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Full-Text Articles in Art and Design

Clan In Da Front - Wu-Tang: An American Saga Review, Marcus Smalls Dec 2021

Clan In Da Front - Wu-Tang: An American Saga Review, Marcus Smalls

Journal of Hip Hop Studies

@MarcusSmalls is a Teaching Artist and writer who uses his lifelong love of Hip Hop to moderate creative environments around spirituality and identity. He has been a writer in residence at Teachers & Writers Collaborative and a WritersCorps fellow at Bronx Council on the Arts and is the recipient of the 2021 St. Luke’s Alumni Artistic Achievement Award. Marcus has workshopped with award winning authors, M. Evelina Galang at VONA/Voices in 2015 and A. Naomi Jackson in Catapult’s Master Class in 2017. Marcus is currently featured on The MixTape Museum website. Marcus is a Teaching Artist for the Brooklyn Academy …


Give Me Body! Race, Gender, And Corpulence Identity In The Artistry And Activism Of Queen Latifah, Shannon Cochran Dec 2021

Give Me Body! Race, Gender, And Corpulence Identity In The Artistry And Activism Of Queen Latifah, Shannon Cochran

Journal of Hip Hop Studies

Celebrity Queen Latifah’s body is one of the most observable Black female bodies in contemporary United States culture. Using Black feminist theory, textual analysis, and Hip Hop theory, I examine Queen Latifah’s Hip Hop corpulence bodily and narrative performativity. That is, I identify her usage of her body in different and varied spaces. Even though Queen Latifah’s weight has fluctuated throughout her career, she has centered her body in spaces that have previously been hostile to corpulent, defined here as simply meaning larger and nonconforming, bodies; particularly, corpulent Black female bodies. I build on the work of Black feminist scholars, …


“A Different Type Of Time”: Hip Hop, Fugitivity, And Fractured Temporality, Pedro Lebrón Ortiz Dec 2021

“A Different Type Of Time”: Hip Hop, Fugitivity, And Fractured Temporality, Pedro Lebrón Ortiz

Journal of Hip Hop Studies

In this article, I seek to explore Hip Hop as an expression of marronage. I identify marronage as an existential mode of being which restitutes human temporality. Slavery and flight from slavery constituted two inextricable historical processes, therefore logics of marronage must also constitute contemporary human experience. I argue that Hip Hop offers a distinct way of affirming and expressing one’s existence through what has been called a “maroon consciousness.” In the same way that maroons created new worlds free from the tyranny of slavery, Hip Hop offers the Hip Hoppa a space free from colonial logics.


A Critical Interpretive Synthesis Of Research Linking Hip Hop And Wellbeing In Schools, Alexander Crooke, Cristina Almeida, Rachael Comte Dec 2021

A Critical Interpretive Synthesis Of Research Linking Hip Hop And Wellbeing In Schools, Alexander Crooke, Cristina Almeida, Rachael Comte

Journal of Hip Hop Studies

Hip Hop is recognized as an agent for youth development in both educational and well-being spaces, yet literature exploring the intersection of the two areas is comparatively underdeveloped. This article presents a critical interpretive synthesis of twenty-two articles investigating school-based well-being interventions which used Hip Hop. The critical stance taken aimed to identify or expose assumptions underpinning this area of scholarship and practice. Our analysis suggested several assumptions operate in this space, including the idea rap represents a default for Hip Hop culture, and the default beneficiaries of Hip Hop-informed interventions are students of color living in underprivileged, inner-city US …


Foreword, Travis Harris Dec 2021

Foreword, Travis Harris

Journal of Hip Hop Studies

Foreword to volume 8 issue 1.


Covid Edition, Journal Of Hip Hop Studies Dec 2021

Covid Edition, Journal Of Hip Hop Studies

Journal of Hip Hop Studies

No abstract provided.


Spirituality Countering Dehumanization: A Cypher On Asian American Hip Hop Flow, Brett J. Esaki Dec 2021

Spirituality Countering Dehumanization: A Cypher On Asian American Hip Hop Flow, Brett J. Esaki

Journal of Hip Hop Studies

Flow—an artistic connection to the beat—is essential to the experience and cultural mix of Hip Hop. “Flow” is also a term from positive psychology that describes a special out-of-body state of consciousness, first articulated by Mihaly Csikszentmihalyi. When Hip Hop performers get into artistic flow, they sometimes become immersed in psychological flow, and this article examines the combination for Asian American Hip Hop. Based on my national survey of Asian Americans in Hip Hop, I argue that dual flow inspires spiritual transformation and mitigates the dehumanization of social marginalization. However, the combination of terms presents problematic possibilities, given that Hip …