Art and Design Commons^™

Rockin’ Rover On The Rainbow Road, Michael Kolta, Lawrence Burgee, Ying Yuan

Transformations

This paper presents a progressive series of age-appropriate lesson plans for grades K-12 that all use the same interdisciplinary activity to educate students about Science, Technology, Engineering, Art, and Mathematics (STEAM) simultaneously. Technology from Texas Instruments (TI) was employed including a TI Nspire graphing calculator that can run Python programs, a TI Innovator Hub, and a TI Rover. The TI Rover is a small, robotic car that has sensors and is controlled by the calculator via the Hub hardware interface. A Python program was developed that uses the color sensor in the Rover to detect the color on colored paper …

Mediating More-Than-Human Care: Art, Design And Climate Governance, Liesbeth Huybrechts, Jaz Hee-Jeong Choi, Rachel Elisabeth Clarke, Louise Mazet, Kana Ohashi

DRS Biennial Conference Series

Art is increasingly mobilised in climate governance and policy, yet often instrumentalised for predefined human agendas of data visualisation, awareness raising, and science communication. This paper explores design research’s role as a mediator of more radical art-driven participation that cultivates more-than-human care ecologies: relational configurations that redistribute sensing, accountability, and decision-making across human and other-than-human actors. Drawing on theories of care and affective politics, we examine how design research can support art-driven participation through a critical literature review. Three illustrative case studies addressing sustainable transitions on an interregional level, urban air pollution, and disaster recovery demonstrate a move from anthropocentric …

Queer/Cuir Methodological Approaches In Activist Design And Art Research In Contemporary Brazil., Guilherme Altmayer

DRS Biennial Conference Series

This article explores the methodological approaches developed within the Tropicuir research project, an investigation of activist queer art and design practices in Brazil, started in the 2010s. Through a combination of activist research, sentimental cartography, and collaborative curatorial practice, the study examines how aesthetic-political actions function as strategies of micropolitical resistance, collective memory, and worldmaking. Drawing from fieldwork in exhibitions curation, archival practices, art auctions and activist networks, the research articulates a methodological framework that blurs the boundaries between design and art, embracing embodied, affective, and relational modes of inquiry. By engaging concepts such as anthropophagy, micropolitics, and localized knowledge, …

Cut And Cultivate: Process And Practice, Kailey Atkinson

Master of Fine Arts in Visual Arts

Using a candy-coated, flower-ridden, bright palette and maximalist sense of composition, my artwork builds community through narrative collage, photography, painting, sculpture, poetry, and social practice. Through a feminist lens, these bright works explore body image, gender roles, and social issues. Obsessively collecting and repurposing an archive of vintage imagery, my work draws parallels between traditional and contemporary topics through the language of collage and redaction.  My nascent social practice has led me to engage with narratives outside my own experience and offer my process as a healing modality to other women.

In a tumultuous political climate where art can serve …

Arts On The Point: Boston's First Public Sculpture Park, Isabella Slonka

Honors College Theses

Led by the conviction that “a public campus needs public art,” Professor Paul Tucker founded UMass Boston’s Arts on the Point (AoP) sculpture park in 1997. Large-scale works by world-class contemporary artists including Sol LeWitt, Dennis Oppenheim, Luis Jiménez, Sheila Pepe, and Mark di Suvero were made accessible to students, served as teaching aids and attracted those outside of UMB to Columbia Point. AoP’s use of long term loans made the landscape itself a rotating gallery.

Consideration of the “personality” of the campus was essential in the selection of works. Site visits with artists were conducted to ensure that their …

Collecting Meaning: A Study On Collecting As An Artmaking Practice, Johanna Young

Masters Theses

This thesis explores how we practice creativity and construct narratives through the act of building collections. It examines collecting as both an innate creative impulse and a learned process. Using arts-based research and narrative inquiry, the study considers how our collecting habits reflect the ways we process information and express personal artistic interests. Drawing from personal experiences, this thesis mines the idea of the subconscious through the artistic lens of collecting.

Useful Useless Object, Jisu Han Jung

Masters Theses

If spicy ramyun is spicy for others but not for me, is it still spicy

ramyun? This question begins Useful Useless Object, my investigation

into furniture as a site where function, perception, and value are

constantly negotiated rather than fixed. From this question, I

explore how meaning is shaped by the unstable relationship between

object and user. In furniture, usefulness is often treated as an

objective standard, measured by comfort, efficiency, or practicality.

