Open Access. Powered by Scholars. Published by Universities.®
- Discipline
-
- Social and Behavioral Sciences (17)
- Geography (13)
- Nature and Society Relations (12)
- Sociology (12)
- Creative Writing (11)
-
- Place and Environment (10)
- Fine Arts (9)
- Art and Design (8)
- Communication (8)
- Critical and Cultural Studies (8)
- English Language and Literature (6)
- Poetry (6)
- Interdisciplinary Arts and Media (5)
- Literature in English, North America (5)
- Physical Sciences and Mathematics (5)
- Environmental Sciences (4)
- Ecology and Evolutionary Biology (3)
- Life Sciences (3)
- Oceanography and Atmospheric Sciences and Meteorology (3)
- Performance Studies (3)
- Philosophy (3)
- Psychology (3)
- Sustainability (3)
- Theatre and Performance Studies (3)
- Art and Materials Conservation (2)
- Climate (2)
- Contemporary Art (2)
- Counseling (2)
- Keyword
-
- Art (5)
- Climate change (4)
- Environment (4)
- Poetry (4)
- Activism (2)
-
- Anthropocene (2)
- Contemporary art (2)
- Garbage (2)
- Landscape (2)
- Nature (2)
- Photography (2)
- Place (2)
- Sculpture (2)
- Visual art (2)
- Water (2)
- Accountability (1)
- Aesthetics (1)
- Agriculture soil contamination (1)
- Alaska (1)
- Art Therapists (1)
- Art Therapy (1)
- Art and labour (1)
- Art workers (1)
- Artification (1)
- Arts practice (1)
- Autoethnography (1)
- Beach (1)
- Bilingual (1)
- Canine (1)
- Chants (1)
- Publication Year
- Publication
- Publication Type
Articles 1 - 30 of 32
Full-Text Articles in Art Practice
Mining Waste In The Himalayas, Leslie Leong
Mining Waste In The Himalayas, Leslie Leong
The Goose
Materiality is a key aspect of the fourteen artworks I created over one month as Artist-in-Residence at Sagarmatha Next, the experience centre for sustainable tourism in the Khumbu region of Nepal. My intention with the residency is to create work from the human discards that accumulate in the area around Mount Everest, known as Sagarmatha in Nepali. The artwork I created during this residency are deeply rooted in the materiality of their components and serve as powerful commentaries on environmental issues, the passage of time, and the potential for transformation inherent in discarded materials. Through the deliberate use of waste, …
My Art Is Garbage, Beth Shepherd
My Art Is Garbage, Beth Shepherd
The Goose
In “My Art is Garbage,” I describe three recent art projects where garbage is both a theme and an artistic medium used to critique the overuse of and inability to reuse or safely dispose of plastics we use every day. The first work, Untitled (Plastic Film Balls), uses non-recyclable single-use household plastic made to form an installation of shimmering balls and alludes to the environmental footprint of the artworld. Plastic Shores, a series of monotype prints, reminds us that plastics in the environment are deleterious to species that we see every day. Finally Plastic Pests, a series …
Beach Finds, Gina M. Granter
Beach Finds, Gina M. Granter
The Goose
This photo series, Beach Finds, is all from the beach of my hometown in Rocky Harbour, Newfoundland, from walks I took in the early spring of 2021. Particularly after storms, there would be an abundance of garbage washed ashore. I found a stick from a Buried Treasure ice cream treat that I had not seen since the 1980s; fabric flowers that had blown from the town’s seaside cemeteries into the water and back to land; hand-woven fishing nets that were now grounded; a tampon applicator that reminded me of the first one I ever saw as a child, on …
Art/Place Making In A Settler Colonial Context: A Critical Place Inquiry On The Haldimand Tract/Kitchener-Waterloo From A White Settler Perspective, Haley Sheppard
Theses and Dissertations (Comprehensive)
Although critical place scholars implicate artists in settler colonial processes of placemaking, there is little information on how white settler artists (WSAs) might use their creative practice to support practices of accountability and solidarity with Indigenous resurgence. This research responds to this gap by investigating the creative practices of WSAs located on the Haldimand Tract/in Kitchener-Waterloo (KW), and how they might approach critical, contextual practices in their creative work. A critical place inquiry was combined with ethnographic research principles and a transformative critical research paradigm. Six WSAs participated in mobile interviews, which took place in a location significant to them. …
