Art

The 20th century has witnessed an unprecedented exploration and development of the concept of human essence in the Western theoretical community. In the early 20th century, Heidegger proposed that human essence was existence. Later, Foucault argued that human essence was power. By the end of the 20th century, Derrida clearly pointed out that human essence was neither pure existence as advocated by the existentialists, nor pure power, as claimed by the power theorists. Instead, it is something between existence and power: the “powerization” of existence, which Derrida termed “sovereignty.” The operating rhythm of sovereignty involves the autonomy of automation, specifically …

Atmosphere And Artistic Appeal (Qi Yun): An Unfinished Reflection On The Modern Interpretation Of “Artistic Appeal And Rhythmic Vitality” From The Perspective Of Atmosphere Aesthetics, Lei Li

Theoretical Studies in Literature and Art

Drawing from the traditional binary thinking of subject-object division and confrontation, the modern interpretation of “artistic appeal and rhythmic vitality” since the twentieth century considers it either as an aesthetic feature or the overall spirit of the artwork, or as the painter's inner harmony and resonance, failing to fully realize that the ideal effect of “artistic appeal and rhythmic vitality” can only be generated by the two-way communication and resonance between the creator and the object. In the light of the aesthetics of atmosphere, “artistic appeal” is a special category or an advanced state of atmosphere that arises from the …

A Study Of The Historical Formation Of The “Fengyao” Pattern And The “Touchun” Pattern In Five-Character Metrical Poetry, Zhao Zhang

Theoretical Studies in Literature and Art

Since the Song dynasty, the touchun pattern has referred to the five-character metrical poetry in which the antithesis is used in the first couplet rather than the second; the fengyao pattern has referred to those in which the antithesis is only used in the third couplet. These two patterns began to flourish in the works of Shen Quanqi and Song Zhiwen. During the High Tang dynasty, they were equated in number with the standard format of metrical poetry. It was not until the Dali era that they were finally confirmed as variant formats of five-character metrical poetry. This trend of …

A New Explanation Of The Connotation And Poetic Significance Of “Poetry Springs From Emotions And Hence Reads Beautifully” In Rhapsody On Literature, Yanfeng Cai, Xiaoli Wei

Theoretical Studies in Literature and Art

Traditionally, “poetry springs from emotions and hence reads beautifully” in Rhapsody on Literature has been interpreted primarily within the poetic context of expressing emotions and aspirations, often overlooking the broader connotation of “emotion” and the logical relationship between “springing from emotions” (yuanqing) and “beautiful” (qimi). Two key concepts are essential in understanding of this sentence. The first is “emotions”, which has been widely used to denote an objective state, essence, and reality since the pre-Qin era. Recognizing the objective meaning of “emotion” is crucial for a correct understanding of the poetic connotation of “springing from emotions”. …

New Changes In The Theater Ecology In The Late-Qing Shanghai: A Study Based On Wang Guifen's Contract Payment Lawsuit, Chunning Zhao

Theoretical Studies in Literature and Art

Contract payment lawsuits discussed in this paper were disputes over rights and interests arising from the operation of modern xiqu (Chinese opera). During Wang Guifen's performances in Shanghai, he was involved in such lawsuits with quite a few theaters, including Xin Dangui, Tianxian, Liuchun, Tianfu, and Guixian. The practice of inviting and recruiting famous actors with high contract payments was a common form of commercial competition in Shanghai's theaters, and it was also the direct cause of job-hopping by well-known actors and their involvement in legal disputes. The high contract payments intensified malicious competition between theaters, hindered the healthy development …

A Semiotic Interpretation Of Landscape Painting And Its Limitations: A Focus On Duan Lian, Yiqing Liu, Zhijie Sun

Theoretical Studies in Literature and Art

Duan Lian has offered a semiotic interpretation of the history of landscape painting. He argues that the formation, development, divergence and decline of landscape painting are all conveyed through the form of images. This constitutes an interaction of image symbols from form to concept, providing new perspectives and paradigms for the study of landscape painting and semiotics. However, regarding the transcendence of landscape painting, we contend that Duan Lian's semiotic interpretation of landscape painting cannot fully capture its intrinsic aesthetics and spirit, as this approach may lead to an underestimation and weakening of the artistic essence of landscape painting. Semiotics, …

Education For The Average Person And The Celestial-Human Strategy In Ancient Poetry Education: Pedagogical Choices In The Context Of The Li-Du And Su-Huang Debates, Shugong Zhao