However, this project argues that usefulness is never universal;

it is subjective, relational, and dependent on individual experience,

expectation, and desire.

Through making objects that sit between …

In The Wake Of Sound: On Field Recording, Materiality, And Reparative Listening, Ivy Fu

Dartmouth College Master’s Theses

This thesis develops a practice of field recording, spatial audio composition, and soft-circuit installation grounded in what I call reparative listening: a slow, materially attentive form of attention oriented toward what dominant recording apparatuses suppress, discard, or fail to register. Across five major projects—Fable Upon Ununified Grounds (2023), Cocoon (2024), Tether (2025), Hide & Seek (2026), and Frequency Commons (2026)—I treat sound not as an extractable output but as a relational event shaped by site, body, material, and signal loss. The work draws together Jane Bennett's vibrant materialism, Eve Kosofsky Sedgwick's theory of definitional crisis and the open secret, Zhuangzi's …

[De/Re]Construct: On The Communion Of Nature And The Divine, Rhiannon E. Kuns

Honors Projects

Closely intertwined with my personal journey of faith and spirituality, [De/Re]construct has been a place to consider questions that repeat over and over. Each time I ask, I get a different answer. These questions are not new, but the idea that I can change my answer is. This project has been the place to map my thoughts, feelings, and beliefs using the familiar. The trees, the colors and the places are known to me; so is my creative process, the planning, sketching, and painting. I am using the regular to grapple with the unanswerable.

[De/Re]construct has evolved drastically since I …

What Is Mine, Yours And Ours: Bodily Metaphor And Neuropsychology, Alicia K.E Parham

Art Theses and Dissertations

Mapping the landscape of the brain has taken human lifetimes to navigate, both structurally to understand how our biological functions interact and functionally as our thoughts and emotions shape our existence. Neurological stimulus and response inform our reality, shape our thinking, and affect our bodies in profound physiological ways. Our nervous system acts as a bridge from what we experience physically to what we feel emotionally, through the sending of electrical signals to all parts of our body.

My art practice explores the interactions of neuroscience with outside stimuli. It is rooted in the personal: learning that a neurological condition …

Maa': An Analysis From The May Weber Ethnographic Study Collection, Claire T. Chilla

Department of Anthropology

Research of a maa’ textile within the May Weber Ethnographic Study Collection (MWESC) from Central Sulawesi, Indonesia. Report discusses different knowledge systems including technical and physical as well as cosmological and spiritual from the Toraja people. Also analyses affects of colonialism, trade, spirituality, tourism, and funerary practices.

The Mind Behind The Art: A Process Of Creative Intention, Dana Chorley

Student Projects

My capstone captures the different processes behind creative visual development through the creation of conceptual art and character design. The layout of this kind of work begins with a cognitive construction of an idea, usually a narrative to be told that must be done so through visual means, as understanding an idea of the bigger picture of a project helps enlighten pathways of how to approach the beginning creation phases. Next comes the research process, from searching up history that might pertain to their project or simply finding guidelines or references to help structure the design. My process here took …

Weathered, Haylee A. Dyess

Electronic Theses and Dissertations

Weathered focuses on themes of change, accumulation, time, and acceptance. Each artwork holds layers of information and experiences that form a unique narrative for all its viewers. The construction of each piece is a symbol of the physical ability it takes to create each painting. After my mobility was hindered due to my medical conditions, a new appreciation for physical health and the world I live in was gained. Striving to pack this sense of appreciation into my work, my method became a way for me to cope with my illness and to enjoy being creative, freely.

My art is …

Artistic Embodiment: The Role Of Art-Based Research In Communicating Disability Experiences, Juliana Scheopner

Theses/Capstones/Creative Projects

Visual art has immense potential to communicate complex experiences of disability. As a disabled artist, I am interested in how disability has been portrayed in artwork, particularly in how other disabled artists choose to represent their lived experiences. Through art-based research, this study explores how disabled artists have used portraiture to depict their disability. Selected art includes work from Frida Kahlo, Deborah Padfield, Persimmon Blackbridge, and the author. Following an analysis of literature, selected artworks, and salient disability scholarship, emergent themes were identified. The focus on the complexity of disability experiences demonstrated the importance of considering a wide range of …

Cartoons From Dickinson Poetry, Abby B. Tarr

Theses/Capstones/Creative Projects

This zine interprets poems by Emily Dickinson through cartoons. The drawings do not replace the poems. They offer a different way to understand them, translating abstract language into clear, visual moments. This approach shows how meaning can shift when it moves between forms, from text to image. The zine invites readers to engage with Dickinson’s work in a different format while still preserving the original work and context.