Making The Pluriverse Visible: World-Making On The Saugeen (Bruce) Peninsula, Lauren Judge
Making The Pluriverse Visible: World-Making On The Saugeen (Bruce) Peninsula, Lauren Judge
Theses and Dissertations (Comprehensive)
This dissertation argues that visual artists who live and work on the Saugeen (Bruce) Peninsula, in Ontario, Canada, are co-creating artworks with non-humans, which is evidence of more-than-human world-making. Such co-creative experiences are the result of, and catalysts for the kinds of enchantment our human worlds need to form meaningful and holistic connections with non-humans, effectively creating a more inclusive pluriverse. After reviewing interdisciplinary literature in posthuman studies, creative geography, arts-based practices, environmental humanities, Indigenous knowledges, and political ontology, I designed my research to include a combination of qualitative methodologies and methods, including autoethnography and research-creation, to investigate fourteen visual …
The Middle Of The Middle: Purgatory, Pilgrimage, And Human And Plant Mobility In A Time Of Climate Crisis, Stephen S. Collis
The Middle Of The Middle: Purgatory, Pilgrimage, And Human And Plant Mobility In A Time Of Climate Crisis, Stephen S. Collis
The Goose
This paper, adapted from a talk given for the Institute of the Humanities at Simon Fraser University on April 26 2023, explores intersecting issues taken up by an in-progress long poem I am currently writing. That long poem, “The Middle,” explores questions of climate displacement, migration, and refuge via a writing-though of Dante’s Purgatorio—itself a poem of pilgrimage. A further context for both the poem and the paper about the poem is an ongoing project of walking in solidarity with refugees, asylum seekers, and immigration detainees that the author has been involved with since 2015. In seeking to “override …
De La Nature Au Processus D’Artification. Matière [Forme/Objet] Sens, Alexandre Melay
De La Nature Au Processus D’Artification. Matière [Forme/Objet] Sens, Alexandre Melay
The Goose
Les progrès technologiques modifient radicalement ce qui nous était autrefois familier. Ce sentiment troublant venu de l’ère Anthropocène met en lumière l’impact humain sur la nature. Mais la perte d’un monde naturel nous oblige à gérer notre environnement en tant qu’environnement artificiel. Face à cette mutation profonde du concept même de nature, l’art opère un processus d’artification, renouvelant la nature dans de nouvelles formes néoarchéologiques et de nouvelles esthétiques, par le « passage du non-art en art ».
Soleil D'Azur, Camille Sova
Soleil D'Azur, Camille Sova
The Goose
Ôde à la liberté et à l’espace, « Soleil d’azur » est une invitation à une contemplation profondément active : des haies clôturées jusqu’aux dunes infinies tant désirées, nous suivons le parcours d’un regard poétique qui transforme le paysage au fil de son chemin. Progressivement, l’exploitation humaine de l’espace cède sa place à une nature sauvage : le pin se redresse, l’horizon se dégage et la vérité, lentement, se dévoile. Enfin, le soleil n’est plus brulure mais lumière.
The Universe's Greatest Disappointment, Mix Hart
The Universe's Greatest Disappointment, Mix Hart
The Goose
"The Universe's Greatest Disappointment" encourages literary discourse on the ecological catastrophe that is currently happening on Earth today. Specifically, the role humanity plays in the Earth's destruction. The poem is playful, yet poignant, and is an example of regenerative-culture, eco-narrative. It challenges the anthropocentric philosophy that has dictated industrialized human societies since the Anthropocene.
From Daystart Songflight: A Morning Journal, Brian Bartlett
From Daystart Songflight: A Morning Journal, Brian Bartlett
The Goose
This piece, an excerpt from an ongoing manuscript of plein-air nature writing, is one of forty projected journal entries involving excursions beginning before sunrise, with exploration of natural settings and observations of natural phenomena (birds, plants, mammals, insects, water, clouds, light, the sun, etc.) interwoven with readings about morning in scientific texts, poetry, and other kinds of writing.
