Fashion Design Commons^™

Fashion, Freedom, And Feminism: The Transcendent Work Of Rosa Genoni And Her "Tanagra Dress" Reimagined, Christina Trupiano

Dissertations, Theses, and Capstone Projects

The fashion industry itself is broad in scope and dependent upon numerous sub-industries to produce its garments. It is heavily dependent upon machinery of all kinds, yet unlike many industries today, it is still also largely reliant on manual labor, specifically minority women labor. This dependance upon manual labor correlates with its long history of worker exploitation and sweated labor. The concentration of exploitative labor practices in the fashion industry have made it a focal point in the ongoing struggle between workers and the downward pressure capitalism and industrialization placed on worker compensation, quality of life and job security.

This …

The Bronx Solidifies Itself In The Fashion World With Borough-Based Nonprofit, Nicholas R. Hernandez, Demetria Osei-Tutu

Capstones

Bronx-born nonprofit organizer, Flora Montes, founded Bronx Fashion NYC in 2014. The organization aims to establish Bronx-centric fashion-event opportunities and better representation in an industry where access is often unattainable for people of color or of limited means—or who happen to come from the Bronx, a borough often perceived by some as un-chic despite boasting a culturally thriving history of innovation in both fashion and music.

With Bronx Fashion NYC, Montes is working on putting Bronx models and local designers on the map with multiple fashion shows and paving the way for the future with the addition of a start-up …

The Drive For Disability, Aliyah Walker

Capstones

After recent inclusivity movements, the fashion industry had a reckoning that they need to do better when it comes to diversity. Size, age, and gender have started to have better representation in recent years; however, disability representation is still lagging. If the fashion industry wants to become truly inclusive, it needs to start representing disabled individuals positively and regularly both on the runway and in campaigns.

Link to Capstone Project: https://medium.com/@aliyah.walker83/the-drive-for-diversity-b29288adc482

The Clothing Left Behind: A Collection Of Stories, Grace Coleman

Dissertations, Theses, and Capstone Projects

Beyond its material use, clothing can have powerful emotional effects such as easing grief from personal loss or serving as a memory recall aid for individuals with dementia. It was during my graduate program that I became interested in exploring the idea that clothing can be powerful beyond its aesthetic. Peter Stallybrass’s essay Worn Worlds: Clothes, Mourning and the Life of Things highlighting clothing’s ability to evoke memories and emotions was influential in setting me on my path to research clothing’s connection to memories. Whether it was embodied identity, grief, dementia, mourning rituals, or collective mourning, I was looking at …

Girl In Action: Junior Bazaar, 1945-1948, Rose D. Bishop

Theses and Dissertations

This thesis provides an overview of Junior Bazaar, a short-lived magazine for teenage girls published by Hearst between 1945-1948. Under the supervision of art director Lillian Bassman the magazine featured a variety of aesthetic devices — such as photomontage, asymmetrical layouts, the selective use of color, and playful placement of graphic forms — in efforts to distinguish itself from other publications on the market and construct a visual space specific to its teenage readers. Bassman’s unconventional stewardship of Junior Bazaar made room for an up-and-coming set of photographers, including Richard Avedon, Robert Frank, Diane Arbus, Louis Faurer, and other …

Getting Located: Queer Semiotics In Dress, Callen Zimmerman

Dissertations, Theses, and Capstone Projects

The body, a long contested site of identity construction, has been used by historically by queers to convey desire, build affinity and transgress norms. Looking at the fashioned queer body, this capstone takes the form of a proposal for an art exhibition at the Leslie Lohman Museum of Gay and Lesbian Art. Seeking to engage with objects, performance and film which approximate, provide proxy for or depart from the body as a site, it explores the social and political quagmire of getting dressed. Comprised of contemporary art that looks at the rupture of legible bodily semiotics, this show wonders what …

Alternative Futures: The Creative Reconsideration Of Fashion Objects, Kathryn Roberts

Dissertations, Theses, and Capstone Projects

This project is the beginning of what I intend to be a larger, evolving work that seeks to marry the theoretical with the practical when considering fashion objects that have “served their purpose”. The object at the project’s focal point: a worn out pair of blue jeans. My particular focus on jeans is based on the fact that they, alongside the t-shirt, are one of the most ubiquitous and commonly owned pieces of clothing for people all over the world. This wardrobe staple transcends age, race, and class, as it occupies an iconic status that has made them invulnerable to …

Fashioning Desire At B. Altman & Co.: Ethics And Consumer Culture In Early Department Stores, Tessa Maffucci

Dissertations, Theses, and Capstone Projects

We live in an age of fast fashion. Clothing is produced in greater volumes than ever before and the lifecycle of each garment keeps getting shorter and shorter. Many items are manufactured to be worn only one time and then thrown away—as disposable as a cup of coffee. There is much to be learned about our current fashion ecosystem by looking into the past. Beyond the garments themselves we must understand the larger historical and sociological context in which these articles of clothing were produced. How does the shopping environment shape the buying habits and fashion trends of an era? …

The Push For Plus: How A Small Part Of The Fashion Industry Hopes To Make Big Changes To The Plus-Size Women’S Fashion Market, Alexa Pipia

Capstones

67 percent of the American female population is plus-size, yet 85 percent of the clothing sold to women in the country does not fit them and is not created with them in mind. A select group of designers, stylists, models, modeling agencies, and students are taking initiative on how to take the stigma out of plus-size fashion.