Grit, Nikita Nenashev

All Graduate Reports and Creative Projects, Fall 2023 to Present

Grit is the pursuit of intuition and sustained attention in the search for expression. My work aims to create a sense of both familiarity and mystery by operating between the framework of utility and abstraction. I investigate the liminal space between what is known and unknown, creating surfaces and forms that challenge our perceptions of beauty.

Working gesturally and swiftly invites the clay to reveal indicators of its character, leaving evidence of the forces involved in the creation of each form. Textured and scorched surfaces, produced through the firing process, reflect the transformation of malleable material into a state of …

Maa’: An Analysis From The May Weber Ethnographic Study Collection, Claire T. Chilla

Department of Anthropology

An analysis of Maa’ textiles from Sulawesi Indonesia. Discusses both the artistic symbolism, possible physical creation, and the spiritual connection of the textile for the Torajans. Informs through the lens of globalization, colonization, and funerary practices from the country of origin.

The Space In Between, Cailyn Dawson

Theses and Dissertations

This paper asks the question: is it possible for our bodies to hold contradicting identities at the same time?  Through monochromatic self- portraits, the artist creates a link between quantum mechanics and painting, using the principle of superposition to depict these multiple unformed states of being.

Lovepilled, Zhiliang Zhao

Theses and Dissertations

"Lovepilled" is a collection of essays and stories about love, the longing for it, and where it takes place.

Grass As Green As Money, Andrew Dominguez

Theses and Dissertations

Grass as Green as Money looks at golf and painting, making comparisons based on class privilege and barriers to entry to examine the audience’s role in determining meaning in an artwork. It establishes historical research into the artist’s paintings’ aims to produce self-awareness within a contemporary art context.

Nasty, Mya L. Correa

Electronic Theses, Projects, and Dissertations

I am exploring artwork about women’s power and sexuality, centering on hair. I’m interested in how hair carries history and how it has been used to control and frighten women. I’ve been reading feminist artists’ books and researching their findings alongside my own work. Drawing on my personal history, my mother’s story, and the experience of raising my daughters, I consider how my children’s lives differ from mine and my mother’s, and what those differences reveal.

Hair has long been wielded as a weapon to enforce expectations on women’s bodies by a society afraid of losing control. As creators of …

Echoes Of Becoming - K. Morrell, Kole K. Morrell

Electronic Theses, Projects, and Dissertations

I work sculpturally, exploring presence, transformation, and emotional weight that is not inherently visible. My forms are recognizable yet unsettled, existing between familiarity and distortion. Meaning is not fixed or declared, it reveals itself slowly through texture, material, and time spent in observation.

I approach making as a form of therapeutic ritual. Through touch, I shape and alter the material, imbuing it with the story of emotions I want to convey to the viewer. I am most connected to the work in its “in-between” states, when the form is still shifting and unresolved. In these moments, it mirrors my own …

Chromatic Meditations, Jessica Csanky

The Transdisciplinary STEAM+ Journal

My reflection traces the development of In Harmony, a cross-cultural exhibition created in collaboration with Japanese artist Hisakazu Suzuki, emerging from a chance encounter and realized through a shared commitment to peace. Presented at the 4th Annual Peace Conference, the exhibition explores how artistic practice can transcend language and cultural boundaries to foster connection, hope, and collective vision during a time of global uncertainty. Centered on my series Chromatic Meditations, the work investigates the inner dimensions of peace through mindful, ritual-based painting practices shaped by pregnancy and the anticipation of new life. These emotionally resonant color-field landscapes invite …

Diagrammatic Contemplation, Khang Nguyen

The Transdisciplinary STEAM+ Journal

This work presents the integration of contemplative practice engaging western and eastern philosophies about apperception, consciousness, presence with an art practice that uses diagrammatic contemplation as a basis for developing and presenting art. The aim is not just an optical effect, but to engage the viewer in experiencing non-dual consciousness.