Rockhounding, Seafaring, And Other Material Tales For The End Of The World, Noemie Fortin
Rockhounding, Seafaring, And Other Material Tales For The End Of The World, Noemie Fortin
The Goose
In the face of accelerated environmental degradation and climate instability, the future of the Earth and of all life on earth is difficult to visualize. Therefore, the different mediums through which we consider environmental issues are just as important as the actions we take to address them. Focusing on three projects combining art, science, and activism, this article suggests a compilation of material tales. They tell stories of plastic rocks and aluminum nuggets where the protagonists are partly finely crafted objects, partly waste materials, and sometimes both at once. Artists Kelly Jazvac, Yesenia Thibeault-Picazo, and the collective Studio Swine collaborate …
What's Next?: Eco Materialism & Contemporary Art By Linda Weintraub, Taylor Eggan
What's Next?: Eco Materialism & Contemporary Art By Linda Weintraub, Taylor Eggan
The Goose
Review of Linda Weintraub's What's Next?: Eco Materialism & Contemporary Art
Organizing Dark Matter: W.A.G.E. As Alternative Worker Organization, Greig De Peuter
Organizing Dark Matter: W.A.G.E. As Alternative Worker Organization, Greig De Peuter
Communication Studies Faculty Publications
Since its founding in 2008, W.A.G.E. (Working Artists and the Greater Economy) has worked to reform the economic habits of US art institutions and of the artists upon whose cultural work these institutions are dependent. Inside a decade, W.A.G.E. went from a small grassroots collective to an internationally recognized, yet lean, organization, which not only advocates for labour standards in the nonprofit art sector, but also develops practical tools to begin the work of doing better by equality in the art world. This chapter positions W.A.G.E. as an example of what Immanuel Ness terms “new forms of worker organization.” Informed …
Upstream Downtown: Theatre Creation Through A Feminist And Multispecies Lens, Morgan Johnson, Alexandra Simpson
Upstream Downtown: Theatre Creation Through A Feminist And Multispecies Lens, Morgan Johnson, Alexandra Simpson
The Goose
In the historically masculine Western sciences, we are told we can fully know a being by dissecting, labelling, testing, observing, and documenting. This article explores how multispecies and feminist theatre creation and performance, specifically in the style of clown and bouffon, can work to resist such narratives and offer a more sentient understanding of interspecies relationships. Our investigations focus on our journey as two female creators of Upstream Downtown, a research-based, physical theatre play about salmon and humans finding home in the settler colonial city of Toronto.
Save The Trees. Save Humanity., Lindsey Davis
Environmental Art And Activism: Editors’ Notebook, Alec Follett, Melanie Dennis Unrau
Environmental Art And Activism: Editors’ Notebook, Alec Follett, Melanie Dennis Unrau
The Goose
Editorial introduction to the special issue on environmental art and activism, The Goose, volume 17, issue 2 (2019).
Writer As Activist, Activist As Writer, Marybeth Holleman
Writer As Activist, Activist As Writer, Marybeth Holleman
The Goose
This brief essay describes the quandry and found guidelines of balancing art and activism, specifically as a writer. Examples come from the author's own work.
A Field Guide For Weathering: Embodied Tactics For Collectives Of Two Or More Humans, Jennifer Mae Hamilton, Astrida Neimanis
A Field Guide For Weathering: Embodied Tactics For Collectives Of Two Or More Humans, Jennifer Mae Hamilton, Astrida Neimanis
The Goose
In our inherited meteorological practices and frameworks, weather conditions are managed for us in a range of ways (for example, through architecture, technology, commodity culture, infrastructure, economic rationale). This field guide brings the weather back to the body. A traditional field guide provides tools for the individual sovereign human subject to observe and document nature “over there”. In contrast, through a range of different activities, our field guide not only invites investigation and cataloguing of the field that we also comprise, but also challenges what counts as a noteworthy observation regarding the weather and also climate.
Sea Squad, Liam Geary Baulch
Sea Squad, Liam Geary Baulch
The Goose
The Sea Squad is a band of cheerleaders against climate change. Taking action as a team in formation, they gather momentum, inviting all people to cheer with them, mimicking the infinitely expandable nature of the seas' molecular structure. The work was developed and performed as a bilingual project at Est-Nord-Est in Saint-Jean-Port-Joli, Quebec, Canada, and has since been performed and exhibited internationally. The following poems are some of the chants that Sea Squad use to get a crowd cheering together against climate change.
Among The Ruins, Edie Steiner
Among The Ruins, Edie Steiner
The Goose
Photographic essay, a version of which was first presented at the 2011 Green Words/Green Worlds Conference, Faculty of Environmental Studies, York University, Toronto. Images previously presented in the exhibition Abject Transformations at Arcadia Art Gallery, Toronto.
