Sculpture Commons^™

Hacking The Library Exhibition Panels, Sally Brown, Jackie Andrews, Matthew Conboy, Ruth Yang, Trudy Trudy Borenstein- Sugiura, Shan Cawley, Chantel Foretich, Xue'er Gao, Ryan Lewis, Robin Miller, Imari Nacht, Chris Revelle, Erin Tapley

Faculty & Staff Scholarship

The hacker ethos in the positive sense is about the ability to deconstruct and reconstruct information systems. Hacking starts with reconceptualizing libraries. Libraries are now beyond the book. As libraries evolve into a new sort of space --still a space for research, learning and study-- but also for community engagement and collaboration, library exhibits present a unique opportunity for both collaborating exhibitors and library users. Artists engage with libraries creatively through artist residencies, installations, using discarded library materials in their work, collaborative workshops, digital collections remixing, performances and more. Hacking the Library will present artwork that highlights the intersecting values …

Programa De La Conferencia Segundo Congreso Internacional De Iconografía Precolombina

Segundo congreso internacional de iconografía precolombina. Barcelona, 2023. Actas.

Barcelona, 2023.

Victòria Solanilla, organizador

17 al 20 de octubre de 2023.

En el Museu de Cultures del Món de Barcelona. Calle Montcada, nº12-14, 08003, Barcelona.

Y en el Institut d’Estudis Catalans. Calle del Carme, nº 47, 08001, Barcelona.

Organizado por el GRUP d'ESTUDIS PRECOLOMBINS· con el apoyo del MUSEU ETNOLÒGIC I DE CULTURES DEL MÓN· INSTITUT D'ESTUDIS CATALANS· SOCIETAT CATALANA D'ESTUDIS HISTÒRICS

Minyan, Sophia Goldberg

Art and Art History Honors Projects

Minyan is a full-scale art installation that recreates my memory of the synagogue sanctuary my family attended when I was a child. Salient furniture: a bimah, chairs, and a mechitza have been welded from wire and covered in fabric. These items are arranged in their traditional locations, inviting viewers to enter the “sanctuary” space and walk among the furniture. In place of an ark hangs a handmade tallit. The recreation of this familiar space was part of my effort to understand what Judaism means to me and how my identity as a trans and queer person resides within Jewish space. …

Póster De La Conferencia Segundo Congreso Internacional De Iconografía Precolombina

Segundo congreso internacional de iconografía precolombina. Barcelona, 2023. Actas.

Victòria Solanilla, organizadora

17 al 20 de octubre de 2023.

En el Museu de Cultures del Món de Barcelona. Calle Montcada, nº12-14, 08003, Barcelona.

Y en el Institut d’Estudis Catalans. Calle del Carme, nº 47, 08001, Barcelona.

Los Bordados Mayas Que Protegen De Enfermedades En El Estado De Yucatán, México, Roberto Campos-Navarro, Leydi Dorantes, Danielle Dupiech Cavaleri

Segundo congreso internacional de iconografía precolombina. Barcelona, 2023. Actas.

Conocemos el rol de los textiles en los rituales y el significado de numerosos símbolos que bordan las artesanas mayas de la Península de Yucatán, no obstante, existen varios motivos de plantas medicinales bordados en los textiles que no fueron analizados. En el mes de septiembre de 2022 dio comienzo una investigación en cooperación con la joven curandera x-meno’ob de Yaxcabá, Leydi Dorantes, que cultiva más de doscientas plantas medicinales mayas en el jardín botánico que creó su abuelo, mismas que usa en rituales y también para curar. Ella nos da a conocer la relación existente entre los elementos de …

Identificación De La División Del Trabajo Entre Los Géneros A Través Del Análisis Iconográfico, Sarah Kauffmann

Segundo congreso internacional de iconografía precolombina. Barcelona, 2023. Actas.

El presente trabajo se enfoca en la metodología para identificar los roles y actividades realizadas por determinado género en la sociedad maya prehispánica. Códigos especiales en la iconografía son utilizados para representar y diferenciar los dos géneros. Varios medios se explorarán como las estelas, dinteles, cerámicas y figurillas. A través de la iconografía se identificará las actividades, vestimenta y postura para interpretar la división del trabajo.