Theoretical Studies in Literature and Art

As early as the Wei and Jin dynasties, Chinese literary culture developed a marked adulation of genius. Yet, poetry education took a distinct approach, which favored models not solely based on genius. In discussions contrasting Li Bai and Du Fu, Li Bai was esteemed for his rare natural gift, while Du Fu was valued for his profound intellectual insight. Similarly, in the Su-Huang debates, Su Shi was praised for innate talent, while Huang Tingjian was noted for his disciplined scholarship. Despite these distinctions, poetry education consistently recommended emulating figures like Du Fu and Huang Tingjian. This choice reflects the ancient …

“The Poetics Of Graphite Stone Paintings” And The Quality Of Modern Scholars' Paintings: Wu Changshuo And Pan Tianshou As Examples, Zhongyi Xia

Theoretical Studies in Literature and Art

To identify why only “the poetics of graphite stone paintings” in Wu Changshuo and Pan Tianshou's works deserve to be referred to as representative of “modern scholars' paintings,” several issues need clarification. First, what is the boundary between “paintings by scholars” and “paintings by literati?” Second, how does one identify Wu's “stubborn stone” not only as a kind of “scholarly painting,” but also as “modern?” Third, how does one recognize Pan's “massive rock” as a “scholarly painting” worthy of being called “modern?” The response is as follows. Firstly, “scholarly painting” is rooted in tranquility and introverted in the self-sanctity of …

On “Posthumanism”, Martin Crowley

Theoretical Studies in Literature and Art

The label “posthumanism” identifies neither a doctrine, nor an intellectual or analytical approach with a defining set of protocols. Rather, we may take “posthumanism” as a term loosely applied to a range of contributions and approaches, on the basis of a generally under-specified collection of sympathies and commitments. Approximately stated, these sympathies and commitments would entail the claim that — with due allowance for historical variation — the category of “the human” has long played a key role at the centre of Western thought; that this role has included serving to justify the promotion of human beings above other forms …

The Invention Of Tradition: From Ancient “Articles” To May Fourth “Literature” — A Concurrent Explanation Of The Connotation Of “Chinese Literary Theory”, Xu Xu

Theoretical Studies in Literature and Art

This article focuses on the relationship between literary views and article studies of May Fourth scholars from the perspective of hermeneutics, in order to re-explain the connotation of “Chinese literary theory” and consider the construction of a Chinese literary theory discourse system. Rooted in interpretations of the interplay between literature and dao, May Fourth scholars reshaped the traditional framework, shifting the focus to the relationship between literature and humanity, through the integration of ideals and dao. Their commitment to broad, applied literary views led to a progression from a simple division between cultural traits and literary function to a more …

Book Review On The Worlds Of Classical Chinese Aesthetics (By Paul R. Goldin), Lin Wang

Comparative Philosophy

No abstract provided.

Returning Into The Deep Forest--A Methodological Practice Around Memory, Asianness, And Speech, Yu Ye

Masters Theses

">">The title of this thesis is borrowed from the Tang dynasty poem Deer Enclosure by Wang Wei: “Empty mountain, no one in sight—only the echo of voices. Returning sunlight slips into the deep forest, shining once more on moss.” I feel like my essay is responding to this kind of sensation: light does not shine head-on, but folds back, glancing sideways through dense branches, illuminating what is often overlooked. In that gesture of return—quiet, angled, persistent. This thesis unfolds in three chapters, each following a distinct path—image (Camera Lucida by Roland Barthes), movement (The Rings of Saturn by …

Signifying And The Feeling Of Differences, Samuel Weber

Theoretical Studies in Literature and Art

What does Werner Hamacher's concept of archiphilology have in common with Saussure's view of intralinguistic， differential function in language? Perhaps the way in which the indefinite of language itself “slowly defines itself，” both in response to past acts of appropriations， and appealing for new signifieds the meaning of which can only be seized and unseized over time. Several of Kafka's short stories illustrate how literary works play out the same tension within what can be called a “progressive and digressive” narrative， warding off any internal principle of closure or conclusiveness while continuing to require endings and answers. Holderlin's “Remarks on …

Guest Editor's Overview, Yue Zhuo

Theoretical Studies in Literature and Art

No abstract provided.

Theological Implications Of The Symbols And Signs In The Sacrament Of Matrimony Of The Syro-Malabar Church, Nelson Mathew O. Carm.