The Wasteland, Tiasa Adhya
The Wasteland, Tiasa Adhya
The Goose
Riverine floodplains and deltas that have cradled human civilization and are now ravaged by ecologically blind land-use policies form the context of this poem. Policies that term nutrient rich wetlands as "wastelands" are economically motivated and backed by policy makers for short-term gains. The conversion of wetlands makes refugees out of resident wild species. The first few lines of the poem describe the character of the fishing cat, the only cat in South Asia that is adapted for wetlands and is an indicator of the health of wetland ecosystems. The poem talks of a nemesis that awaits the human world—we …
A Phenomenological, Arts-Based Study Of Art Therapists’ Self-Reflective Practice, Laurie Ponsford-Hill
A Phenomenological, Arts-Based Study Of Art Therapists’ Self-Reflective Practice, Laurie Ponsford-Hill
Theses and Dissertations (Comprehensive)
This phenomenological, arts-based study examined the experiences of 15 art therapists using five-minute, full-bodied self-portraiture with 55 minutes of self-reflective journaling once a week for four weeks at the end of each work week. The therapists determined the location for this practice. Subsequently, the four artworks, as a serial, were explored with each participant in a one-hour telephone or Skype interview to understand their lived experience through art, and its signs, and symbols. This process enabled the therapists to act as witness to their respective self/selves, deepening their insights and connections about self. The transcribed audio-taped interviews were manually coded …
Au-Delà De La Nature : The Blue Fossil Entropic Stories De Julian Charrière, Kyveli Mavrokordopoulou
Au-Delà De La Nature : The Blue Fossil Entropic Stories De Julian Charrière, Kyveli Mavrokordopoulou
The Goose
In this short article - case study, I explore the question of how art may help us reflect on the new conception of nature that the Anthropocene confronts us with. I focus on the photographic series The Blue Fossil Entropic Stories I,II,III (2013) by Swiss artist Julian Charrière and its reassessment of an idea of nature inherited from the romantic period. I analyse the way in which these pictures reinterpret romantic landscape painting in order to suggest an equal relation of human and nature, where human and non-human entities hold equal sway. My theoretical framework is based on Timothy Morton’s …
Engaging The Senses To Occasion Thin Space And Transformation, Kimberlynn Mcnabb
Engaging The Senses To Occasion Thin Space And Transformation, Kimberlynn Mcnabb
Consensus
No abstract provided.
Nine Poems On The Death Of My Mother, Jaime Robles
Cerdded, Fay Stevens
Me Artsy Compiled And Edited By Drew Hayden Taylor, Nathalie N. Hager 2159876
Me Artsy Compiled And Edited By Drew Hayden Taylor, Nathalie N. Hager 2159876
The Goose
Review of Me Artsy compiled and edited by Drew Hayden Taylor.
Canine Haiku: Yellow Ball, Julie Andreyev, Tom (Canine)
Canine Haiku: Yellow Ball, Julie Andreyev, Tom (Canine)
The Goose
Poetry by Julie Andreyev and Tom.
The Rooster And The Lemon, Luis Mario Guerra, Connie M. Morey
The Rooster And The Lemon, Luis Mario Guerra, Connie M. Morey
The Goose
'The Rooster and the Lemon' is a collaborative work of critical-creative writing and photography between artists-writers Luis Mario Guerra and Connie Michele Morey. The text and image is a part of a larger body of work that emerged from a trip to Havana in December 2013 and is still in the process of unfolding through additional visual forms. The prose and photographs question the im/possibility of stasis and taxonomical containment in an ecological continuum where the processes of death and life and interdependent and imperceptibly entangled.
Vernal Pool: A Participatory Art Project About Place + Precipitation, Karen Miranda Abel, Jessica Marion Barr
Vernal Pool: A Participatory Art Project About Place + Precipitation, Karen Miranda Abel, Jessica Marion Barr
The Goose
Produced by Karen Miranda Abel with Jessica Marion Barr, Vernal Pool is an immersive, elemental water installation created as a participatory, contemplative inquiry into our transitory interrelationships with water and landscape. From November 2013 to April 2014, 114 individuals across Canada and abroad gathered snow samples as a form of extrinsic artistic practice about place and precipitation. With the arrival of spring, the reservoir of melted snow was convened for four days at Toronto’s historic Gladstone Hotel to create Vernal Pool.