Foundations Of Art: Materials, Methods, And Meaning, Elizabeth Mellott

Art OERs

This course provides an introduction to the tools, materials, and processes used across a wide range of artistic media. The focus is on understanding how different materials shape the way art is created and experienced. Attention is given not only to what artists make, but also to why particular media are chosen to communicate specific ideas, emotions, or perspectives. The physical qualities of materials, the methods used, and the cultural meanings attached to them all influence artistic decision-making.

The course surveys several major categories of artistic media. Pigment-based practices include painting, drawing, and printmaking, where color and mark-making form the …

Themed Entertainment Design, Katelyn Jones

Whittier Scholars Program

This project is a comprehensive design package for a themed entertainment experience. It is formatted similarly to how a project pitch works in the Themed Entertainment industry. This is my concept work for an immersive, interactive, themed walkthrough that takes the guest through the story of King Arthur and the wider Arthurian legend. I have done extensive tonal research, leading me to develop a narrative structure for the experience. From this narrative, I created iterative sketches, a key illustration, a CAD model of one of the spaces, and a scale physical model. All of these pieces together give the viewer …

Distilled Identities: The History And Gender Politics Of The Perfume Industry, Emma Shaffer

Honors Projects

This paper analyzes the use of gendered perfume marketing in the West. Drawing upon the work of Joe Schwartz, Sarah Evrett, and others, I examine the history of this phenomenon and the politics keeping the perfume market segregated by gender. How long has perfume existed? Has it always been so strict on who wears what fragrance? My results found that perfume has only been gendered since the Victorian era, dispelling the myth that gendered fragrance is the only way to market perfume. However, I also found that when gender neutral fragrances have been introduced, they have not had much staying …

Woven Color: Historical Uses Of Color Theory Woven Into Fiber Art Practice, Mary K. Greenwood

SACAD: Scholarly Activities

This semester-long project, created in Material Exploration, examines the use of historical color theory within contemporary fiber art to evoke emotion and narrative. Drawing from established color systems, artistic movements, and artist inspirations, the work explores how color relationships, such as harmony, contrast, and saturation, can communicate mood and meaning. Through experimentation with textile materials and processes, each piece integrates intentional color schemes to enhance storytelling through both visual and tactile elements. Ultimately, the project highlights how applying historical color theory within fiber art can deepen emotional resonance and connect traditional practices with contemporary expression.

Satori 2026, Lupema Celis Castillo, Amity Collins, Lydia Domaille, Grace Emiliusen, Alysen Endres, Holly Foss, Jenifer Frick, Benjamin Hagen, Linda Hang, Ely Herrick, Axel Hillis, Eva Hodnick, Sarah Huderle, Dylan Jackson, Kira Kainz, Sayeeda Khan, Greta Kirsch, Reianna Larson, Jacinda Lundeen, Kendra Mcclure, Marissa Mcclure, Linda Moua, Kaylee Nickisch, Ella Page, Kari Plumley, Caleb Reed, Reagan Roesler, Sarah Schmick, Mandie Schmidt, Elizabeth Schneider, Lucy Severson, Gracia Sonderup, Emily Sowers, Celia Stern, Shelby Svien, Liz Tischler, Jackie Velishek, Allen Wedekind

Satori Literary Magazine

The Satori is a student literary publication that expresses the artistic spirit of the students of Winona State University. Student poetry, prose, and graphic art are published in the Satori every spring since 1970.

The Satori 2026 editors and creators are:

Design and Technical Editors: Elena Armstrong, Jenifer Frick, Eva Hodnick, Sarah Huderle, Linda Moua

Prose Editors: Shaela Eriksen, Linda Hang, Camden McDonald, Callie Sahlstrom

Poetry Editors: Lydia Domaille, Dylan Jackson, Reagan Roesler, Allen Wedekind

Art Editors: Kendra McClure, Jade McElmury, Charlie Lund

Faculty Advisor: Dr. Liberty Kohn

WINONA PRIZE WINNERS 2026

• Allen Wedekind (Nonfiction) -  Pleasant Transgender Man
• Mandie …

Clark Student Voices Literary Magazine, Issue 7: Wish (Spring 2026), Clark Student Voices Literary Magazine Contributors

Clark Student Voices Literary Magazine (2023-present)

Issue 7 of the Clark Student Voices Literary Magazine, published in the Spring 2026 semester. The theme of the issue is 'Wish'. A semesterly publication curated by Clark University students, CSVLM creates space for students to share their creative writing including poetry, prose, and artwork. Organizing and distributing Clark Student Literary Voices builds community by uniting the many creative students on the Clark campus.