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Articles 1 - 29 of 29
Full-Text Articles in Art and Materials Conservation
Threading With Hair // Intertwined Stories, Cloris Ding
Threading With Hair // Intertwined Stories, Cloris Ding
Masters Theses
“Threading with Hair // Intertwined Stories” is a poignant exploration that navigates the nuanced landscape of women's growth and identity recognition amidst biased societal influences, tracing the trajectory from the artist’s mother's generation to her own. Through a deeply personal lens, the thesis transcends individual narratives to articulate some shared female experiences. Employing reflective works in the form of jewelry, objects and writings, the study delves into female-centric topics, including the fluidity of identity, the transformative journey through various life stages, and the profound impact of societal expectations and family heritage. At the heart of this exploration is the metaphorical …
With Love, ; An Interdisciplinary And Intersectional Look At Why Creativity Is Essential, Theo Starr Gardner
With Love, ; An Interdisciplinary And Intersectional Look At Why Creativity Is Essential, Theo Starr Gardner
Whittier Scholars Program
My Whittier Scholars Program self-designed major, Teaching Creativity, is a mixture of Art, Literature, and Education classes. My research and praxis classes have been focused on the ‘how?’s and 'why?’s of creativity, so it felt only right that my project should be a constructivist, generative project. The project I have been working on throughout my time at Whittier, and that has just fully come to fruition on April 11th, 2024, was a solo art gallery/open mic event entitled ‘With Love,’. With Love, was conceptually inspired by the research I’ve conducted on creativity and creative arts education over the past few …
Making Then Meaning, Ben Denzer
Making Then Meaning, Ben Denzer
Masters Theses
This is an artist talk contained within a book. It is 816 pages and 49 minutes long. Closed captions run across the spreads. A video of this talk can be watched on bendenzer.com/making-then-meaning
At RISD, I’ve been prompted to expand the scope and tools of my practice and to reflect on questions of meaning in my work.
I spend my days making things, but I’ve never really had good answers to questions of why I make the things I make, or what their meaning is. I don’t think there are simple answers to these questions.
I think meaning comes from …
Margins (I Nvr Needed Acceptance From All U Outsiders), Jahi Lendor
Margins (I Nvr Needed Acceptance From All U Outsiders), Jahi Lendor
Masters Theses
A comedian said, “American pie isn’t made out of apples, it’s made out of whatever you can get your fucking hands on.”1 With that, my work seeks to provide an honest representation of the infinite value of the everydayness and behavior of blackness ranging from trauma to beauty. Various mediums explore culture, class, collective memory, identity, and erasure. While resisting institutional and systemic boundaries between disciplines my practice actively seeks fluidity between media. The work often translates to (social) poetic-bricolage visualizations that combine gestures of assemblage, sculpture, installation, and painting. The work focuses on reflecting on how I see life …
(Not) Knowing, Jared Friedman
(Not) Knowing, Jared Friedman
Theses and Dissertations
Jared Friedman’s work creates monuments out of banal common objects. Through acrylic paintings on- Astroturf, burlap, canvas, and upholstery fabric- he explores the ambiguity of the unremarkable, such as the condenser coils on the back of a refrigerator. In, (Not) Knowing, he parses the difference between knowing and understanding.
Stop Kiss: A Scenic Design, Taylor Walters-Riggsbee
Stop Kiss: A Scenic Design, Taylor Walters-Riggsbee
Johnny Carson School of Theatre and Film: Theses, Student Research, and Creative Work
The purpose of this thesis is to document the design processes of the University of Nebraska Lincoln’s production of Stop Kiss by Diana Son, produced March 1-9, 2023, in partnership with the Nebraska Repertory Theatre. Documented is a complete representation of a scenic design process including discussion of practices and design methodologies, research plates, supporting analytical paperwork, preliminary sketches, digital renderings, and 1/4” scale model photos, a full set of drafting, painter’s elevations and a corresponding props and dressing list. Performance photos follow as an archive of the production process and performance photos.
Advisor: Joshua David Madsen
Ms-288: Creation And Preservation Of Martin Puryear’S Sentinel, Merlyn I. Maldonado Lopez
Ms-288: Creation And Preservation Of Martin Puryear’S Sentinel, Merlyn I. Maldonado Lopez
All Finding Aids
This collection includes records from Gettysburg College’s application process to the NEA, the selection process of the artist, images from the installation process of Sentinel, correspondence and an interview with Martin Puryear, newspaper cutouts of Sentinel’s reception. As well as records from Molly Hutton’s efforts to seek awareness and funding for the preservation and conservation of Sentinel in the early 2000s. Records from the application for an assessment award under Save Outdoor Sculpture! (SOS!), and a manuscript for a story on Sentinel to be featured in the GETTYSBURG alumni magazine are also included.
