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Full-Text Articles in Sculpture

Contained Messes, Cora M. Quinlan Jan 2023

Contained Messes, Cora M. Quinlan

Senior Projects Spring 2023

Contained Messes is an installation consisting of a range of sculptures or bundles that communicate my urgency for self-preservation. I put up massive boundaries when other people try to tell me about myself. When I think of setting boundaries, I think of building walls and I’ve built a lot of walls at Bard. The threat level determines the height and durability of the walls I build. When I started this project, I took a step back to look around and realized that I built myself a big house, an oyster shell if you will, suitable only for myself. Here, I …


Tryna Be A Mountain, Aru Apaza Jan 2023

Tryna Be A Mountain, Aru Apaza

Senior Projects Fall 2023

Senior Project submitted to The Division of Arts of Bard College.


Resonance Of The Unseen, Dung Thi Thuy Nguyen Jan 2023

Resonance Of The Unseen, Dung Thi Thuy Nguyen

Senior Projects Fall 2023

in the moment

playful

in memory of

learning

altogether

Thuy-Dung (Julius) Nguyen's exhibition, 'Resonance of the Unseen,' confronts the sensory saturation of contemporary life by elevating the unobserved aspects of perception. Through sound, scent, and touch, this immersive installation encourages a rediscovery of the elemental experiences of life. The show illuminates the concept of absence, not only as something lacking but as an integral part of the sensory narrative, inviting a deeper resonance with the world.


A Wound, A Residue, Nicole Dolores Schemansky Jan 2022

A Wound, A Residue, Nicole Dolores Schemansky

Senior Projects Spring 2022

Senior Project submitted to The Division of Arts of Bard College


She Is Clothed With Strength And Dignity; She Can Laugh At The Days To Come!, Immanuel J. Williams Jan 2022

She Is Clothed With Strength And Dignity; She Can Laugh At The Days To Come!, Immanuel J. Williams

Senior Projects Spring 2022

Motherhood in the words of Aunt Brenda.

See, we look at our parents first as these godlike figures like they're going to figure it out, not realizing that they were children. They were people. They had dreams and aspirations and all that. And when you strip that away, the title of mother– parent– this woman…. Who is that person?

Well, they're a person. They bleed just like you. They had dreams and thoughts and all that, just like you.

You know, I challenge everybody, you know, take your mother or father off of that godlike pedestal because you'll find that …


As Many Names As Objects, Luke Herrigel Jan 2021

As Many Names As Objects, Luke Herrigel

Senior Projects Spring 2021

“And we: spectators, always, everywhere,

turned toward the world of objects, never outward.

It fills us. We arrange it. It breaks down.

We rearrange it, then break down ourselves”

  • Rainer Maria Rilke, Duino Elegies

“Honesty is Unbelievable”

  • A Bumper Sticker I Saw

For my senior show I used collected materials, found objects, personal ephemera (both genuine and fabricated), paintings and sculpture to make installations that I would change every night of the show’s duration. Each morning the installation would be photographed, left for only a few hours, and then would be uninstalled to make way for creating a new iteration. …


Dead Weightless, Isaiah Schwartz Jan 2021

Dead Weightless, Isaiah Schwartz

Senior Projects Spring 2021

There is more than convenience embedded into my attraction to the unrefined materials that I work with. Shopping cart (baby size), palette, cheesecloth, bucket, and window. Each is rich with an individual history that expands beyond the use it was intended for. Suspending them in the air is my observance of the sanctity of their mundane uses. To create something new, also out of these unrefined materials, and to refuse to polish it. To have resolution in a thing that is also ambiguous. I can find intrigue in a million different things as soon as I pay attention to them. …


Hut Annandale: Humblest Dwelling, Ruiqi Zhu Jan 2020

Hut Annandale: Humblest Dwelling, Ruiqi Zhu

Senior Projects Spring 2020

Lots of us have a dream deep down in the heart: to get away from the congested cities and live in a hut in nature. French port Jean Wahl once wrote: The frothing of the hedges I keep deep inside me. In my project, he explored this dream and constructed a group of architectural structures by hand for those potential hermits. Studying at Bard College, I have found this region is a place with a great hermit culture. With the picturesque scene of nature and the location near the New York Metropolitan area, here the mid-Hudson Valley has attracted lots …


Open Sans, Access Incomplete, Lia J. Taus Jan 2020

Open Sans, Access Incomplete, Lia J. Taus

Senior Projects Spring 2020

Why do some have access while others do not?

Think about your answer, don’t say it aloud.

To say it out loud is a privilege which we have and others do not.

Two ways to see it: what are you restricted from and others have access to?

Or: what do you have access to which others are restricted from?

Each of us are unique compilations of acquired knowledge.

Which is based on the availability and limitations of opportunities.

The unfortunate hierarchy of the world is decided by education and wealth.

Education is not freely available.

