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Articles 1 - 15 of 15

Full-Text Articles in Celtic Studies

Téacsúil Fionnachtain, Alan Delozier Apr 2021

Téacsúil Fionnachtain, Alan Delozier

Critical Inquiries Into Irish Studies

No abstract provided.


Notes From A ‘World That Had Forgotten How To Give’: Edna O’Brien’S Stories Of Resilience, Mine Özyurt Kılıç Apr 2021

Notes From A ‘World That Had Forgotten How To Give’: Edna O’Brien’S Stories Of Resilience, Mine Özyurt Kılıç

Critical Inquiries Into Irish Studies

No abstract provided.


“Say It With Flowers”: Exile, Ecology, And Edna O’Brien, Annie Williams Apr 2021

“Say It With Flowers”: Exile, Ecology, And Edna O’Brien, Annie Williams

Critical Inquiries Into Irish Studies

No abstract provided.


“Edna O’Brien: An Interview With Maureen O’Connor”, Maureen O'Connor, Martha Carpentier, Elizabeth Brewer Redwine Apr 2021

“Edna O’Brien: An Interview With Maureen O’Connor”, Maureen O'Connor, Martha Carpentier, Elizabeth Brewer Redwine

Critical Inquiries Into Irish Studies

No abstract provided.


Téacsúil Fionnachtain, Alan Delozier Feb 2020

Téacsúil Fionnachtain, Alan Delozier

Critical Inquiries Into Irish Studies

.


Rediscovering Dorothy Macardle: An Interview With Caroline B. Heafey, Caroline B. Heafey Feb 2020

Rediscovering Dorothy Macardle: An Interview With Caroline B. Heafey, Caroline B. Heafey

Critical Inquiries Into Irish Studies

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A London Leaving, Colette Bryce Feb 2020

A London Leaving, Colette Bryce

Critical Inquiries Into Irish Studies

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Disrupting Mythological Foundations Of Identity: Hugh O'Neill, Making History, And The Troubles, Elizabeth Ricketts Feb 2020

Disrupting Mythological Foundations Of Identity: Hugh O'Neill, Making History, And The Troubles, Elizabeth Ricketts

Critical Inquiries Into Irish Studies

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O’Casey Vs. Sheehy-Skeffington: Tragicomedy In The Plough And The Stars And The Feminist Protest, Martha Carpentier Sep 2018

O’Casey Vs. Sheehy-Skeffington: Tragicomedy In The Plough And The Stars And The Feminist Protest, Martha Carpentier

Critical Inquiries Into Irish Studies

Martha C. Carpentier is Professor of English at Seton Hall University in New Jersey, where she teaches courses in 20th-century British and Irish literature. Most recently, she is the editor of Joycean Legacies (Palgrave MacMillan 2015) and author of articles on James Joyce, George Orwell, and Graham Greene that have appeared in Mosaic and Joyce Studies Annual. She is a co-editor of Critical Inquiries Into Irish Studies.


The Irishtheatre As Imaginative Space: A Vehicle And Venue For The Reconstruction Of The Irish Identity, Rania M Rafik Khalil Nov 2017

The Irishtheatre As Imaginative Space: A Vehicle And Venue For The Reconstruction Of The Irish Identity, Rania M Rafik Khalil

English Language and Literature

Current cultural and political changes have prompted the theatre to play a significant role in staging the transformations of the Irish identity. Over time, it has provided an impetus for expressions of the collective new self-image of the Irish. Re-inventing the self requires a manifestation of space and the production of space whether geographical, metaphorical or a physical stage representation. ‘Space’has been utilisedin Irish drama in terms ofgeographical location, cartography, socialmedia, technology, immigration, and the theatre stage. Globalisation has also played a crucial role in terms of creating overlapping spacesand multiple belongings.This study will examinethrough Henri Lefebvre’s theory of space, …


Redefining Irishness: Fragmentation Or Intercultural Exchange, Rania M Rafik Khalil Jan 2015

Redefining Irishness: Fragmentation Or Intercultural Exchange, Rania M Rafik Khalil

English Language and Literature

The traditional definition of Irishness has been overwritten by internationalization, cultural and political discourses. Globalisation today sets the ground for the redefinition of a “new Ireland” altering the ethnocultural base to the definitions of Irish national identity. Recent cultural criticism on modern Irish studies have described the Irish nation as undergoing moments of crisis and instability within a global context. This paper explores and analyzes the process by which literary dramatic works dealing with Irish national distinctiveness have been put subject to being written and re-written as the Irish nation passes through periods of instabilities and problematisations. Ireland has been …


Blarney In St. Louie: Performing Irishness At The Louisiana Purchase Exposition, 1904, Cassandra L. White Jan 2015

Blarney In St. Louie: Performing Irishness At The Louisiana Purchase Exposition, 1904, Cassandra L. White

All Master's Theses

The dynamics of power between the privileged and those who must be subordinate to them was glaringly apparent at the 1904 Louisiana Purchase Exposition in St. Louis. While natives from many countries were displayed in ethnographic villages, the Irish were represented in the Irish Industrial Exposition concession on the Pike. A group of ninety performers came from Ireland to show their skills this concession; among these were a troupe of actors from Dublin. The Dublin troupe was engaged to perform AE’s Deirdre, but left before they had been at the exposition for a month because they felt that the Irish …


Eye For The Gap: Frenzy, Liberty, And The Nietszchean Chorus In Conor Mcpherson's The Weir And Shining City, Frances Krieg Jan 2014

Eye For The Gap: Frenzy, Liberty, And The Nietszchean Chorus In Conor Mcpherson's The Weir And Shining City, Frances Krieg

College of Graduate Studies: Theses & Dissertations

This study situates The Weir and Shining City by Conor McPherson as embodying elements of Dionysian aesthetics as elucidated by Friedrich Nietzsche. Working through the lenses of Samuel Beckett’s linguistic philosophy and the premium of theater as established by Nietzsche, Artaud, and Brecht, the aim of this paper is to demonstrate how McPherson pierces the boundaries of language in drama by establishing his audience as chorus. Background information on Nietzsche’s The Birth of Tragedy and McPherson’s own comments on the plays are included with the research on the plays themselves. This work articulates the chorus itself but also the choral, …


The Irish Dracula: A Melodrama In Five Acts, James Doan Jan 2013

The Irish Dracula: A Melodrama In Five Acts, James Doan

Humanities and Politics Faculty Book and Book Chapters

While working on the first volume in the project, The Universal Vampire: Origins and Evolution of a Legend (Rowman & Littlefield, 2013) I decided to try my hand at adapting the novel Dracula to a more literal Irish context. Set in London and Co. Sligo in 1888, it constitutes a prequel to the novel. The play, entitled The Irish Dracula: A Melodrama in Five Acts, received two initial readings: the first with the Irish Theatre of Florida in August 2012 and the second at the American Conference for Irish Studies (ACIS) West meeting in Park City, Utah, in October 2012. …


The Carnival King, Ian Kilroy Sep 2002

The Carnival King, Ian Kilroy

Books/Book Chapters

A play in two acts. A macabre farce about murder and the search for justice during carnival time.