Special Collections and College Archives Finding Aids …
The Met Costume Institute: Evolution, Metamorphosis, And Cultural Phenomenon, Shelby Kanski
The Met Costume Institute: Evolution, Metamorphosis, And Cultural Phenomenon, Shelby Kanski
Senior Honors Projects
No abstract provided.
A Dumb Mouth From Which The Teeth Have Been Pulled, Anna Sofie Jespersen
A Dumb Mouth From Which The Teeth Have Been Pulled, Anna Sofie Jespersen
Theses and Dissertations
This paper consists of a series of scenes in which various narratives with proximity to the truth plays out. within it I aim to articulate the dispersed subjectivity and forensic aspects to my work, as well looking at the perverseness in the desire for proximity to the fantasy, utilizing the self as a vehicle of desire.
The Mvohc Project, Brooke Day
The Mvohc Project, Brooke Day
All Theses
ABSTRACT
A Mvohc is a Morphic Vessel of Human Consciousness. The Mvohc Project traverses' theories of spatial identity in tandem with creative world-building as a method for examining the intricacies of the human condition and reimagining reality. My creations are designed to promote autonomy over the contemporary world's ever-evolving societal complexities to empower individuals, foster imagination and communication, and create space for positive change. This body of work incorporates fleshy biomorphic sculptures inspired by science fiction, deep-sea marine life, and the human body. The abject creatures are partnered with constructed audio-scapes that encompass the frenzy of an overarching internal monologue, …
Compromised Values: Charlotte Posenenske, 1966–Present, Ian Wallace
Compromised Values: Charlotte Posenenske, 1966–Present, Ian Wallace
Dissertations, Theses, and Capstone Projects
Fabricated in unlimited series and sold at cost, the sculptures produced by Charlotte Posenenske between 1966 and 1967—modular wall reliefs, interactive cubic structures, and tubular geometric units whose installation requires collective decision making—were meant to confront both the artwork’s commodity status and the limitation of its consumption to a privileged elite. Nevertheless, Posenenske’s work has been effectively recuperated by the art system: first, in the 1980s, through a series of exhibitions and publications organized by her estate; and second, with her inclusion in Documenta 12 in 2007, which reintroduced her work to the market. Since the artist’s death in 1985, …
The Passing Show, Kathryn Fanelli
The Passing Show, Kathryn Fanelli
Masters Theses
The Passing Show, examines the interface between contemplative practices and the destabilizing effect of the carnivalesque. A repurposed early 20th century merry-go- round is reconfigured as a conceptual vehicle for renewing our attention to removing hindrances. The site-specific installation, titled Vimoksha, is viewed through the lens of the radical imaginary, investigating notions of karmic inheritance through a heuristic approach to material processes, personal history, kinetics and sound.
Rockhounding, Seafaring, And Other Material Tales For The End Of The World, Noemie Fortin
Rockhounding, Seafaring, And Other Material Tales For The End Of The World, Noemie Fortin
The Goose
In the face of accelerated environmental degradation and climate instability, the future of the Earth and of all life on earth is difficult to visualize. Therefore, the different mediums through which we consider environmental issues are just as important as the actions we take to address them. Focusing on three projects combining art, science, and activism, this article suggests a compilation of material tales. They tell stories of plastic rocks and aluminum nuggets where the protagonists are partly finely crafted objects, partly waste materials, and sometimes both at once. Artists Kelly Jazvac, Yesenia Thibeault-Picazo, and the collective Studio Swine collaborate …
Universe Of Things: A Human Presentation Of Food-For-Thought., Madeline Halpern
Universe Of Things: A Human Presentation Of Food-For-Thought., Madeline Halpern
Bachelor of Fine Arts Senior Papers
I present this statement under three loose categories: People, Objects and their Environment. I consider People as human, Objects as art objects, domestic objects, and food, and Environment as the shared space of the former groups. Food directs this statement as I present each concept and creative process as a metaphorical dish. Material exploration carried me from a direct practice of reorienting acrylic paint and questioning object functionality through personified sculptures into theoretical thesis work in which I use interpersonal relations and the idea of consumption to translate tactile, gustatory and olfactory sensations into digital film. In this meal I …
Kiddush Levana, The Moon Is Your Handheld Mirror, Noa Ginzburg
Kiddush Levana, The Moon Is Your Handheld Mirror, Noa Ginzburg
Theses and Dissertations
Noa Ginzburg is weaving cast-off and hand-made objects, lights, reflections, spells, drawings, and an abundance of knots into site-responsive installations. In her thesis, Ginzburg addresses Hieronymus Bosch’s paintings, the synergy of assemblages, repurposing of materials in the era of Anthropocene, and how notions of solidarity and indeterminacy influence her work.