This present study focuses on the methodology for identifying the roles and activities realized by both genders in the pre-Hispanic Mayan society. Special iconographical codes are used to represent and differentiate men and women. …

El Sobredimensionamiento Y Otros Recursos Plásticos Como Representación De La Capacidad Extática–Visionaria En El Arte Chamánico Americano, Ana María Llamazares

Segundo congreso internacional de iconografía precolombina. Barcelona, 2023. Actas.

Este artículo explora uno de los principales rasgos del arte chamánico visionario: el sobredimensionamiento de las figuras o de algunas de sus partes significativas. A través de diversos registros arqueológicos y contemporáneos, se brindan elementos valiosos para interpretar como representaciones explícitas de la capacidad extática o visionaria, ciertas imágenes de arte prehispánico o etnográfico ligadas a tradiciones de prácticas chamánicas americanas, en las que se ha expresado la percepción de la magnificación energética a través de rayos, aureolas o apéndices diversos que expanden el tamaño de las cabezas, manos, pies u otras partes del cuerpo en forma desproporcionada respecto del …

El Refugio De La Imagen Chamánica En El Mundo Malagana, Sonia Blanco, Catalina Simmonds Caldas

Segundo congreso internacional de iconografía precolombina. Barcelona, 2023. Actas.

La voluntad de elaborar una pieza antropomorfa, es incidir sobre el objeto, haciéndolo actuante. Tratándose del mundo Malagana – sociedad prehispánica colombiana –, que consideró el papel primordial de la mujer, esta imagen femenina y robusta, en cerámica, de pie, portadora de una máscara, como pieza – soporte simbólica contendría en su epidermis y gesto, una narrativa ritual. Desarrollada en un espacio funerario, como ajuar, personificaría los atributos del mono aullador y convocante de los “espíritus (auxiliares) alter-ego”, de los monos ardilla, intervendría de forma ritualista sobre los humedales del pueblo Malagana, aportándoles el equilibrio para la inflorescencia de la …

Proyectar El Diseño Precolombino: Experiencias Didácticas, Luz Helena Ballestas Rincón

Segundo congreso internacional de iconografía precolombina. Barcelona, 2023. Actas.

Se presenta el resultado de un Modelo Pedagógico basado en el Diseño Precolombino, el cual ha sido aplicado en diversos escenarios y ambientes de aprendizaje. Mediante la sistematización de la teoría con la práctica del diseño se muestran ejemplos de los métodos de diseño que han resultado eficaces, ya sea en el ámbito universitario o en grupos interesados en el conocimiento de estos bienes patrimoniales, entre los que se encuentran estudiantes y profesores del área artística así como personas convocadas por algunos museos que poseen colecciones precolombinas.

Al experimentar y proponer activando los mecanismos que liberan la creatividad y, a …

Mama, Hannah Scott

Student Scholar Symposium Abstracts and Posters

“By writing herself, woman will return to the body which has been more than confiscated from her, which has been turned into the uncanny stranger on display” (Cixous, 1975). Through a depth of research into feminist perspectives on motherhood, I have created an art installation titled, "Mama". From my research, I have found many artists who make work about their experiences in raising children, women’s work and labor, and the trauma of giving birth. Louis Bourgeois, Natalie Loveless, Mierle Laderman Ukeles, Mary Kelly, and Jenny Saville are a handful of artists whose work on motherhood has greatly inspired me to …

I Poked You Where We Were Connected, Sophia Ruppert

School of Art, Art History, and Design: Theses and Student Creative Work

Life leaves behind physical and mental residue. Some of these remnants are precious while others are tragic. Regardless of its origin, this residue can be made beautiful. Remnants of the objects that surround us chronicle our history as complex individuals. My sculptures investigate my own physical and mental residue to dissect and examine my personal history.
I unravel experiences that are residually prominent in my memories. Of particular importance are events and objects that have shaped my perception of self.
stories told by my grandmothers
a dysfunctional family dynamic
objects that provide visual touchstones to my childhood
These fragments are …

Unsustainable: A Planet In Crisis, Sam Yates

Ewing Gallery of Art & Architecture

Unsustainable: A Planet in Crisis features artwork ranging in material, discipline, and execution that addresses the theme of planetary crises – climate change, the rise of disease and superbugs, world conflict and national instability, plastics in the ocean, gun violence, pollution of the waterways from mining, air pollution from use of fossil fuels, the opioid crisis, and species extinction.

