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Articles 1 - 8 of 8
Full-Text Articles in Sculpture
To Excavate An Absence, Margaret Compton
To Excavate An Absence, Margaret Compton
Graduate Theses
This thesis is an exploration of memory’s fluctuating aspects, utilizing natural materials and casting processes to create a sculptural body of work deeply rooted in materialized metaphor. Examining the relationship between mold and cast, part and whole, and interior and exterior, I utilize casting as a framework to understand the duality of remembering and forgetting. Memories, much like the natural landscape, are ephemeral, fading, and fracturing over time. Both external environments and internal mental landscapes share the common language of erosion, existing as present or absent, remembered or forgotten. Conestee Nature Preserve in Mauldin, South Carolina, serves as my “site” …
Ripe Spoils, Yan Cynthia Chen
Ripe Spoils, Yan Cynthia Chen
Theses and Dissertations
Chen’s practice primarily focus on sculptures and installation. She explores the interplay between the idea of nature and the constructed environment, by examining how language informs what we know. The central thesis, "Ripe Spoils", employs citrus fruits as symbols for bodily experiences and personal identity, investigating their cultural and historical significance. Her sculptures summon the qualities and embedded meanings in materials like paper pulp and clay, wax and citrus fruits, often resulting in abstracted forms evocative of the human body. This thesis paper and exhibition reflect on themes like mortality and the essence of self.
Chinese-English Dictionary Enable Select Search …
Echoes Of Home, Hanna Traynham
Echoes Of Home, Hanna Traynham
Electronic Theses and Dissertations
The artist discusses her Master of Fine Arts exhibition, Echoes of Home, held at the Tipton Gallery in Johnson City, Tennessee on display March 15 through April 8, 2022. The author provides insight into concepts and influences relating to the creation of the exhibition with perspective on her intimate connection with place and memory.
The exhibit features five installations addressing home, elusive memory, and the change and continuity of cultural traditions over time. The works consist of a series of large-scale wild clay vessels, gestural clay bookends, a wall installation of cups with a line drawing, suspended porcelain slabs, …
Coping With Burdens, Jennifer Rose Wolken
Coping With Burdens, Jennifer Rose Wolken
MSU Graduate Theses
How to carry and cope with burdensome circumstances beyond my control is the main theme I am currently exploring in my artistic practice. I create art objects and experiences that can elicit an empathetic connection to the realities of living with burdens like grief and chronic illness, or help you to process your own relationship to a wide variety of burdens. Individual pieces explore aspects of how I or close family members cope. My practice is multi-disciplinary and the forms focus on reinterpretation of the book as a sculptural art object or artists’ book. The processes I use are overwhelmingly …
I Hear You Now, I See You Then, Quinn Hunter
I Hear You Now, I See You Then, Quinn Hunter
Art + Design Masters Theses
In the research driven project I Hear You Now, I See You Then, I refer to the contemporary and historical erasure of the labor of African American women using research gathered from the southern plantation economy to create an art installation. The objects in this installation are primarily made with artificial hair integrations and utilizing labor intensive methods that are similar to those used to install the hair on the Black body. The objects I make reference the luxury items in the domestic spaces of historic plantation sites that have been re-branded to be used in the wedding /tourism industry. …
Fabrications, Molly V. Rivera
Fabrications, Molly V. Rivera
Graduate Student Theses, Dissertations, & Professional Papers
The objects that surround us tell a story of our past, and act as physical stand ins for a person, place, or experience no longer present. My work explores the significance of objects and how we use them to preserve our memories and make them tangible. Memory is ephemeral and changes over time, simultaneously growing weaker and stronger. I use clay to accentuate this relationship, visually depicting both preservation and decay.
Inspired by my personal narrative, I recreate specific objects of significance by hand. This results in subtle variations of the original, much like the changes in our memory over …
This Is Just To Say, Iren Tete
This Is Just To Say, Iren Tete
School of Art, Art History, and Design: Theses and Student Creative Work
My memories are marked by the desire to evade logic. At a young age I became a proficient player of the “What If” game.
What if I could hold light in my hands?
What if shadows had form that could be touched?
What if I could see through structures?
These mental exercises affected my relationship with reason and validity. Aware of the threat of the ordinary, I embraced the inherent magic in the notion of possibility. I understand possibility as the limitless potential of object, thought, or scenario. This potential extends beyond the apparent and prompts more questions than it …
Dearest, Grace Tessein
Dearest, Grace Tessein
LSU Master's Theses
Dearest is the examination of what remains of a person, looking to the objects they cherished most while contemplating the inevitability of their certain absence. The work questions the futility of preservation in the measure of time, the failure of memories held in fragile containers, and the decay of the physical body. The materials that compose Dearest are chosen for their innate longevity and their ability to evoke remembrance.