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Articles 1 - 14 of 14
Full-Text Articles in Sculpture
French Women In Art: Reclaiming The Body Through Creation/Les Femmes Artistes Françaises : La Réclamation Du Corps À Travers La Création, Liatris Hethcoat
French Women In Art: Reclaiming The Body Through Creation/Les Femmes Artistes Françaises : La Réclamation Du Corps À Travers La Création, Liatris Hethcoat
Student Scholar Symposium Abstracts and Posters
The research I have conducted for my French Major Senior Thesis is a culmination of my passion for and studies of both French language and culture and the history and practice of Visual Arts. I have examined, across the history of art, the representation of women, and concluded that until the 20th century, these representations have been tools employed by the makers of history and those at the top of the patriarchal system, used to control women’s images and thus women themselves. I survey these representations, which are largely created by men—until the 20th century. I discuss pre-historical …
Full Issue, The Anthology
Full Issue, The Anthology
The Anthology
This is the entirety of the 2013 Winthrop Anthology issue.
Full Issue, The Anthology
Full Issue, The Anthology
The Anthology
This is the entirety of the 2014 Winthrop Anthology issue.
Full Issue, The Anthology
Full Issue, The Anthology
The Anthology
This is the entirety of the 2015 Winthrop Anthology issue.
Stories Of Otherness, Lee Ann Harrison
Stories Of Otherness, Lee Ann Harrison
Graduate Theses
The thesis exhibition Stories of Otherness is an interactive installation created using dance, music, photography, video, ceramic figurative sculptures, and armatures of found objects to create a voyeuristic and physically participatory experience of situational art. Many artists from various art and literary genres influence my research and art, including Petah Coyne, Mona Hatoum, Pina Bausch, Mia Michaels, and Jeanette Winterson. The multi-faceted combination of art mediums and artists inspires me to create a mixed media, multi-dimensional installation for an immersive participant’s experience as a source for awareness, empathy, reflection, and ultimately as a “call to action” evoking change.
This thesis …
Snowy Sunrise, Gilbert K.D. Hu
Loving Couple, Gilbert K.D. Hu
2016 Forces, Scott Yarbrough
Mad Hatter, Lindsey Bargar
Lara Salmon, Thesis Statement, Lara Salmon
Lara Salmon, Thesis Statement, Lara Salmon
CGU MFA Theses
My art brings together materials and ideas inspired by personal experience that do not usually exist side by side. My body is the primary mechanism with which I make work, incidentally making me the subject matter of the work. I use my physical self as an instrument to coalesce and transform other materiality. Through live performance and photographic installations I create tension and balance between crude biology and bright, polished formalism. This body of work focuses on Millennial Feminism and the Middle East.
The Devil Made Us Do It: Depictions Of Satan In Kentucky Folk Art, Kentucky Folk Art Center
The Devil Made Us Do It: Depictions Of Satan In Kentucky Folk Art, Kentucky Folk Art Center
Kentucky Folk Art Center Exhibition Catalogs
2016 Kentucky Folk Art Center exhibition catalog of artwork depicting Satan.
Mark Francis: Time & Chance, Mark Francis, Kentucky Folk Art Center
Mark Francis: Time & Chance, Mark Francis, Kentucky Folk Art Center
Kentucky Folk Art Center Exhibition Catalogs
2016 Kentucky Folk Art Center exhibition catalog of artist Mark Francis.
Incompleteness, Christopher Andrew Freund
Incompleteness, Christopher Andrew Freund
Senior Projects Spring 2016
“Incompleteness” is a series of photographs of sculptural tableaux constructed for the camera and lit with a flashlight for long exposures. I use largely cheap materials and intend for their rough particularities be made evident. I have found that this lighting technique allows me the greatest control possible over how light renders the constructed objects.
So Much Apparent Nothing, Emily Mcbride
So Much Apparent Nothing, Emily Mcbride
Theses and Dissertations
This document contains reflections on motivations behind selected works leading up to and including my thesis exhibition so much apparent nothing. Through journal excerpts and analysis of my own psychology, I attempt to put into words my thoughts concurrent to my making, indirect as they may be. The following text shares my personal conflicts and ideologies surrounding art-making, the permanence of objects, and the acceptance of an identity in flux.