Journal of Global Catholicism

This article discusses the significance of the signs and symbols used in the sacrament of the marriage of the Syro-Malabar Church and the adaptations from different cultures, particularly the Hindu culture of India. It concentrates on the specific elements found in the marriage celebration of the St. Thomas Christians. The rituals that are unique to the Sacrament of Matrimony of the Syro-Malabar Church, mainly expressed through symbols and signs, remain a significant contribution to the liturgy, spirituality, and theology of the Sacrament of Matrimony, and to the theology of inculturation. In the Syro-Malabar liturgy, marriage rituals, and signs and symbols …

Illuminating Chinese Aesthetics With Kant’S Account Of Genius? Possibility And Difficulty, Kefu Zhu

Comparative Philosophy

Many scholars interpret Chinese Aesthetics with the Kantian theory of genius because they seem to form a parallel: similar innate and spontaneous mental talents that exceed normal cognition and imagination generates beautiful arts with similar extraordinary qualities. I argue that projecting Kant’s genius to illuminate the creative power analogically, i.e., the carefree-wandering mind, is infeasible. The theory of genius assumes a critical project that stipulates a valuable way to exercise the power of judgment. Genius is only a postulated idea for successfully making aesthetic judgments on artworks. In contrast, the carefree-wandering mind assumes a Daoist metaphysical-ethical theory centering on the …

Potentiality, Resistance And Bare Life: Giorgio Agamben On Melville’S Bartleby, Yanjun Wang, Yaping Wang

Theoretical Studies in Literature and Art

The idea of potentiality runs through Giorgio Agamben’s political philosophy. In his analysis of Herman Melville’s Bartleby, the Scrivener, Agamben thoroughly interprets potentiality and bare life through Bartleby’s “I prefer not to”. Agamben believes that Bartleby’s inoperativeness is the highest form of resistance, which exists as pure potentiality against the power apparatuses in modern society. Agamben considers Bartleby’s inoperativeness as the exact way to redeem bare life in modern society, where the state of exception already becomes normality. This article starts with Agamben’s reading of Bartley, focuses on potentiality, resistance and bare life to analyze the pure and thorough way …

The Fallacy And Verification Of Criticism On Contemporary Chinese Confessional Poetry, Lei Wei

Theoretical Studies in Literature and Art

Contemporary Chinese confessional poetry has engaged much academic attention despite its short existence between the 1980s and the 1990s. The confessional poetry has been related with female poetry by scholars since the beginning, and they have been criticized for lacking Chinese cultural characteristics, skills or aesthetic values etc.. However, contemporary Chinese confessional poetry is not exclusively the product of female poets, as there are quite a few male poets who created some fine confessional poems. Chinese confessional poetry of new period turned out to be embodied with a literary form of strong nationalistic features and contain rich elements of traditional …

中國古典美學範疇之“淡”, Zhou Cao

Lingnan Theses (MPhil & PhD)

上個世紀七十年代，羅蘭·巴特（Roland Barthes）以“平淡的場域”表達了對中國的整體感觀，而後荷蘭漢學家余蓮（François Jullien）以“淡”總論中國思想與美學，兩位學者從跨文化的視野指出了“淡”在中國古代美學思想體系中的重要性。若從“淡”的歷史流變來看，不同理論流派與藝術門類的論述跨越了數個研究場域，而非限於範疇體系中“風格”論的一種表現。故此，本文嘗試超越以往視“淡”為“審美風格”的局限，著重研究“淡”在不同理論之間的流動，探尋“淡”如何從味覺現象發展為哲學、道德概念並演變為文藝美學範疇，從材質、心性、詩歌、詩歌批評、詩學理論五個角度梳理其理論漸進的過程與發展史的重要節點；同時，鑒於古代範疇隨步移行的特點，本文在微觀細讀的基礎上深入辨析一些由“淡”構成的重要概念或術語，界定它們的內涵與外延，並以文史哲結合的方法釐清其各自的理論語境與淵源，進而反思“淡”在不同時期意涵變遷的歷史文化原因。本文通過重要節點勾勒“淡”的發展史，透視古代美學思想各個場域之間的會通，希望能夠重新描繪“淡”在整個範疇體系中的位置，發現“淡”成為古典文藝審美理想的深層原因。

The Somaesthetics Of The Multitude: The Politico-Aesthetic Logic Of Antonio Negri And Michael Hardt In Constructing The Subjecthood, Jinying Li

Theoretical Studies in Literature and Art

"The Multitude", a concept reconstructed by Antonio Negri and Michael Hardt after the deconstruction of the subjecthood by post-structuralism, is a combination of singularity and commonality, and physicality and affection, and it is the subjecthood of postmodern society that overthrows the control of the empire and constructs the commonwealth. In the early days, Negri began to explore social issues from the perspective of the relationship between art and the multitude. From this perspective, his logics in constructing the multitude can be summed up as aestheticization and bio-politicization, and its inner trajectory of reasoning can be summarized as a transformation from …

Nelson Goodman On Exemplification, Hui Zhang

Theoretical Studies in Literature and Art

Nelson Goodman holds that there are two forms of symbolizing, namely, denotation and exemplification. In denotation, a symbol is used to refer to an object, while in exemplification the exemplifier has a label or is referred to by a label. Exemplification explains how abstract works perform symbolic functions and express metaphorical exemplifiers. Being highly creative and influential, Goodman's theory is valuable and can serve as a reference for Chinese scholars.