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Full-Text Articles in Art and Design

Counterpoint: Music And Art Education, Eileen Kosasih Jan 2021

Counterpoint: Music And Art Education, Eileen Kosasih

MA Projects

Music education programming is generally not as accessible or available as museum education programming. General music illiteracy and the elitism of music education perpetuate a cycle of inaccessibility and lack of understanding of the value of music education. Meanwhile, the auditory art form is a fundamental component of culture, society, and history. Music’s language and history should be understood and appreciated widely. Art museum education programmers can work with music educators, music historians, and classical music programmers to incorporate music education into museum education programming. This project consists of three parts. The first section advocates the inclusion of music education …


Megan Stout Design: Design Firm Business Plan, Megan Stout Jan 2021

Megan Stout Design: Design Firm Business Plan, Megan Stout

MA Projects

Megan Stout Design is a full-service interiors firm rooted in delivering artful spaces
with a sense of easygoing elegance — from its architectural heritage to its modern spirit. We focus on high end residential and commercial hospitality projects coupled with art advisory services. We can assist in all aspects of a project from start to finish, including but not limited to consulting with architects and artists, as well as providing a tailor-made approach to finishes, furnishings, and custom drawings. Working within a clear and transparent time frame, we track everything from costs to schedules. We’re conversant in the languages of …


Why Be A Great Women Artist When You Could Be Spectacular: The Study Of Women Old Masters In The Art History Canon Through Art Market Bias, Zoë Mahler Jan 2021

Why Be A Great Women Artist When You Could Be Spectacular: The Study Of Women Old Masters In The Art History Canon Through Art Market Bias, Zoë Mahler

MA Theses

It has been 50 years since the publication of Linda Nochlin’s renowned 1971
essay, “Why Have There Been No Great Women Artists?” On the 50th anniversary, the question remains the same. Questioning the woman artist’s place in the art world has become nuanced, and the restraints women experienced, as highlighted by Nochlin, still have validity today. By exploring the last 20 years of the art market and the perception of the woman’s place in the art world, it is clear progress has been made in certain respects, especially regarding Women Old Masters. The canon of art history and the subsequent …


Contemporary Textiles: Unraveling White Feminist Discourse, Meredith Friedman Jan 2021

Contemporary Textiles: Unraveling White Feminist Discourse, Meredith Friedman

MA Theses

In recent decades, attention to textile art has flourished. The growth of contemporary studies committed to revising fiber’s hierarchical categorization represents a discursive turn heavily weighted within feminist inquiry. The interrelation between textile techniques and constructs of femininity and domesticity was at the base of a robust interdisciplinary field of feminist theory developing around the 1970s in the US. Often referred to as the second wave of feminism, this era experienced scholars and artists proposing the medium’s capacity to counter the elusive genre’s marginalization and, by extension, presenting textile’s ability to subvert notions of gender difference. This analysis aims to …


The Durability Of Authenticity: An Examination Of The Art Conservator’S Role In Preserving Authenticity, Emily Crozier Jan 2021

The Durability Of Authenticity: An Examination Of The Art Conservator’S Role In Preserving Authenticity, Emily Crozier

MA Theses

This thesis will focus on the conservation of privately owned paintings by deceased artists to determine the durability of authenticity. The concept of authenticity is fragile and illusive. However, there are certain theories and attributes which help to determine whether a painting is authentic. It is generally agreed that the authenticity of a painting can be maintained or lost through conservation. It is therefore presumed that the conservator is ethically driven to preserve the authenticity of a painting as its cultural value is of paramount importance in the conservation process. However, conservation is not a purely ethical issue as it …