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Full-Text Articles in Sculpture
Raisin Fingers, Sophia Hatzikos
Raisin Fingers, Sophia Hatzikos
Graduate School of Art Theses
I am a sculptor that uses site reactive interactions, video documentation, and studio-based processes to explore landscape. I investigate my multifaceted relationship of self to my sensorial memory of landscape. Through themes of memory, loss and longing intertwined with my personal connection to water. I identify the intersections of sculpture and landscape seeking ways in which environments shapes decisions in the making process.
Through case studies of two distinct landscapes, Malaki and Tyson, I look at how these environments serve as sources of inspiration and material for experimentation. By identifying the ways in which I researched at each site respectively …
[W]Hole: Journey To Fullness, Joni P. Gordon
[W]Hole: Journey To Fullness, Joni P. Gordon
MFA in Visual Art
My work raises critical questions about Black history, race, gender, beauty, and privilege. My practice also highlights the intersectionality of colorism and racism. I use materials such as cardboard rectangles with handwritten words, brown paper, doors defaced by scratches, fire, printed images, newspaper, and projected photographs to ask and answer those questions. I also use Work and Travel documents, broom and brush bristle, mop fiber, towels, and audio recordings of oral histories to exhibit invisible scars wrought by racist actions as physical and material manifestations.
My practice began after experiencing racial discrimination for the first time on a US work …
Hidden In Humor: Redefining Abjection Through Implication, Maddy Kish
Hidden In Humor: Redefining Abjection Through Implication, Maddy Kish
Bachelor of Fine Arts Senior Papers
Abjection can whisper. It lies beneath the joke; you will find it there if you spend the time. Look at me. Come closer. Are you willing to discover? If you listen, I will confess, I will air out my dirty laundry, I will show you the inside of my body and its evidence.
My thesis is a consideration of my waste, an analysis of the bodily trail I leave behind. I explore indecency as a persistent feature of my art practice and a tactic I use to stimulate interest. My overarching unladylike sensibility is broken down into three categories – …