Sculpture Commons^™

A Worm Turns, Jacob Galt Judelson

Senior Projects Spring 2023

Senior Project submitted to The Division of Arts of Bard College.

A Worm Turns

Jacob Judelson

“Even a worm will turn”––an idiom, essentially meaning that anyone or anything will retaliate if pushed too far. Even the weakest, most docile of things––like a worm––will eventually revolt, demanding the recognition and respect that it deserves.

I often wonder if I'm a painter or a sculptor. As an artist, I am drawn to gesture, texture, color, and material. While the majority of my work hangs on the walls of interior spaces, I use materials and processes affiliated with industrial and sculptural realms. My …

Ok I'M Perfect, Dania Skye Leibowitz

Senior Projects Fall 2023

okay i’m perfect

I make art as a way to externalize my anger in a way that won’t hurt anyone. I’ve been making art about my anxieties, my exhaustion, my fear. Some of my drawings scare me to look at, and to think of other people looking at. So then I make other things to protect myself from them, and from you.

Most of the time when I get into my studio, I don’t know what to do. I draw myself, and I make rectangles from fabric and I stuff them. The repetition of drawing and sewing grounds me until …

Evocation, William Robert Gary

Senior Projects Spring 2022

Evocation

When I began my time at Bard College, I was already deeply interested in children’s Art. The ideas supporting my senior project reach all the way back towards the end of my Freshman year. The last few years have consisted of practicing, preparing and researching for what would become my thesis. Evocation encompasses a large body of paintings, prints and sculptures inspired in part by my own childhood artwork. After discovering a box of nearly five hundred drawings from my childhood during the summer of 2021, I have sought to infuse my interest in the expressive and symbolic tendencies …

As Many Names As Objects, Luke Herrigel

Senior Projects Spring 2021

“And we: spectators, always, everywhere,

turned toward the world of objects, never outward.

It fills us. We arrange it. It breaks down.

We rearrange it, then break down ourselves”

• Rainer Maria Rilke, Duino Elegies

“Honesty is Unbelievable”

• A Bumper Sticker I Saw

For my senior show I used collected materials, found objects, personal ephemera (both genuine and fabricated), paintings and sculpture to make installations that I would change every night of the show’s duration. Each morning the installation would be photographed, left for only a few hours, and then would be uninstalled to make way for creating a new iteration. …

Good Grief, Madeleine Pearl Buzbee

Senior Projects Spring 2020

“Good Grief” is a memorial project that began with the loss of my childhood best friend, Camille Sdao (1998-2019). She was a light.

Grief is a thing that is carried, compartmentalized, expanded, forgotten, and remembered. Grief is nothing and everything at the same time. Grief explodes, lingers, leaves and returns again. Grief is blue. I know this because Louise Bourgeois, Maggie Nelson, Taryn Simon, the Pacific Ocean, my tears, the sky, my mother, and my grandmother have taught me this. Loss means wading in deep waters for a long time and you must build a boat to stay afloat.

Consumed …

In The Shadows And Folds, Julia Mueller

Senior Projects Spring 2020

In the shadows and folds is the result of a mental scavenger hunt that I began this past year, to uncover myself and find what is hidden in my crevices. It was spurred by my fear of memory loss which had grown to such a size that it sat visible in the back of my mind unaddressed for some time. The reason for this fear is not large but it feels monumental. I have been existing in various states of sadness and disconnect, which have acted like a thick blanket over my mind. This blanket is simultaneously protective and damaging, …

Path^3, Yuexin Ma

Senior Projects Spring 2020

Architectural space is political.

The project is composed of multiple paintings connected by a wooden scaffold built to resemble the urban landscape. The paintings depict quotidian architectural spaces, presenting the typology of functional public spaces, ranging from the zoo and the courthouse to the library, the church, and the bus stop. Their physical characteristics reflect the culture, values, and governmental tactics of modern states, functioning as control techniques to regulate our social actions within the realm of normality. For example, in the painting about the classroom, the even distribution of desks with the same size reveals that academic institutions' role …

The Long Goodbye, Sidney Meret Williams

Senior Projects Spring 2017

Senior Project submitted to The Division of Arts of Bard College.