Participating artists are: Michele Banks, Brandon Ballengee, PhD, Scott Chimileski, PhD + Roberto Kolter, PhD, Brandon Donahue, Lorrie Fredette, Yeon Jin Kim Pam Longobardi, Dan Mills, John Sabraw, and Karen Shaw.

2019 Mfa Thesis Exhibitions, The University Of Tennessee, Knoxville, School Of Art

Ewing Gallery of Art & Architecture

MFA class of 2019: Katie Gentner, Eric Hines, Holly Mailey Kelly, Cara Allen McKinley, Rachel Sevier, Mengmeng Shang, Lila Shull, and Baxter Stults.

Soheila Azadi Interview, Jillian Bridgeman

Asian American Art Oral History Project

Artist Bio: Soheila Azadi is an interdisciplinary visual artist and lecturer based in Chicago and Iran. Born in the capital of Islamic cities, Esfahan, Azadi absorbed story-telling skills through Persian miniature drawings since she was nine. Azadi’s inspirations come from her experiences of being a woman while living under Theocracy. Now residing in the U.S. Azadi is dedicated to transnational feminism with a passionate devotion to the ways in which race, religion, gender, sexuality, and ethnicity intersect. Azadi uses performance art and performative installations as methods to both materialize and narrate stories about women’s everyday struggle in the world. Her …

How To Be The Perfect Asian Wife!, Sophia Hill

Art and Art History Honors Projects

“How to be the Perfect Asian Wife” critiques exploitative power systems that assault female bodies of color in intersectional ways. This work explores strategies of healing and resistance through inserting one’s own narrative of flourishing rather than surviving, while reflecting violent realities. Three large drawings mimic pervasive advertisement language and presentation reflecting the oppressive strategies used to contain women of color. Created with charcoal, watercolor, and ink, these 'advertisements' contrast with an interactive rice bag filled with comics of my everyday experiences. These documentations compel viewers to reflect on their own participation in systems of power.

Cycles Of Growth And Decay, And Changing The Beautiful To The Grotesque: Installation Through The Lens Of Printmaking, Madeline R. Cochran

All College Thesis Program, 2016-2019

The intention of this project is to create an installation informed by printmaking processes and to explore the tension between what is fragile and delicate and what is decaying and visceral. Specifically, I am working with materials I find delicate and beautiful including: fine Japanese paper, lace, yarn and embroidery floss. I am coating and manipulating these materials with wax, epoxy-resin and baby oil to give the work a fleshy and unsettling feel. Through the process of working with these materials, I have created paper sculptures made from a mold cast from my own torso, miniature books made from monoprints …

2017 Mfa Thesis Exhibitions, The University Of Tennessee, Knoxville, School Of Art

Ewing Gallery of Art & Architecture

MFA class of 2017: Jessica Gatlin, Abigail Lucien, Anna Wehrwein, Geoff Silvis, Corinna Ray, Meg Erlewine, Jing Qin, Joshua Shorey, Elysia Mann, and Christopher Spurgin.

French Women In Art: Reclaiming The Body Through Creation/Les Femmes Artistes Françaises : La Réclamation Du Corps À Travers La Création, Liatris Hethcoat

Student Scholar Symposium Abstracts and Posters

The research I have conducted for my French Major Senior Thesis is a culmination of my passion for and studies of both French language and culture and the history and practice of Visual Arts. I have examined, across the history of art, the representation of women, and concluded that until the 20^th century, these representations have been tools employed by the makers of history and those at the top of the patriarchal system, used to control women’s images and thus women themselves. I survey these representations, which are largely created by men—until the 20^th century. I discuss pre-historical …

Pencil Pushed: Exploring Process And Boundaries In Drawing (Exhibition Catalogue), Sam Yates, Creighton Michael, Barbara Macadam

Ewing Gallery of Art & Architecture

In Pencil Pushed, the word pencil functions simply as a metaphor or symbol for drawing and its activity. The selected artists are known for their drawing or drawing activity as their primary means of expression and have either pushed the material, process, or boundary of conventional drawing. Media included video, sculpture, animation, installation, and of course, works on paper. This exhibition is neither a survey nor the definitive grouping of mark-making artists. It is more a conversation about artists who have and continue to explore these regions in drawing.

