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Articles 1 - 6 of 6

Full-Text Articles in Sculpture

No Title, Mell Popenic Jun 1988

No Title, Mell Popenic

Morehead State University Art Collection

An untitled 1988 painting by Mell Popenic. Presented in Memory of Miss Patti Bolin by Ginny Hudgens Ellington in June of 1992.


Mallard, Unknown Jan 1988

Mallard, Unknown

Morehead State University Art Collection

A 1988 wooden sculpture of a mallard duck by an unknown artist.


Master Of Fine Arts 1988 Exhibitions, Thomas J. Riesing Jan 1988

Master Of Fine Arts 1988 Exhibitions, Thomas J. Riesing

Ewing Gallery of Art & Architecture

MFA class of 1988: Calvin R. Custen, Barry Fleming, Mary Jo Gigax, and Robert Gibson.


Department Of Art Department History, Sandra Walker Jan 1988

Department Of Art Department History, Sandra Walker

Historical Material

A history of the University of Tennessee's Department of Art from 1947 - 1988, compiled by Department Historian and Slide Librarian, Sandra Walker.


1988 Art News, Department Of Art Jan 1988

1988 Art News, Department Of Art

Historical Material

1988 Department of Art newsletter that profiles Art History Professor, Dale Cleaver upon his retirement with appreciative memories written by Department of Art Faculty members, Don Kurka and Fred Martinson.

Other newsletter highlights include: the 1988-89 Sculpture Tour, Visiting Artist Chen Bo-jin, the Annual SECAC conference, and the appointment of new faculty members, Pam Longobardi and Karen A. Bearor.


Mark Rhodes/Ephraim Rubenstein: Sculpture, Painting, And Drawing, University Of Richmond Museums Jan 1988

Mark Rhodes/Ephraim Rubenstein: Sculpture, Painting, And Drawing, University Of Richmond Museums

Exhibition Brochures

Mark Rhodes/Ephraim Rubenstein: Sculpture, Painting, and Drawing

November 29 to December 18, 1988

Marsh Art Gallery

Introduction

The art of Ephraim Rubenstein and Mark Rhodes is art about the human figure, born out of personal experience and nourished by the great tradition of the figure in western culture. Indeed, the persistence of the human form in art from prehistoric times into the 20th Century, demonstrates not only the infinite variety of interpretations and expressions possible through the body, but our consistent need for self-realization and re-creation through the figure. The particular pieces in this show convey a remarkable cumulative visual …