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Full-Text Articles in Celtic Studies

Personal Design, Political Design, Dark Design, Catherine Harper Mar 2025

Personal Design, Political Design, Dark Design, Catherine Harper

Arts and Design

The western-feminist slogan ‘the personal is political’ (Hanisch, 1970) emerged in the late 1960s, connecting women’s varied experiences of, for example, reproductive autonomy, pay inequality, childcare/household labour, and domestic violence, with social and political issues. These include social justice, civil rights, abortion access, gay and women’s liberation, the dismantling of systemic racism and structural oppression.

As an Irish, feminist, auto-ethnographic artist-designer-writer-academic, my lived experience of three decades of political violence and social repression in Northern Ireland (1967-98) and the different but no less complex cultures of the UK (1996-2022) and Egypt (1922-), is informed by deliberatively, intentionally designed activism for …


The Stained & Bloody Cloths Of Ireland: A Material Culture View Of Irish Shame, Oppression, Morality And Repression., Catherine Harper Ph.D Jan 2025

The Stained & Bloody Cloths Of Ireland: A Material Culture View Of Irish Shame, Oppression, Morality And Repression., Catherine Harper Ph.D

Arts and Design

The Stained and Bloody Cloths of Ireland presents a textiles and material culture view of Irish shame, oppression, morality and repression.

Ireland – north and south – has sustained significant change in the last 100 years, since partial independence from Britain, accelerating at the end of the twentieth century with legalisation of contraception, divorce, gay marriage, the end – or at least reduction – of the ‘Troubles’ in the North, and freedom to choose abortion and reproductive autonomy.

In parallel to this, many instances of societal and ecclesiastical abuse, sexual repression, superstition and cruelty, have come to light through a …


A Material Culture View Of Irish Shame, Oppression, Morality And Repression., Catherine Harper Ph.D Oct 2023

A Material Culture View Of Irish Shame, Oppression, Morality And Repression., Catherine Harper Ph.D

Arts and Design

Ireland – North and South – has sustained significant change in the last 100 years, accelerating at the end of the twentieth century with legalisation of contraception, divorce, gay marriage, the end – or at least reduction – of the ‘Troubles’ in the North, and freedom to choose abortion and reproductive autonomy.

In parallel to this, many instances of societal and ecclesiastical abuse, sexual repression, superstition and cruelty, have come to light through a series of scandals including the use of unmarried mothers as unpaid labour in laundries throughout Ireland until the mid-1990s, the deaths of women in hidden childbirth …


The Irishtheatre As Imaginative Space: A Vehicle And Venue For The Reconstruction Of The Irish Identity, Rania M Rafik Khalil Nov 2017

The Irishtheatre As Imaginative Space: A Vehicle And Venue For The Reconstruction Of The Irish Identity, Rania M Rafik Khalil

English Language and Literature

Current cultural and political changes have prompted the theatre to play a significant role in staging the transformations of the Irish identity. Over time, it has provided an impetus for expressions of the collective new self-image of the Irish. Re-inventing the self requires a manifestation of space and the production of space whether geographical, metaphorical or a physical stage representation. ‘Space’has been utilisedin Irish drama in terms ofgeographical location, cartography, socialmedia, technology, immigration, and the theatre stage. Globalisation has also played a crucial role in terms of creating overlapping spacesand multiple belongings.This study will examinethrough Henri Lefebvre’s theory of space, …


Redefining Irishness: Fragmentation Or Intercultural Exchange, Rania M Rafik Khalil Jan 2015

Redefining Irishness: Fragmentation Or Intercultural Exchange, Rania M Rafik Khalil

English Language and Literature

The traditional definition of Irishness has been overwritten by internationalization, cultural and political discourses. Globalisation today sets the ground for the redefinition of a “new Ireland” altering the ethnocultural base to the definitions of Irish national identity. Recent cultural criticism on modern Irish studies have described the Irish nation as undergoing moments of crisis and instability within a global context. This paper explores and analyzes the process by which literary dramatic works dealing with Irish national distinctiveness have been put subject to being written and re-written as the Irish nation passes through periods of instabilities and problematisations. Ireland has been …