Featured artists in Pencil Pushed are: William Anastasi, William Pittman Andrews, …

1988 Art News, Department Of Art

Historical Material

1988 Department of Art newsletter that profiles Art History Professor, Dale Cleaver upon his retirement with appreciative memories written by Department of Art Faculty members, Don Kurka and Fred Martinson.

Other newsletter highlights include: the 1988-89 Sculpture Tour, Visiting Artist Chen Bo-jin, the Annual SECAC conference, and the appointment of new faculty members, Pam Longobardi and Karen A. Bearor.

1987 Department Newsletter, Donald Kurka

Historical Material

In addition to area updates, this newsletter spotlights Artist-in-Residence, Joseph Delaney and visiting artist and scholar, Chen Bo-Jin.

University Of Tennessee Department Of Art, Department Of Art, Donald Kurka

Faculty Catalogues

The faculty of the University of Tennessee Department of Art in 1986.

Faculty members include: Dale G. Cleaver, Dorothy Metzger Habel, Fred H. Martinson, Frederick C. Moffatt, Amy Neff, Rachael Young, Sandra Blain, Michael Brakke, Richard Clarke, Richard Daehnert, James F. Darrow, Joe Falsetti, Marcia B. Goldenstein, William Kennedy, Donald Kurka, Baldwin S. Lee, Richard J. LeFevre, Whitney Edward Leland, Philip R. Livingston, Beauvais Lyons, Susan E. Metros, Philip G. Nichols, Dennis Peacock, Thomas J. Riesing, Ted Saupe, F. Clark Stewart, MIchael Tomlinson, Brian Wells, David Wilson, and Sam Yates.

1986 Department Newsletter, Donald Kurka, Sam Yates, Sandy Blain, Jim Darrow, Dale Cleaver, Richard Daehnert, Richard Lefevre, Laura Foulk, Baldwin Lee, Beauvais Lyons, Joe Falsetti

Historical Material

In addition to area upfates, this newsletter spotlights two new faculty hires: Beauvais Lyons, printmaking, and David Wilson, drawing.

Spring 1983 Department Newsletter, Donald Kurka, Sam Yates, Sandra Blain, Dottie Habel, Jim Darrow, Marcia Goldenstein, Dick Lefevre, Whitney Leland, Byron Mckeeby, Dennis Peacock, Dick Daehnert

Historical Material

University of Tennessee Department of Art newsletter. Includes a profile on recent photography professor hire Baldwin Lee.

Spring 1982 Department Newsletter, Donald Kurka, Sandy Blain, Sam Yates, Dottie Habel, Jim Darrow, Tom Riesing, Dick Daehnert, Dick Lefevre, Byron Mckeeby, Joe Falsetti, Dale Cleaver

Historical Material

Spring 1982 newsletter from the University of Tennessee Department of Art. In addition to updates from all disciplines within the department, this features a spotlight article on the career and retirement of painting professor, Carl Sublett.

Winter 1981 Department Newsletter, Donald Kurka

Historical Material

Newsletter details the death of painting professor Walter "Holly" Stevens.

New faculty hires are: Dorothy M. Habel, Leonard Koscianski, Theodore C. Saupe, Sam Yates, and Shiro Otani on a one-year United States / Japan Exchange Fellowship Grant for Creative Artists,

Spring 1979 Department Newsletter, Department Of Art

Historical Material

Various department announcements.

Activities of note include a visit to campus by New York Times art critic, Hilton Kramer as part of the "Chancellor's Celebration - A University's Commitment to Excellence in the Arts," Student Art Competition prizewinners, and the announcement of a new logo to be designed for the Department of Art.

Fall 1979 Department Newsletter, Donald Kurka

Historical Material

Newsletter features profile on art-glass artist, Harvey Littleton, who had an exhibition of work in the Art Department Gallery in the McClung Museum.

The cover debuts the department's new logo, designed by professor Michael Clauser.

Fall 1978 Department Newsletter, Department Of Art

Historical Material

This newsletter details the hiring of 6 new professors: Joseph Falsetti, Richard Daehnert, Sandra Blain, James Darrow, Pay Pierotti, and Amy Neff.

Also of note is the merging of Arrowmont School of Arts and Crafts and the University of Tennessee Home Economics craft department with the Art Department.