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Art and Materials Conservation Commons™
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Full-Text Articles in Art and Materials Conservation
Going To The Sea, Lingyi Kong
Going To The Sea, Lingyi Kong
Masters Theses
“Good-bye Icarus” is a work that aims to blend art, history, and environmental exploration through illustration, an interactive graphic novel, visual documentation, and programming language narratives.
A year of coastal life in Rhode Island has provided me with endless inspiration in terms of design language. I’ve ventured into blending dynamic visuals from TouchDesigner with illustration, a pioneering approach as far as I’m aware.
My narrative is based on seaside scenery and mythology metaphorical elements, making image programming to capture the essence of waves a focal point and central experiment of my work. Furthermore, after crafting a dynamic design visual language, …
Making Then Meaning, Ben Denzer
Making Then Meaning, Ben Denzer
Masters Theses
This is an artist talk contained within a book. It is 816 pages and 49 minutes long. Closed captions run across the spreads. A video of this talk can be watched on bendenzer.com/making-then-meaning
At RISD, I’ve been prompted to expand the scope and tools of my practice and to reflect on questions of meaning in my work.
I spend my days making things, but I’ve never really had good answers to questions of why I make the things I make, or what their meaning is. I don’t think there are simple answers to these questions.
I think meaning comes from …
Material Encounters: Making Memory Beyond The Mind, Ariel Wills
Material Encounters: Making Memory Beyond The Mind, Ariel Wills
Masters Theses
Can acts of making carry the memories of our embeddedness within the world? This thesis explores how making things can nurture a sense of kinship that cuts across the organic and inorganic, erasing the distinction between living and dead, material and spiritual. Through handwork such as art-making, sewing, knitting, cooking, woodworking, and beyond, the burden of remembering and of archiving is shared across human and non-human bodies, cultivated through practices of making, and through the materials themselves. By recounting the stories of my family’s experience as Jewish immigrants in the United States, I aim to reveal how their domestic practices …