Cultural Heritage Preservation In The Context Of Climate Change Adaptation Or Relocation: Barbuda As A Case Study, Martha B. Lerski
Cultural Heritage Preservation In The Context Of Climate Change Adaptation Or Relocation: Barbuda As A Case Study, Martha B. Lerski
Dissertations, Theses, and Capstone Projects
This case study introduces an arts camp methodology of engaging communities in identifying their key cultural heritage features, thus serving as a meta study. It presents original research based on field studies on the climate-vulnerable Caribbean island of Barbuda during 2017 and 2018. Its Valued Cultural Elements survey, enabling precise identification of key tangible and intangible art forms and biocultural practices, may serve as a basis for further studies. Such approaches may facilitate future research or planning as climate-vulnerable communities harness Local or Indigenous Knowledge for purposes of biocultural heritage preservation, or towards adaptation or relocation. I report on findings …
Contemporary Methods Of Preserving Land Art: A Case Study Of Robert Smithson's Spiral Jetty, Samara Johnson
Contemporary Methods Of Preserving Land Art: A Case Study Of Robert Smithson's Spiral Jetty, Samara Johnson
MA Theses
The preservation and conservation of Land art has become an increasingly complex and urgent issue as important Earthworks created in the late 1960s and early 1970s continue to age. They present a variety of challenges—both physical and philosophical—to those tasked with maintaining them. Using Robert Smithson’s Spiral Jetty (1970) as a case study, I have outlined four key guidelines for maintaining and preserving works of Land art. In order to survive, the artist’s intention intact, these works require collective stewardship, an interdisciplinary approach, the promotion of responsible visitorship, and an extension of the museum model. Today, social media has presented …
Lifetime, Emily E. Kuchenbecker
Lifetime, Emily E. Kuchenbecker
Theses and Dissertations
Time is my bully. Time marks the start of something, as well as the end. We are all carrying out the inexorable passing of time as it relates to our impending mortalities.
I do not fear death.
The awareness of my body’s impermanence employs me to feel that much more connected to the vessel containing that of which I am.
But what am I? Am I my body- or is it much deeper?
Through the work executed during my graduate research, I have attempted to quantify my existence through the archiving my time and body. This document ushers you through …
North American Indigenous Collection And Curation And Its Impact On Market Arts., Adelaide Mccomb
North American Indigenous Collection And Curation And Its Impact On Market Arts., Adelaide Mccomb
Electronic Theses and Dissertations
This thesis examines the history of two North American Indigenous groups, those belonging to the Great Plains and the Arctic, and observes how settler-colonial influence determined the collection and curation of arts and artifacts in these areas. This art includes a mention of pre-Colombian works, but focuses predominantly on works being made after “first-contact” through the contemporary ear. The paper addresses the effect imperialist history has had on the development of Indigenous art markets, and how institutions such as museums may address them through ethical practices, and efforts to decolonize museum spaces.
Strange Woods, Song Park
Strange Woods, Song Park
Graduate School of Art Theses
I am interested in searching for images of women that have not been adequately represented in visual art. As a visual artist, I am directed by my sense of sight to investigate and know something. I like to challenge myself to visualize things that do not already have a visual representation. It has been frustrating for me to create images of women, and I have experienced a deep ambivalence in response to the different images of women I have encountered. The socially and culturally constructed images of women that I have internalized and those that have developed from my own …
Through My Window, Haiyin Liang
Through My Window, Haiyin Liang
Theses and Dissertations
I convey my thoughts through art jewelry; making jewelry is my language of communication and commemoration. Inspired by historical Chinese art and contemporary jewelry, my practice pays attention to bring classical Chinese aesthetics of hazy poetic and ideal arrangement into the contemporary jewelry field. The attention to detail refers to the quiet contemplation and emotional experiences encouraged by each of my works. Through my research, I use metalsmithing language to communicate with non-precious materials finding my own way of expression and meditation. Meanwhile, I build environments that display jewelry off the body in order to construct a picturesque landscape. The …
Current Issues In The Conservation Of Contemporary Art And Its Non-Traditional Materials, Sandra Hong
Current Issues In The Conservation Of Contemporary Art And Its Non-Traditional Materials, Sandra Hong
MA Theses
The history of art has shown that artists of the present will always find a way to push boundaries and create unprecedented work, whether through the use of foreign materials, new technical processes, or in concept. However exciting this may be, this innovation in the twenty-first century has brought with it an entire world of new challenges for today’s conservators—the specialists tasked with the seemingly impossible duty of preserving art that, by its very nature, refuses to endure. This thesis is an examination of the unique conservation challenges in contemporary art that have been introduced as a result of an …
I Like America: Painting In The Expanded Field, Isaac Aden
I Like America: Painting In The Expanded Field, Isaac Aden
Theses and Dissertations
Using Structuralist theory, Krauss created a Klein group diagram. the diagram included site sculpture, construction, marked sites, and axiomatic structures.Could the same strategy be applied to painting? As I attempted to engage painting from a critical perspective, I formed of a body of work entitled Painting in the Expanded Field.
