Celtic Studies Commons^™

“Neither Living Nor Dead”: From Nazgûl To The Sídhe In Tolkien's The Fellowship Of The Ring (1954), Noelia Ramos

Journal of Tolkien Research

This study explores the influence of Celtic supernatural folklore, particularly the banshee tradition, on Tolkien’s depiction of the Nazgûl in The Fellowship of the Ring. Using W.B. Yeats’ Fairy and Folk Tales of the Irish Peasantry (1888) and the Celtic Twilight movement as a comparative framework, it analyses “A Short Cut to Mushrooms” and “A Knife in the Dark”, focusing on liminality, spectral presence, and supernatural dread. These parallels are further contextualised through reference to early Irish texts The Táin Bó Cúailnge and The Boyhood Deeds of Fionn, central works within the Celtic literary compilation known to Tolkien …

Tolkien's Oriental Sources? Renunciation Of Immortality And Fairy Nature, Giovanni Carmine Costabile

Journal of Tolkien Research

Thompson motif F302.6.2.2. Fairy gives up her fairy nature and becomes mortal to be able to return to her mortal husband and its combination with H310. Suitor tests and H1010. Impossible tasks are Oriental motifs, to be found only in the Tibetan tale of The Boy with the Deformed Head in O'Connor's 1907 collection and in the 9th century CE Japanese Taketori Monogatari. In this light, it appears necessary, assuming that Tolkien had a source for his idea of Lúthien sacrificing her Elven immortality and Elven fate, that his source must be found in the aforesaid narratives, both available …

"Things That Were, Things That Are, And Things That Yet May Be": The Matter Of Time In The Faërie Realms Of Tolkien's The Lord Of The Rings, Noelia Ramos

Journal of Tolkien Research

Tolkien’s feelings and relationship to Celtic themes are more nuanced than a simple binary of aversion versus passion. As he professed to Stanley Unwin—"Needless to say they are not Celtic!" (Letters #19)—his stance encompassed both resistance and fascination. His essay On Fairy-Stories, originally delivered as the Andrew Lang Lecture in 1939, can be seen as an early foundation for concepts later developed in The Lord of the Rings (1954–1955). In this context, the concept of fiction and the secondary world—particularly regarding the nature of time—is notably prominent, drawing parallels to the Celtic Otherworld.

This study aims to analyze …

He Is The Master Of Wood, Water, And Hill: Is Tom Bombadil The True Key Keeper Of The Old Forest?, Noelia Ramos

Journal of Tolkien Research

Tom Bombadil, with his iconic singing―”Hey! Come merry doll! Derry doll and merry-o!―has captivated scholars worldwide, due to the enigmatic nature Tolkien intentionally left unexplained. This deliberate mystery has fuelled extensive debate, leading many to explore possible mythological and cultural frameworks that might decode Bombadil’s origins. Among these hypotheses, a Celtic interpretation has often been dismissed despite its potential relevance. This paper, thereby, seeks to analyse Bombadil’s function within the Old Forest and his interactions with the hobbits during their forest episode, presenting fresh insights into his role as a Celtic-inspired guide and druidic figure.

To support this analysis, primary …

Rimmo Nín Bruinen Dan In Ulaer!: Waters Of Wisdom And Wonder In Tolkien’S The Fellowship Of The Ring (1954), Noelia Ramos Soria

Journal of Tolkien Research

Tolkien's profound and enigmatic incorporation of water elements has captivated not only Tolkien enthusiasts but also scholars from various academic fields, positioning this elemental motif as a significant focus in contemporary literary studies. Although environmental themes in Tolkien's works have been widely researched, the specific role of water in Elven realms—and its possible Celtic cultural connotations—remains largely overlooked. This paper examines J.R.R. Tolkien's engagement with Celtic influences in The Fellowship of the Ring (1954), focusing on the motif of water in elven realms. Despite critiquing Milton Waldman’s idea of “Celtic Things,” Tolkien paradoxically integrates Celtic mythology, creating complex aquatic landscapes …