We are all told “you …


Good Grief, Madeleine Pearl Buzbee Jan 2020

Good Grief, Madeleine Pearl Buzbee

Senior Projects Spring 2020

“Good Grief” is a memorial project that began with the loss of my childhood best friend, Camille Sdao (1998-2019). She was a light.

Grief is a thing that is carried, compartmentalized, expanded, forgotten, and remembered. Grief is nothing and everything at the same time. Grief explodes, lingers, leaves and returns again. Grief is blue. I know this because Louise Bourgeois, Maggie Nelson, Taryn Simon, the Pacific Ocean, my tears, the sky, my mother, and my grandmother have taught me this. Loss means wading in deep waters for a long time and you must build a boat to stay afloat.

Consumed …


In The Shadows And Folds, Julia Mueller Jan 2020

In The Shadows And Folds, Julia Mueller

Senior Projects Spring 2020

In the shadows and folds is the result of a mental scavenger hunt that I began this past year, to uncover myself and find what is hidden in my crevices. It was spurred by my fear of memory loss which had grown to such a size that it sat visible in the back of my mind unaddressed for some time. The reason for this fear is not large but it feels monumental. I have been existing in various states of sadness and disconnect, which have acted like a thick blanket over my mind. This blanket is simultaneously protective and damaging, …


Embedded: The Bed As An Art Object, Maya Annika Teich Jan 2020

Embedded: The Bed As An Art Object, Maya Annika Teich

Senior Projects Spring 2020

Senior Project submitted to The Division of Arts of Bard College.


How To Be Okay, Isabel G. Van Den Heuvel Jan 2019

How To Be Okay, Isabel G. Van Den Heuvel

Senior Projects Spring 2019

I began this line of thought with the desire to understand human connection. I want to know how people operate both as individuals being perceived as well as how they connect to each other in small, casual ways. Acts like introducing yourself, or navigating in a crowded place seemed like skills that everyone had learned on the day I had skipped class. This began as a private venture, an intensifying of my day to day attempts of applied observation. My result, rather than gradual mastery of interpersonal relations, was deeper confusion and frustration. I wanted instruction, but the construction of …


Sanguine Salvation: Pilgrimage And Penance At The Sanctuary Of Chimayo, Isabella J. Spann Jan 2019

Sanguine Salvation: Pilgrimage And Penance At The Sanctuary Of Chimayo, Isabella J. Spann

Senior Projects Spring 2019

Senior Project submitted to The Division of Arts of Bard College


Toothcake, Maeve I. O'Brien Jan 2019

Toothcake, Maeve I. O'Brien

Senior Projects Fall 2019

Senior Project submitted to The Division of Arts of Bard College.


Xx Openings, Jackson Siegal Jan 2018

Xx Openings, Jackson Siegal

Senior Projects Spring 2018

XX Openings represents my dual sculpture and photography practice. The title comes from a 70’s domestic frame, with 20 openings of varying sizes for family pictures. Half of the slots were filled with stock pictures of smiling family scenes, while the others just had measurements for the openings themselves. The object struck me as alienating, and oppressive. I didn’t see any scene within those openings I felt connected to.

The frame came to symbolize varying perspectives, ways of seeing, and ways of being. As my sculpture practice has weighed more heavily on my work as a photographer, I feel tensions …


The Polyrhythms Of The Ear Canal: Investigating The Human Body As An Instrument And Listening Machine Inspired By Hearing, Attention, And Alvin Lucier, Philippa Ruthe Kelmenson Jan 2017

The Polyrhythms Of The Ear Canal: Investigating The Human Body As An Instrument And Listening Machine Inspired By Hearing, Attention, And Alvin Lucier, Philippa Ruthe Kelmenson

Senior Projects Spring 2017

Halfway into my college career, I was asked if my attention and hearing impairments had ever benefitted me in any way. Although I refused to see it at the time, it is this exact dichotomy between hearing as passive reception and listening as active concentration that informs my musical work. From otoacoustic emissions to tinnitus frequencies, the ear is an active amplifier of its own sounds, acting as an instrument responding to sound information. To distinguish acoustic elements generated outside of the ear from those taking shape within it, we are required to internally perceive all acoustic information. But is …


The Long Goodbye, Sidney Meret Williams Jan 2017

The Long Goodbye, Sidney Meret Williams

Senior Projects Spring 2017

Senior Project submitted to The Division of Arts of Bard College.


C Reverse For Care, José Luis Chardiet Jan 2016

C Reverse For Care, José Luis Chardiet

Senior Projects Spring 2016

José Chardiet

April 2016

C Reverse for Care is organized in a five part care cycle: Wash, Rinse, Spin, Dry, and Wear. The piece is a study in reversibility. It is an effort to learn, to understand what it means to care, and an effort to try to achieve reciprocal balance in any relationship, whether it is with a family member, a partner, or a friend.

The staging is designed for circular movement, suggesting a cycle that is repeated after completion. The spacial structure of the piece is based on the shape of the white ginger lily, the national flower …