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Articles 1 - 9 of 9
Full-Text Articles in Art and Design
Portraits: A Study In Objects, Family Relations, And Race, Julie Quintero
Portraits: A Study In Objects, Family Relations, And Race, Julie Quintero
Theses
My final project is a body of mixed-media portraits which were exhibited at SculptureWorks Ferguson in December, 2021. Each of the twenty works are visual representations of events, identities, or relationships, experienced in both the past and the present. The materials used to help push each narrative include fabric, yarn, coffee filters, embroidery, wood, stain, plaster, metal, concrete, inks, conte, paints, and/or found objects. Each piece demonstrates a unique combination of image, media, and technique in the field of contemporary art. Some of the works include objects made by the people being portrayed. Others include materials that were acquired via …
Painting Outside Of The Lines: How Race Assignment Can Be Rethought Through Art, Giovanni Mella-Velazquez
Painting Outside Of The Lines: How Race Assignment Can Be Rethought Through Art, Giovanni Mella-Velazquez
Gettysburg Social Sciences Review
For centuries art has been used to make us think about our own human experiences. Unfortunately, works usually reflect the era which they were painted in; this has led to various artists showing, maintaining, and therefore reinforcing racist thoughts in our cultures. Art can be used to create a new narrative for our race assignments and their meanings. The idea of loving one's roots has been prevalent in many cultures, but in art form a disconnect between history and the everyday experience can arise which could miss the mark in helping us redefine our own race. Therefore, artwork which empowers …
The 2020 Awakening: A Study On Exhibiting Topics Of Race And Identity In Mid-Sized Art Museums, Samantha Becker
The 2020 Awakening: A Study On Exhibiting Topics Of Race And Identity In Mid-Sized Art Museums, Samantha Becker
Seton Hall University Dissertations and Theses (ETDs)
After the many racial injustices that occurred in 2020, cultural institutions have been motivated to educate the public on historical and contemporary topics of race and identity. This project sought to analyze exemplary cases of exhibition production with topics of race and identity in mid-sized art museums. The goal was to provide a set of recommendations for exhibiting these topics to bolster community trust. Two museums were studied–the Montclair Art Museum and Newark Museum of Art–which revealed that the exhibitions at both institutions were relevant to contemporary issues, engaging to their respective communities, and educational for a wide range of …
To The Studio, In The Studio, Home, Miquel R. Veldkamp
To The Studio, In The Studio, Home, Miquel R. Veldkamp
Theses and Dissertations
A curated series of poems and mini essays that reflect on personal life, politics, art history, folklore, science, identity and race. It addresses the questions that inform my work, and echoes its ethos of play, exploration, curiosity, vulnerability.
Own Your Politics: The Entanglement Of Resistance And The Luxury Fashion Industry, Brent A. Van Horne
Own Your Politics: The Entanglement Of Resistance And The Luxury Fashion Industry, Brent A. Van Horne
Dissertations, Theses, and Capstone Projects
This thesis takes as its subject the increasing instrumentalization of social and political content by the fashion industry in recent years. Such content raises questions about the relationship between notions of political resistance and market capitalism. Marxist theorists such as Frederic Jameson and David Harvey would perhaps view this phenomenon as a confirmation of the ways in which late capitalism incapacitates forms of political descent by absorbing it within its machinations. Within this line of thinking, the way in which various designers use the fashion runway as a forum for protest would suggest late capitalism’s seemingly boundless ability to absorb …
Painting While Black: Exploring Racial Identity Through Iconography, Blake Morton
Painting While Black: Exploring Racial Identity Through Iconography, Blake Morton
CMC Senior Theses
An exploration grounded in the works of visionary artists within the contemporary Post-Black era. Artists such as Kara Walker, Kerry James Marshall, and Glenn Ligon whose works resonate with the fears, anxieties, and intentions that I wrestled with. I engaged with the iconography and historical background of the contemporary Post-Black era. A dive into the historical, philosophical and artistic implications behind making art about race and racism as a Black artist. Ultimately, through the aid of artists from the Post-Black era, I created a three-part response to the initial question: “Why don’t you make art about race?”
Painting While Black: Exploring Racial Identity Through Iconography, Blake Morton, Blake Morton
Painting While Black: Exploring Racial Identity Through Iconography, Blake Morton, Blake Morton
CMC Senior Theses
I constantly experience external pressure to make identity-related art work in response to the ongoing racial-reckoning occurring in the United States.
Initially, I was concerned with the pitfalls of creating identity-art. One of which being pigeon-held as a Black artist— whose sole function is to share my vulnerable experiences —and be commodified and diluted for superficial consumption. A Black artist whose work would only be valuable when institutions needed to satisfy a diversity quota, a Black History Month initiative or to conduct damage control after being “canceled.”
All of which may very well still happen. I’ve utilized this project to …
Painting While Black: Exploring Racial Identity Through Iconography, Blake Morton
Painting While Black: Exploring Racial Identity Through Iconography, Blake Morton
Scripps Senior Theses
I constantly experience external pressure to make identity-related artwork in response to the ongoing racial-reckoning occurring in the United States.
Initially, I was concerned with the pitfalls of creating identity-art. One of which being pigeon-held as a Black artist— whose sole function is to share my vulnerable experiences —and be commodified and diluted for superficial consumption. A Black artist whose work would only be valuable when institutions needed to satisfy a diversity quota, a Black History Month initiative or to conduct damage control after being “canceled.”
All of which may very well still happen. I’ve utilized this project to work …
In/Visible, Raymond Thompson Jr
In/Visible, Raymond Thompson Jr
Graduate Theses, Dissertations, and Problem Reports
My MFA thesis and supporting exhibition focus on challenging the United States’ photographic archive that often left out African-American people. The work, through the use of appropriation and alternative photographic processes, disrupts America’s historical visual archive and notions that surround the white gaze. Through the unsettling of this visual space, new speculative narratives can be created to help imagine new futures. This work is the beginning of a process of mourning histories I have never known and reclaiming a place for myself and my family in the American landscape that is free of racial trauma.