Art and Design Commons^™

Winding Down River Road, Gillian Harper

LSU Master's Theses

As a mechanism to explore my temporary home in Louisiana, Winding Down River Road is a collection of artworks that integrates natural materials collected from landscapes in southern Louisiana with steel and petroleum-based products. My interest in researching environmental issues, ecology, and industry has shaped my vehicles for observation and how I generate data. Through a variety of methodologies, I am considering how climate change is forcing many of us to re-contextualize how our home can be affected by the very industries we rely on. Personal engagement with residents living in the dystopian atmosphere of southern Louisiana’s industrial corridor and …

Half In Dream: The Tangle In The Grid, Abbey L. Paccia

Masters Theses

Half in Dream: The Tangle in the Grid discusses the form and content of a physical art installation by the same name. The site-specific installation is a large three-dimensional collage of natural ephemera collected from the area around Amherst, Massachusetts, which interacts with natural lighting conditions to illuminate a gallery-facing image of ever-moving light and shadow. The written work elaborates some of the many details within the structure of the artwork, and reveals the philosophies, embodied practices, and methodologies that informed the visual work's creation. Woven throughout are reflections on phenomenology, walking practice, General Systems Theory, collective making, narrative arts, …

Pace/Place/Space/Tempo—The Choreography Of Equity And Expressions Of Black Living, Vessna Scheff

Masters Theses

My skin is natural. My skin is political. My hair is natural. My hair is political. My speech is natural. My speech is political. There’s no such thing as apolitical.

My current interdisciplinary practice in painting and performance focuses on how Black diasporic identities hold, create, and process subsistence narratives. For this research, I am asking the questions: What role does pace play in resistance strategies and how can it be communicated through tempo? How are unspoken histories conveyed through movement, silence, the glance of an eye, fat crackling in a cast iron, pushing play on a walkman, and seeds …

Military, Art & The Inbetween, Andrew Storck

Masters Theses

I find myself navigating life from the perspective of both a civilian and military service member. Everyday, I am between domestic, civilian spaces and military memories as my military service has impacted every aspect of my adult life. Serving in the United States Air Force allowed me to travel the globe while working alongside people from every class and race, on missions focused on tasks greater than ourselves.

My artistic practice explores how my time in the military has affected my transition back into civilian life by using sculpture and installation to express a variety of emotions. I hope my …

My Sitayana: Sewing Seeds Of Empowerment, Dhea Kothari

Honors Theses

This thesis is an exploration of sculpture and installation. My project depicts a narrative of generational emancipation of women. The narrative was inspired by Chitra Banerjee Divakaruni’s novel, ‘Forest of Enchantments,’ in which she rewrites the ‘Ramayana’ with Sita, the female character, as the protagonist instead. The Ramayana is a popular Hindu mythological story that revolves around Prince Rama’s quest to rescue his wife Sita from the perils of the villain Raavana. This story encapsulates the undertones of the patriarchal culture in India. This My thesis installation stands as a symbol of generational transformation of love and what it means …

Source Of All Hair, Wearer Of All Socks, Samantha Modder

MFA in Visual Art

I work figuratively in pen, collage, and digital media to portray larger-than-life Black, female characters taking up space in real and imagined worlds. In a series of mural installations, I present a subjective Black woman’s fairytale to process interlocking structures of oppression. Centered in the speculative practice of the Black imaginary that creates spaces of both comfort and confrontation, I tell the story of a Black woman who escapes into an alternate reality made up of only herself, her hair, and the clothes she wears. This text is centered on a chapter of this ongoing narrative, Source of All Hair, …

Sanctuary: The-Construction Of Communion, Carlos Salazar-Lermont

MFA in Visual Art

This thesis narrates the development of the multimedia art installation called Sanctuary. I unwrap the theoretical background of my practice, which is rooted in the theories of deconstruction by Jacques Derrida, and the rhizome theory by Gilles Deleuze and Félix Guattari. I approach my creative process as a grammatic of matter, space, and time, constructing meaning through an interplay of significants that connect to political, social, economic, and cultural implications. In the case of Sanctuary, I sought to create a path of empathy towards Venezuelan refugees in St. Louis, Missouri through the exploration of the concept of communion. …

Mama, Hannah Scott

Student Scholar Symposium Abstracts and Posters

“By writing herself, woman will return to the body which has been more than confiscated from her, which has been turned into the uncanny stranger on display” (Cixous, 1975). Through a depth of research into feminist perspectives on motherhood, I have created an art installation titled, "Mama". From my research, I have found many artists who make work about their experiences in raising children, women’s work and labor, and the trauma of giving birth. Louis Bourgeois, Natalie Loveless, Mierle Laderman Ukeles, Mary Kelly, and Jenny Saville are a handful of artists whose work on motherhood has greatly inspired me to …

Crying At Nothing But Colors, Maryalice Carroll

Graduate Theses and Dissertations

crying at nothing but colors is an installation of ceramic works that explores the abstraction of feelings, both physical and emotional. The installation itself is a house made out of tension cables that stretch wall to wall in the gallery space. Inside the house are 7 ceramic objects placed on wooden pedestals paired with tufted rugs.

