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Articles 1 - 5 of 5
Full-Text Articles in Sculpture
The Home As An Object: Material Culture In The Age Of Ikea, Maxwell Harling Fertik
The Home As An Object: Material Culture In The Age Of Ikea, Maxwell Harling Fertik
Senior Theses and Projects
The curiosity of everyday objects looms large in every human’s life. And naturally, these objects are almost as diverse in character as the person who bought them. This variation can be in style, period, shape, origin but also in the arrangement it is given in relation to other objects or persons in a space. On one level, the objects we surround ourselves with are meaningless, purely functional, utilitarian and banal. Especially on a budget, one may not consider aesthetic or design issues at all and purely buy a toaster because they want toast. Why would one buy a SMEG+Dolce and …
Contemplative Interiors: Ceramics And Furniture, Alla Myzelev, Kala Stein, James Johnson
Contemplative Interiors: Ceramics And Furniture, Alla Myzelev, Kala Stein, James Johnson
Geneseo Authors
Exhibit Catalog for the show Contemplative Interiors exhibited at the Lockhart Gallery at SUNY Geneseo from February 6, 2019-March 15, 2019. Exhibit Curator: Alla Myzelev.
Dress Up, Ye'ela B. Wilschanski
Dress Up, Ye'ela B. Wilschanski
Theses and Dissertations
Dress Up (Performance, 40 minutes) is a dress that functions as a floor, blanket, tablecloth, book and walls. It tells a visual story about domestic care giving rituals, referencing different times and places.
Lotion In Your Lungs, Raul H. De Lara
Lotion In Your Lungs, Raul H. De Lara
Theses and Dissertations
This is a document explaining in detail my artistic practice from childhood to the day I graduated VCU. It will perhaps only be understood by those who have themselves already felt such ways, or similar ways – words and ghosts are mostly invisible.
A Spectacle And Nothing Strange, Taylor Z. King
A Spectacle And Nothing Strange, Taylor Z. King
Theses and Dissertations
Working through methods of abstraction and comedic mimicry I choreograph awkwardly balanced sculpture with objects of adornment as a means to defuse personal sensitivities surrounding my experiences of gender, desire, and home. The research that follows is concerned with the adjacent, the in between, above and underneath, because I feel that this kind of looking means that you are, to some degree, aware of what lies at the edges. Maybe this is what Gertrude Stein means to act as though there is no use in a center—because this concerns a way of relating, though there are many things in the …