There And Now, Tinghua Huang
There And Now, Tinghua Huang
Senior Projects Spring 2017
THERE AND NOW
by Tinghua Huang
History/Observation of Life/Rebellion/Challenge/ Time/(without)Intention
In my exhibition, I have photos, bags, garments, the FIT IN room, and a clock with a second display. I will explain my points for choosing to put them in my show, and it is up to you, the viewers, to take it, expand it, or not. I believe there is never a final answer to art, as long as humans have their own ability to think.
I made the choice of putting the photos in my show to convey a straightforward sense of my personal background: where I am …
Archival Enactment, Retelling 'The Big Book': Alison Knowles, Something Else Press And Fluxus, Meghan A. Dellacrosse
Archival Enactment, Retelling 'The Big Book': Alison Knowles, Something Else Press And Fluxus, Meghan A. Dellacrosse
Theses and Dissertations
"Archival Enactment, Retelling 'The Big Book': Alison Knowles, Something Else Press and Fluxus," positions Knowles’ Big Book (1966) as a case study of historical methodology and interdisciplinary artistic practice in the post-war period. This comprehensive analysis of Big Book, a work of art no longer extant, contextualizes its publisher, Something Else Press through Dick Higgins’ concept of “intermedia,” and important lesser-known junctures relevant to Fluxus and the group’s leader George Maciunas are illuminated. Knowles' early and lesser-known silkscreen paintings are also examined.
The Misconception Of Knowing, The Invention Of Time; Curiosities & Introspections Of Vernacular Photography, Patricia D. Drummond
The Misconception Of Knowing, The Invention Of Time; Curiosities & Introspections Of Vernacular Photography, Patricia D. Drummond
Masters Theses, 2010-2019
The Misconception of Knowing, the Invention of Time; Curiosities & Introspections of Vernacular Photography is a body of work that combines photography, artist books, and alternative processes in a series of pieces that explore the synergy between the act of creating vernacular or common photography, the photograph in its many forms, and the interaction with the photographic image at all the stages of its existence. It also exists in conjunction with this written monograph, which supports and gives insight into the work. Through the use of poems, sketchbook musings, the history of photography, critical theory and social norms within photography, …
Speed And Resolution In The Age Of Technological Reproducibility, Shawn Taylor
Speed And Resolution In The Age Of Technological Reproducibility, Shawn Taylor
Theses and Dissertations
The rate of acceleration of the biologic and synthetic world has for a while now, been in the process of exponentially speeding up, maxing out servers and landfills, merging with each other, destroying each other. The last prehistoric relics on Earth are absorbing the same oxygen, carbon dioxide and electronic waves in our biosphere as us. A degraded .jpeg enlarged to full screen on a Samsung 4K UHD HU8550 Series Smart TV - 85” Class (84.5” diag.). Within this composite ecology, the ancient limestone of the grand canyon competes with the iMax movie of itself, the production of Mac pros, …
Paiting, Lucas Page
Paiting, Lucas Page
Undergraduate Theses—Unrestricted
My work is motivated by the painting “as such” – as an inquiry into and intervention upon what constitutes a painting, how they are constructed, how they function, etc. Through an investigation of painting as a genre, both in its historical canon and contemporary forms, I deconstruct the formal and cultural elements surrounding the field. Four major axes serve as the basis for my inquiry and intervention of painting: Painting, Abstraction, Representation, Control. Taking as a point of departure the comment, “Your work is a representation of abstraction,” I aim to figure out how “the painting” (in all of its …
Temporality, Impermanence And The Museum The Ethics Of Conservation And The Works Of Anselm Kiefer, Virginia A. Dressler
Temporality, Impermanence And The Museum The Ethics Of Conservation And The Works Of Anselm Kiefer, Virginia A. Dressler
Virginia A Dressler