Throughout this essay, I will describe the abstract ceramic objects as Beings. They are colorful and have textured glaze on the surface with a gloopy opalescent glaze oozing out of holes that cover each piece. They are an extension of myself. They are the …

The Heart Of The Problem: An Art Gallery Installation To Foster Dialogue On Heart Disease And The Privilege Of Prevention, Olivia Eileen Heinecke

Undergraduate Honors Thesis Collection

We are cautioned constantly about various harmful diseases. However, the deadliest disease tends to be overlooked. Heart disease takes the lives of more than half a million people in the United States every year, yet there is a lack of discussion to address the epidemic at hand (Hill). This is largely due to the “blame the victim” stigma surrounding the generally preventable range of complications. While 80% of cardiovascular disease is avoidable, not every individual has the means of achieving a lifestyle necessary in averting the conditions and their symptoms. For this creative art project, I want to encourage education …

Five Days, David Beams

2022 MFA Visual Arts

No abstract provided.

It Won’T Be Easy, Allison Arkush

School of Art, Art History, and Design: Theses and Student Creative Work

Interdisciplinary artist Allison Arkush engages a wide range of materials, modalities, and research in her practice. In It Won’t Be Easy, Arkush places and piles her multimedia sculptures throughout the gallery to create installations that overlap ­with her writing and poetry, sometimes layering in (or extending out to) audio and video components. This approach facilitates the probing exploration of prevailing value systems through a flattening of hierarchies among and between humans, the other-than-human, and the inanimate—though no less lively. Her work meditates on and ‘vendiagrams’ things forsaken and sacred, the traumatic and nostalgic. The exhibition title acknowledges that the …

A Wound, A Residue, Nicole Dolores Schemansky

Senior Projects Spring 2022

Senior Project submitted to The Division of Arts of Bard College

Until Its Calmness Can Claim You, Gabrielle Mchugh

Theses and Dissertations

This is an invitation to pause //

This is an externalization of my inner landscape, a highlight of what I value in my everyday and what comprises my lexicon of a sacred space. The following is a journey of nets, quiet, the sacred, space, and the in-between; where I share research and questions that are the foundation for my thesis work, Until Its calmness can claim you.

// This is an invitation to find moments of quiet in the noise

Audience Patina: An Enmeshment Of Architecture And Theater, Alison R. Kane

Senior Projects Spring 2022

This senior project entitled Audience Patina: An Enmeshment of Architecture and Theater explores the interconnections and juxtapositions between environmental topographies, liminal space, and imaginary dreamscapes. The project consists of interdisciplinary research used to create a large-scale installation piece, as well as the direction of the play The Stars Come Out at Night. This installation was created in conversation with the play, which was written by fellow theater department senior, Emily Kaufman-Bell. The play is the essential work that briefed the design around a dreamlike environmental imagery. The design and research explore how space and bodies communicate with each other …

She Is Clothed With Strength And Dignity; She Can Laugh At The Days To Come!, Immanuel J. Williams

Senior Projects Spring 2022

Motherhood in the words of Aunt Brenda.

See, we look at our parents first as these godlike figures like they're going to figure it out, not realizing that they were children. They were people. They had dreams and aspirations and all that. And when you strip that away, the title of mother– parent– this woman…. Who is that person?

Well, they're a person. They bleed just like you. They had dreams and thoughts and all that, just like you.

You know, I challenge everybody, you know, take your mother or father off of that godlike pedestal because you'll find that …

Assimilating Antiquated Attachments, Brittney Wegener

All Graduate Theses, Dissertations, and Other Capstone Projects

Intention is a stage set for all the world to perceive. I intend to shake the status quo, I intend to break loose from that which I think I know, I intend to learn, and yet unlearn, I intend to make and be the most liminal that I can be bridging the spaces in between. I hope in the following lines that you too may come to believe in the we. Down the rabbit hole she goes, into the deep confines of her mind. Upon approaching the curious, contorting caterpillar she’s asked, “Whoooo are yooou, I said AGH WHOO ARE …

Ouroboros, Haley R. Biere

MSU Graduate Theses

My work uses both painterly and sculptural elements to convey my personal transgender experience. My work is for the little girl who I was, who was incapable of speaking out or expressing themselves. I create work for others that face similar situations, as well as for those who face feelings of gender dysphoria, as I did and still do by not conforming to the gender I was assigned. Working the way that I do is a way for me to rediscover myself after years of shoving my identity to the side for the sake of others. Growing up in rural …

The Silent Rage Of Being Loved, Michelle R. Albertson

Theses and Dissertations

The Silent Rage of Being Loved is a multimedia installation working primarily with photography, video, and sculpture. It explores the nuanced ways in which memory, grief, and veneration manifest physically in my life through objects and my body. My proposed thesis installation is intended as a place of refuge for my audience amongst a shrine-like space and for us, collectively, to reexamine and widen the ways in which we experience mourning and grief.